Konzerte der Stadt Kleve

Variations for Koto Dylan Lardelli | Trio (2017/18) for bass koto, violine and oboe – world premiere Jimmy Lopez | Speculorum (2002) for oboe and koto Malika Kishino | Monochromer…

Variations for Koto

…blend of the 2 instruments in quite a lyrical way. There are two Premières in the concert. The first one is by the New Zealand composer Dylan Lardelli, who I…

Variations for Koto

Dylan Lardelli | Trio (2017/18) for bass koto, violin and oboe Rebecca Saunders | To & Fro for oboe and violin Malika Kishino | Monochromer Garten V (2012) for koto…

Variationen für Koto

Dylan Lardelli | Trio (2017/18) for bass koto, violin and oboe Rebecca Saunders | To & Fro (2002) for oboe and violin Malika Kishino | Monochromer Garten V (2012) for…

Shaking In The Garden

…Veale and Axel Porath have brought to life very beautifully. Many thanks to Creative NZ for the funding and to Dylan Lardelli and Ensemble Musikfabrik for the commission. Hermine Johnson…

Shaking In The Garden

…Veale and Axel Porath have brought to life very beautifully. Many thanks to Creative NZ for the funding and to Dylan Lardelli and Ensemble Musikfabrik for the commission. Hermine Johnson…

New Zealand-Tour

Distances Dylan Lardelli | Trio (2017/18) for bass koto, violine and oboe Jimmy Lopez | Speculorum (2002) for oboe and koto Malika Kishino | Monochromer Garten V (2012) for koto…

Sounz – Workshop

SOUNZ is hosting a workshop with Dylan Lardelli and the Musikfabrik musicians Peter Veale (oboe), Hannah Weirich (violin) and Makiko Goto (Koto), who will be demonstrating techniques pursued by composers…

New Zealand-Tour

…Koto and Guitar Kikuoka Kengyo | Iso Chidori – for Koto and Shamisen Dylan Lardelli | Holding – for Shō, Recorder, Oboe, Violin and Koto Rebecca Saunders |To and Fro…

Neuseeland-Tour

Variations for Koto Dylan Lardelli | Trio (2017/18) for bass koto, violine and oboe Jimmy Lopez | Speculorum (2002) for oboe and koto Malika Kishino | Monochromer Garten V (2012)…

Montagskonzert – Orange and blue

…Das Stück hat eine grafische Partitur, die Peter Veale und Axel Porath sehr schön zum Leben erweckt haben. Vielen Dank an Creative NZ für die Finanzierung und an Dylan Lardelli