{"id":9727,"date":"2016-11-24T12:06:11","date_gmt":"2016-11-24T11:06:11","guid":{"rendered":"https:\/\/www.musikfabrik.eu\/blog\/hannah-weirich-ueber-enno-poppe\/"},"modified":"2022-07-04T12:10:59","modified_gmt":"2022-07-04T10:10:59","slug":"hannah-weirich-ueber-enno-poppe","status":"publish","type":"post","link":"https:\/\/www.musikfabrik.eu\/en\/blog\/hannah-weirich-ueber-enno-poppe\/","title":{"rendered":"Hannah Weirich \u00fcber Enno Poppe"},"content":{"rendered":"
\r\n
\r\n
\r\n
\r\n\t\t\t\t

The pull-effect of Enno\u2019s music has always fascinated me, just as Enno as a musician has during the many instances of his conducting Ensemble Musikfabrik. It was a logical decision to request a solo work from him, which to my delight was accepted.<\/p>\n

On the road to the world premiere there was however a greater hurdle to overcome: we\u2019d discussed and tested the feasibility of a triple unison on three strings but the result wasn\u2019t as virtuous as hoped for and the climax of the work sounded tiresome and powerless. Enno decided to make some changes nine days before the first performance in Strasbourg and delivered one and a half new pages a few days later, which brought the piece to a climax most grand and powerful.<\/p>\n

Hannah Weirich performs Enno Poppe’s\u00a0Haare<\/em>, comissioned by Ensemble Musikfabrik, supported by the North Rhine-Westphalia Ministry for Families, Children, Youth, Culture and Sport,\u00a0<\/em>on\u00a0November 28<\/a>\u00a0at the\u00a0Festival d’automne \u00e0 Paris.<\/a><\/strong><\/p>\n <\/div>\r\n <\/div>\r\n <\/div>\r\n<\/div>\r\n","protected":false},"excerpt":{"rendered":"

The pull of Enno’s music has always fascinated me – as has the musician Enno, whom I was often privileged to experience as a conductor during my time with Ensemble Musikfabrik. And so it was a logical decision for me to wish for a solo work by him – which, to my great delight, he also accepted.<\/p>\n","protected":false},"author":7,"featured_media":3622,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[107,106],"tags":[],"class_list":["post-9727","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-article","category-programmnote"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/posts\/9727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/comments?post=9727"}],"version-history":[{"count":2,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/posts\/9727\/revisions"}],"predecessor-version":[{"id":9729,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/posts\/9727\/revisions\/9729"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/media\/3622"}],"wp:attachment":[{"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/media?parent=9727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/categories?post=9727"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/tags?post=9727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}