{"id":8573,"date":"2020-04-09T14:29:58","date_gmt":"2020-04-09T12:29:58","guid":{"rendered":"https:\/\/www.musikfabrik.eu\/blog\/lockdown-tapes-2\/"},"modified":"2022-03-29T14:38:15","modified_gmt":"2022-03-29T12:38:15","slug":"lockdown-tapes-2","status":"publish","type":"post","link":"https:\/\/www.musikfabrik.eu\/en\/blog\/lockdown-tapes-2\/","title":{"rendered":"Lockdown Tapes #2"},"content":{"rendered":"<div class=\"ce ce-twocol bgr-white pt-xlarge\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"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\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.musikfabrik.eu\/wp-content\/uploads\/borlabs-cookie\/1\/yt_e5l4g1kbr6g_hqdefault.jpg')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">You are currently viewing a placeholder content from <strong>YouTube<\/strong>. To access the actual content, click the button below. Please note that doing so will share data with third-party providers.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">More Information<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Unblock content<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accept required service and unblock content<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<p><strong>Liza Lim<\/strong> &#8211; <em>Wild Winged-One<\/em> (2007) aria for solo trumpet in C (with wacky whistle)<\/p>\n<p>Marco Blaauw, trumpet<\/p>\n<p>Janet Sinica, video<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-onecol pt-large\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col\">\r\n\t\t\t\t<p><em><strong>Lockdown Tape #2<\/strong> is a live to tape recording of the piece &#8220;Wild Winged-One&#8221; by <strong>Liza Lim<\/strong>, recorded by Marco Blaauw. On the blog, he tells what he finds captivating about the solo piece and what motivates him to perform the piece anew.<\/em><\/p>\n<p>When I heard some excerpts from Liza Lim&#8217;s opera &#8220;the Navigator&#8221; in 2007, I was immediately captivated by the music and the subject matter.<br \/>\nNot long after that, I got to know Liza&#8217;s work for trumpet &#8211; &#8220;Wild Winged-One.&#8221; This solo is composed of passages from one of the main characters of the opera, the &#8220;Angel of History.&#8221;Lim\u2019s character was inspired by Walter Benjamin&#8217;s description of the &#8220;Angelus Novus,\u201d a drawing by Paul Klee. Benjamin writes of the drawing:<\/p>\n<p><em>\u201c\u2026 His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. The storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. This storm is what we call progress&#8230;\u201d<\/em><\/p>\n<p>&#8220;Wild Winged-One&#8221; is not a composition with a clear beginning and end, but rather an excerpt from a monologue.\u00a0 We listeners witness for about 9 minutes how this angel perceives our world. Walter Benjamin&#8217;s text from 1940 seems to me to be highly relevant.\u00a0 The figure of the angel does not stop with the last note of the solo work, but continues to exist, tries to speak, scream, fight, with a tense, distorted voice, constantly, agitated, excited, shaken, without being able to free itself from the catastrophic consequences of our so-called progress.<\/p>\n<p>This figure in the opera was shocking to me the first time I heard it. I still feel disturbed by the text and the music today. But at\u00a0 the same time, this terror, which one experiences through the work of Klee, in the text by Benjamin and in the music by Liza Lim &#8211; quasi through the eyes of the angel &#8211; also offers an uncanny beauty.<\/p>\n<p>The language of the angel is complex, multi-layered, meaningful. I feel a strong impulse to keep trying, practicing and performing it &#8211; to put myself into this figure again and again and again.<\/p>\n<p><strong>Liza Lim <\/strong>&#8211; <em>Wild Winged One<\/em> (2007)<br \/>\nfor solo trumpet with wacky whistle<\/p>\n<p><em>Wild Winged One<\/em> is a kind of \u2018resetting\u2019 of some fragments from my opera <em>The Navigator<\/em> written when I was living in Berlin in 2007. In the opera, the trumpet is especially associated with the \u2018Angel of History\u2019 a part-human, part-animal-bird, part-divine figure of prophecy and witness.\u00a0 The solo trumpet piece is made of \u2018parentheses\u2019 of human-animal breaths, murmurs and radiant vibration in a structure of \u2018commentaries inside commentaries\u2019.\u00a0 It includes the word \u2018inside\u2019 from the opera libretto:<\/p>\n<p>Text by Patricia Sykes from Scene 3 of <em>The Navigator<\/em> libretto<\/p>\n<p>the comet in its coma<br \/>\nsings of the erotic bathings<br \/>\nof a man inside a woman<br \/>\ninside a man who makes love<br \/>\nwith water, sings of a woman<br \/>\ninside a man inside a woman<br \/>\nwho makes love with a comet<br \/>\nsings of a comet inside a glacier<br \/>\ninside an engine whose twin aortas<br \/>\ndeliver blood-rain or tide-blood<br \/>\nsings of a doubt so cold<\/p>\n<p>it breeds ice<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Wild Winged-One&#8221; by Liza Lim, recorded live to tape by Marco Blaauw<\/p>\n","protected":false},"author":7,"featured_media":4981,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[106,3],"tags":[118],"class_list":["post-8573","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programmnote","category-video","tag-lockdown-tapes-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/posts\/8573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/comments?post=8573"}],"version-history":[{"count":2,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/posts\/8573\/revisions"}],"predecessor-version":[{"id":8581,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/posts\/8573\/revisions\/8581"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/media\/4981"}],"wp:attachment":[{"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/media?parent=8573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/categories?post=8573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/tags?post=8573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}