{"id":6167,"date":"2021-06-10T18:25:24","date_gmt":"2021-06-10T16:25:24","guid":{"rendered":"https:\/\/www.musikfabrik.eu\/blog\/deconstructions-ii\/"},"modified":"2022-01-10T18:49:15","modified_gmt":"2022-01-10T17:49:15","slug":"deconstructions-ii","status":"publish","type":"post","link":"https:\/\/www.musikfabrik.eu\/en\/blog\/deconstructions-ii\/","title":{"rendered":"Deconstructions II"},"content":{"rendered":"
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Sarah Nemtsov<\/strong> – Deconstructions II<\/em> (2003)
\nfor English horn and piano<\/p>\n

Peter Veale, english horn
\nBenjamin Kobler, piano
\nJanet Sinica, video
\nJan B\u00f6yng, editing
\nStephan Schmidt, recording producer\/editing<\/p>\n <\/div>\r\n <\/div>\r\n <\/div>\r\n<\/div>\r\n

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“If deconstructive criticism is a search for differences – for differences whose repression is the condition of any particular entity or position – then it can never reach a final conclusion, but it stops when it can no longer identify and reveal the differences that reveal other differences.”<\/p>\n

from Jonathan Culler: “Dekonstruktion – Derrida und die poststrukturalistische Literaturtheorie”<\/p>\n

sarah-nemtsov.de<\/a><\/p>\n <\/div>\r\n <\/div>\r\n <\/div>\r\n<\/div>\r\n

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Peter Veale about “Deconstructions II” by Sarah Nemtsov<\/strong><\/p>\n <\/div>\r\n <\/div>\r\n <\/div>\r\n<\/div>\r\n","protected":false},"excerpt":{"rendered":"

Sarah Nemtsov wrote her composition “Deconstructions II” during a turning point in her life, between being an oboist and a composer. We recorded the piece, as well as a video introduction with Peter Veale.<\/p>\n","protected":false},"author":7,"featured_media":6165,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[109,106,3],"tags":[],"class_list":["post-6167","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interview-en","category-programmnote","category-video"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/posts\/6167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/comments?post=6167"}],"version-history":[{"count":2,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/posts\/6167\/revisions"}],"predecessor-version":[{"id":6178,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/posts\/6167\/revisions\/6178"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/media\/6165"}],"wp:attachment":[{"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/media?parent=6167"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/categories?post=6167"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/tags?post=6167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}