Friday, 31st January 2020, 8 PM, KOMED-Saal
Karlheinz Stockhausen | REFRAIN (1959) for 3 players
Steffen Krebber | Amphiference (2019) for drumset, minimoog and 2 loadspeakers – world premiere
Karlheinz Stockhausen | KONTAKTE (1958–1960) for piano, drums and tape
Dirk Rothbrust, drums
Benjamin Kobler, piano and drums
Ulrich Löffler, celesta and minimoog
Kathinka Pasveer, sound direction (KONTAKTE, REFRAIN)
Steffen Krebber and Daniel Seitz, sound direction (Amphiference)
Lea Letzel, spatial installation and lighting
Pieces by Mauricio Kagel:
Rrrrrr (1981–82) for voice and piano
Rrrrrr (1981–82) for violin, clarinet and piano
Der Turm zu Babel (Auszüge) (2002) for voice
Schattenklänge (1995) for bass clarinet
Unguis incarnatus est (1972) for piano and bass clarinet
Ludwig van (1969/70) for voice, violin, clarinet and piano
Carl Rosman, clarinet
Martin Lindsay, voice
Ulrich Löffler, piano
Hannah Weirich, violin
Lea Letzel, spatial installation and lighting
Saturday, 1st February 2020, 7 pm, Komed-Foyer
Giacinto Scelsi | Okanagon (1968) for harp, double bass and tamtam
Karlheinz Stockhausen | Mikrophonie (1964) for tamtam, two microphones, two filters and controls
Ensemble Musikfabrik
Saturday, 1st February 2020, 8 pm, Komed-Saal
Enno Poppe | Zug (2008) for seven wind instruments
Georg Friedrich Haas | über den Atem, die Stille und die Zerbrechlichkeit … (1994) – for seven brass instruments
James Tenney | saxony (1978) for brass quintet
Ensemble Musikfabrik
Enno Poppe, conductor
Sunday, 2nd February 2020, 5 PM, Studio of Ensemble Musikfabrik
Situations. A hybrid format in a scenographed space in which the body and electronic sounds interact with machines, algorithms and mechanical objects.
Florentin Ginot, Konzept
Live music by Stefan Prins in collaboratio with
Helen Bledsoe, flute
Dirk Rothbrust, percussion
Christine Chapman, horn
Florentin Ginot, double bass
Lea Letzel, collaboration to the stage direction and lights
Antoine Milian & Jacques Bouault, mechanisms and programmation
