{"id":9516,"date":"2018-02-13T12:51:47","date_gmt":"2018-02-13T11:51:47","guid":{"rendered":"https:\/\/www.musikfabrik.eu\/blog\/variations-for-koto\/"},"modified":"2022-06-27T12:57:15","modified_gmt":"2022-06-27T10:57:15","slug":"variations-for-koto","status":"publish","type":"post","link":"https:\/\/www.musikfabrik.eu\/en\/blog\/variations-for-koto\/","title":{"rendered":"Variations for Koto"},"content":{"rendered":"<div class=\"ce ce-onecol \" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col\">\r\n\t\t\t\t<p><em>Peter, why did you start playing the Koto after being a professional oboist for so many years?<\/em><\/p>\n<p>The sound of the Koto was one that I always have found to be fascinating and special.\u00a0 When we began our\u00a0<a href=\"http:\/\/www.musikfabrik.eu\/de\/klang-bild\/buehne\/harry-partch-delusion-fury-ritual-dream\" target=\"_blank\" rel=\"noopener\">Harry Partch project\u00a0<\/a>and were deciding who would play which instrument, I immediately descended upon the Koto.<\/p>\n<p><em>Dear Makiko, can you say a few words about the traditional role of the instrument in Japan?<\/em><\/p>\n<p>The traditional koto music originates from the gakus\u014d used in Japanese court music Gagaku. The ancestor of the koto was the Chinese zheng.<br \/>\nIt was introduced to Japan from China in the 8th century as the Gagaku ensemble musical instrument.<\/p>\n<p><em>How did this change in the context of contemporary music?<\/em><\/p>\n<p>Nowadays in Japan the koto instrument is used for traditional to Jazz, Hardrock etc.<\/p>\n<p>The traditional techniques are unique and important characters in the contemporary\u00a0 music works too, at the same time the koto instruments meet a lot of new world\/musical-possibilities, and musical life outside of Japan.<\/p>\n<p><em>Peter, Please, tell us a bit about the program of your\u00a0<a href=\"https:\/\/www.musikfabrik.eu\/de\/kalender\/konzerte-der-stadt-kleve-2\/\" target=\"_blank\" rel=\"noopener\">concert<\/a>?<\/em><\/p>\n<p>The program includes one of the few pieces that exist in the repertoire for oboe and Koto by\u00a0<strong>Jimmy Lopez<\/strong>. This very original piece achieves a special atmosphere and blend of the 2 instruments in quite a lyrical way. There are two Premi\u00e8res in the concert. The first one is by the New Zealand composer\u00a0<strong>Dylan Lardelli<\/strong>, who I first met at the International Summer Courses for New Music in Darmstadt. He is also a guitar player and tours regularly with a Koto player. He heard about my project and my interest\u00a0 in particular for the bass Koto and was immediately on board. His former teacher\u00a0<strong>Dieter Mack<\/strong>, who I have closely collaborated with for more than 30 years, was also fascinated by the combination of oboe, bass Koto and violin and also imnediately agreed to write a piece.<br \/>\nMakiko will be performing an exquisite piece by\u00a0<strong>Malika Kishino<\/strong>\u00a0which utilizes 13- and 17- string Kotos with one player and I will be performing\u00a0<strong>Toshio Hosokawa<\/strong>\u2019s Nocturne for solo Bass Koto which he wrote for Makiko\u2019s former teacher. Toshio and I (and Dieter) all studied in Freiburg at similar times and I have performed and premiered many of his works as an oboist and have conducted a numberof his pieces.<br \/>\n<strong>Toru Takemitsu<\/strong>\u2019s \u201cDistance\u201c is a dramatic oboe piece that can be performed with or without sho. In the concerts in Germany it will be for solo oboe and on our New Zealand tour will be with sho.<\/p>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"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\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.musikfabrik.eu\/wp-content\/uploads\/borlabs-cookie\/1\/yt_bERiEZXRDqY_hqdefault.jpg')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">You are currently viewing a placeholder content from <strong>YouTube<\/strong>. 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