Montagskonzert – L’art de toucher: new music for period instruments

Monday Concert curated by Sara Cubarsi

Mayah Kadish – Diminutions on the madrigal Cor mio, non mori? (2020) by Monteverdi (1567-1643)
for voice, baroque bassoon and baroque violin

Sven-Ingo Koch – Von der Liebe zur Linie IV – movement 1, 2 and 4 (2022) german premiere
for baroque violin

François Couperin – L’Apothéose de Lully (1724)
for trio sonata instrumentation

Evan Johnson – L’art de toucher le clavecin 3 (2011)
for piccolo, baroque violin and percussion

Annegret Mayer-Lindenberg – Keine Zeit für Nachtigallen (2023) world premiere
composition commissioned by Sara Cubarsi supported by the Kunststiftung NRW
for tromba marina and percussion

Christoph Graupner – Trio a viola d’amore, chalumeau e cembalo (1735/37)
for viola d’amore, chalumeaux, baroque bassoon, double bass and theorbo

Mazyar Kashian – Tardjomeh (2023) world premiere
for viola d’amore an chalumeaux

Heinrich Ignaz Biber – Rosenkranz-Sonate Nr. 6 (Leiden Christi am Ölberg), I. Lamento
for hardanger fiddle

Liza Lim – Philtre (1997)
for hardanger fiddle

Helen Bledsoe, piccolo
Carl Rosman, chalumeau, voice, recorder
Dirk Rothbrust, percussion
Florentin Ginot, double bass
James Aylward, baroque basson
Yuichi Sasaki, theorbo
Sara Cubarsi, viola d’amore, hardanger fiddle, tromba marina, baroque violin, curator

This concert will be accompanied by an intodruction organised by the Thomas-Morus-Akademie Bensberg https://tma-bensberg.de/coach_seminars/konzert-beruehren/#tab-id-1.

The concert will also be streamed live on YouTube and Facebook.