{"id":3686,"date":"2021-10-20T18:09:21","date_gmt":"2021-10-20T16:09:21","guid":{"rendered":"https:\/\/www.musikfabrik.eu\/akademie\/studio-musikfabrik\/rueckblick\/"},"modified":"2026-02-23T10:12:00","modified_gmt":"2026-02-23T09:12:00","slug":"rueckblick","status":"publish","type":"page","link":"https:\/\/www.musikfabrik.eu\/en\/academy\/studio-musikfabrik\/rueckblick\/","title":{"rendered":"Review \/ Studio Musikfabrik"},"content":{"rendered":"<div class=\"ce ce-headline pt-large\">\n    <div class=\"container\">\n        <div class=\"row\">\n            <div class=\"col\">\n\t\t\t\t<h1>Review 2009 - 2025<\/h1>            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n<div class=\"ce ce-accordion \">\n  <div class=\"container\">\n    <div class=\"row\">\n      <div class=\"col\">\n        <div class=\"accordion\"><div class=\"accordion-panel\" data-panel-id=\"2025\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2025<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>22.11.2025 Alte Feuerwache | Cologne<\/strong><\/h4>\n<p>Zett Emm<\/p>\n<p><strong>Nikolaus Knop<\/strong>\u00a0\u2013\u00a0<em>Rondo<\/em>\u00a0(2025)<br \/>\nfor clarinet, string trio, and live electronics<\/p>\n<p><strong>Birthe M\u00fcller<\/strong>\u00a0\u2013\u00a0<em>Longing for the sky<\/em>\u00a0(2025)<br \/>\nfor percussion and piano<\/p>\n<p><strong>Gray Stencel<\/strong>\u00a0\u2013\u00a0<em>Pulsieren<\/em>\u00a0(2025)<br \/>\nfor flute, clarinet, trumpet, trombone, percussion, piano, and string quartet<\/p>\n<p><strong>Soroush Bahmani<\/strong>\u00a0\u2013\u00a0<em>Im L\u00e4rm der Stille<\/em>\u00a0(2025)<br \/>\nfor oboe, clarinet, violin, cello<\/p>\n<p><strong>Jakob Hefer<\/strong>\u00a0\u2013\u00a0<em>Irrwisch<\/em>\u00a0(2025)<br \/>\nfor flute and piano<\/p>\n<p><strong>Friederike Horz<\/strong>\u00a0\u2013\u00a0<em>Argile<\/em>\u00a0(2025)<br \/>\nfor flute, oboe, clarinet, trumpet, trombone, two percussionists, piano, and string quartet<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, artistic director<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>18.10.2025 Musikhochschule L\u00fcbeck | L\u00fcbeck<\/strong><\/h4>\n<p><strong>Fausto Romitelli<\/strong>\u00a0\u2013\u00a0<i>An Index of Metals\u00a0<\/i>(2003)<br \/>\nVideo opera for soprano, ensemble, multi-projection and electronics<\/p>\n<p>Monica Rirhandzu Mhangwana, soprano<br \/>\nStudio Musikfabrik<br \/>\nStudents of Musikhochschule L\u00e4ubeck<br \/>\nPeter Veale, conductor and artistic director<\/p>\n<p>A cooperation project with Studio Musikfabrik and Musikhochschule L\u00fcbeck<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>26.08.2025 Yong Siew Toh Conservatory of Music Concert Hall | Singapore<\/strong><\/h4>\n<p><strong>Fausto Romitelli<\/strong>\u00a0\u2013\u00a0<em>An Index of Metals<\/em>\u00a0(2003)<br \/>\nvideo opera for ensemble, multi projection and electronics<\/p>\n<p><strong>Iannis Xenakis<\/strong>\u00a0\u2013\u00a0<em>Kottos<\/em>\u00a0(1977)<br \/>\nfor cello solo<\/p>\n<p><strong>Kaija Saariaho<\/strong>\u00a0\u2013\u00a0<em>Sept Papillons<\/em>\u00a0(2000)<br \/>\nfor cello solo<\/p>\n<p><strong>Do\u011fukan Pahsa<\/strong>\u00a0\u2013\u00a0<em>Hu\u015fu for solo flute<\/em>\u00a0(2024)<br \/>\nfor flute solo<\/p>\n<p><strong>Arda Bayram<\/strong>\u00a0\u2013\u00a0<em>Phenomenalistic Blackouts<\/em>\u00a0(2021)<br \/>\nfor flute solo<\/p>\n<p>Mine Ece Pahsa, flute<br \/>\nJungin Kim, cello<br \/>\nPeter Veale,\u00a0conductor and artistic director<\/p>\n<p>Cooperation Project with Studio Musikfabrik, Princess Galyani Vadhana Institute of Music (PGVIM) and Musikhochschule L\u00fcbeck<\/p>\n<h4><strong>22.08.2025 Princess Galyani Vadhana Institute of Music | Bangkok<\/strong><\/h4>\n<p><strong>Fausto Romitelli<\/strong>\u00a0\u2013\u00a0<em>An Index of Metals<\/em>\u00a0(2003)<br \/>\nvideo opera for ensemble, multi projection and electronics<\/p>\n<p><strong>Iannis Xenakis<\/strong>\u00a0\u2013\u00a0<em>Kottos<\/em>\u00a0(1977)<br \/>\nfor cello solo<\/p>\n<p><strong>Kaija Saariaho<\/strong>\u00a0\u2013\u00a0<em>Sept Papillons<\/em>\u00a0(2000)<br \/>\nfor cello solo<\/p>\n<p><strong>Do\u011fukan Pahsa<\/strong>\u00a0\u2013\u00a0<em>Hu\u015fu for solo flute<\/em>\u00a0(2024)<br \/>\nfor flute solo<\/p>\n<p><strong>Arda Bayram<\/strong>\u00a0\u2013\u00a0<em>Phenomenalistic Blackouts<\/em>\u00a0(2021)<br \/>\nfor flute solo<\/p>\n<p>Mine Ece Pahsa, flute<br \/>\nJungin Kim, cello<br \/>\nPeter Veale,\u00a0conductor and artistic director<\/p>\n<p>Cooperation Project with Studio Musikfabrik, Princess Galyani Vadhana Institute of Music (PGVIM) and Musikhochschule L\u00fcbeck<\/p>\n<h4><strong>05.04.2025 Musikhochschule L\u00fcbeck |\u00a0<\/strong><strong>L\u00fcbeck<\/strong><\/h4>\n<p><b>Giacinto Scels<\/b><b>i \u2013\u00a0<\/b><i>\u00a0Krishna e Radha\u00a0<\/i>(1986)<i><br \/>\n<\/i>for flute and piano<\/p>\n<p><b>Hermione Johnson \u2013\u00a0<\/b><i>Shaking in the garden<\/i>\u00a0(2020)<br \/>\nfo viola and oboe<\/p>\n<p><b>Fredrik H\u00f6gberg \u2013\u00a0<\/b><i>Plast Musikk\u00a0<\/i><br \/>\nfor percussion and clarinet<\/p>\n<p><b>Olivier Messiaen \u2013\u00a0<\/b><i>Le Merle\u00a0<\/i><i>noir\u00a0<\/i>(1951)<br \/>\nfor flute and piano<\/p>\n<p><b>Edison Denisov \u2013\u00a0<\/b><i>Trio\u00a0<\/i>(1969)<br \/>\nfor flute, bassoon and piano<\/p>\n<p><b>Vivier, Claude \u2013\u00a0<\/b><i>Improvisation pour basson et piano\u00a0<\/i>(1975)<br \/>\nfor basson and piano<\/p>\n<p><b>Gene Koshinski \u2013\u00a0<\/b><i>Get it!\u00a0\u00a0<\/i>(2011)<br \/>\nfor bassoon and percussion<\/p>\n<p><b>Matan Porat \u2013\u00a0<\/b><i>Hands Off\u00a0<\/i><br \/>\nfor viola and percussion<\/p>\n<p><b>Violeta Dinescu \u2013\u00a0<\/b><i>Trio d\u2019anches (1982)<br \/>\n<\/i>for oboe, clarinet and bassoon<\/p>\n<p>Puthita Puvabunditsin, flute<br \/>\nAseman Esmaeilzadeh, oboe<br \/>\nKanoksan Rungjiratananon, clarinet<br \/>\nCassandra Le Cunff, bassoon<br \/>\nJirawat Chainan, bassoon<br \/>\nJonathan Hartwig, percussion<br \/>\nSamuel Choi, piano<br \/>\nHaylin Park, violin<br \/>\nNapat Ruankaew, viola<\/p>\n<p>Peter Veale, artistic direction<\/p>\n<p>Ein Kooperationsprojekt zwischen Studio Musikfabrik, Princess Galyani Vadhana<br \/>\nInstitute of Music, Bangkok und der Musikhochschule L\u00fcbeck<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>29.03.2025 Princess Galyani Vadhana Institute of Music | Bangkok<br \/>\n<\/strong><strong>02.04.2025 Saalbau | Witten<br \/>\n<\/strong><strong>04.04.2025 Kunststation St. Peter\u00a0| K\u00f6ln<\/strong><\/h4>\n<p>Studio Musikfabrik on Tour in Bangkok, Witten and Cologne<\/p>\n<p><strong>Gy\u00f6rgy Ligeti<\/strong> \u2013 <em>Melodien<\/em> (1971)<br \/>\nfor Orchestra<\/p>\n<p><strong>Songklod Nunthakasem<\/strong> \u2013 <em>The Enigma of the Mirror in Portraiture<\/em> (2025)<br \/>\nfor Ensemble<\/p>\n<p><strong>Dieter Mack<\/strong> \u2013 <em>Khaen<\/em> (2024) World Premiere<br \/>\nfor Chromatic Solo Khaen and 14 Instruments<\/p>\n<p><strong>Mauricio Kagel<\/strong> \u2013 <em>Finale mit Kammerensemble<\/em> (1980)<br \/>\nfor Ensemble<\/p>\n<p>Patchaya Nantachai, Khaen<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, Conductor<\/p>\n<p>A cooperative project between Studio Musikfabrik, Princess Galyani Vadhana<br \/>\nInstitute of Music, Bangkok, and the L\u00fcbeck University of Music<\/p>\n<p><strong>03.04.2025 Hochschule f\u00fcr Musik und Tanz | K\u00f6ln<\/strong><\/p>\n<p><strong>Salvatore Sciarrino<\/strong> \u2013 <em>La malinconia<\/em> (1980)<br \/>\nfor violin and viola<\/p>\n<p><strong>Raven Chacon<\/strong> \u2013 <em>The journey of the horizontal people<\/em> (2016)<br \/>\nfor string quartet<\/p>\n<p><strong>Malika Kishino<\/strong> \u2013 <em>Lamento<\/em> (2013)<br \/>\nfor two violins<\/p>\n<p><strong>John Cage<\/strong> \u2013 <em>String Quartet in Four Parts<\/em> (1950)<br \/>\nfor string quartet<\/p>\n<p><strong>Piyawat Louilarpprasert<\/strong> \u2013 <em>from inside\u2026Aristotle<\/em> (2014)<br \/>\nfor trombone and strings<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, musical director<\/p>\n<h4><strong>22.03.2025 Pax Christi | Krefeld<\/strong><\/h4>\n<p><strong>Raven Chacon<\/strong> \u2013 <em>The journey of the horizontal people<\/em> (2016)<br \/>\nf\u00fcr Streichquartett<\/p>\n<p><strong>James Tenney<\/strong> \u2013 <em>Critical Band<\/em> (1988)<br \/>\nf\u00fcr Ensemble<\/p>\n<p><strong>John Cage<\/strong> \u2013 <em>String Quartet in Four Parts<\/em> (1950)<br \/>\nf\u00fcr Streichquartett<\/p>\n<p><strong>Raven Chacon<\/strong> \u2013 <em>Voiceless Mass<\/em> (2021)<br \/>\nf\u00fcr Orgel und gro\u00dfes Ensemble<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2024\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2024<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>02.11.2024 Philharmonie Essen, RWE Pavillion | Essen<\/strong><\/h4>\n<p>Now! Festival<\/p>\n<p>Concerts with Studio Musikfabrik participation:<\/p>\n<p><strong>Ioannis Mitsialis<\/strong>\u00a0\u2013\u00a0<em>Flux<\/em> (2024) world premiere<br \/>\nfor violin, trombone, percussion and ensemble<br \/>\nCommissioned by Festival NOW! and Studio Musikfabrik<\/p>\n<p><strong>Zeynep Toraman<\/strong>\u00a0\u2013\u00a0<em>Epokhe<\/em>\u00a0(2016)<br \/>\nfor 15 instruments and electronics<\/p>\n<p><strong>Orestis Papaioannou<\/strong>\u00a0\u2013\u00a0<em>dream | breathe<\/em>\u00a0(2020)<br \/>\nfor clarinet, flute, piano and violoncello<\/p>\n<p><strong>Zeynep Gedizlioglu<\/strong>\u00a0\u2013\u00a0<em>Wenn Du mich h\u00f6rst, klopf zweimal<\/em>\u00a0(2009)<br \/>\nfor soprano and string quartet<\/p>\n<p>Paula B\u00e4chli, Sopran<br \/>\nSara Cubarsi, Violine<br \/>\nBruce Collings, Posaune<br \/>\nDirk Rothbrust, Schlagzeug<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, Dirigent<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>14.04.2024\u00a0 Crossroads<\/strong><\/h4>\n<p><strong>Oliver Schneller<\/strong>\u00a0\u2013\u00a0<em>Anser indicus<\/em>\u00a0(2011)<br \/>\nfor accordion, bass clarinet, violin, viola and cello<\/p>\n<p><strong>Tristan Murail<\/strong>\u00a0\u2013\u00a0<em>Stalag VIIIA<\/em>\u00a0(2018)<br \/>\nfor clarinet, violin, cello and piano<\/p>\n<p><strong>Sarah Nemtsov<\/strong>\u00a0\u2013\u00a0<em>Kammer<\/em>\u00a0(2022)<br \/>\nfor toy piano and 2 corg monotron<\/p>\n<p><strong>Rebecca Saunders<\/strong>\u00a0\u2013\u00a0<em>Stirrings Still II<\/em>\u00a0(2008)<br \/>\nfor alto flute, oboe, clarinet in A, crotales, piano and double bass<\/p>\n<p><strong>Rebecca Saunders<\/strong>\u00a0\u2013<em>\u00a0To And Fro<\/em>\u00a0(2010)<br \/>\nfor violin and oboe<\/p>\n<p><strong>Olivier Messiaen<\/strong>\u00a0\u2013 aus:\u00a0<em>Quatuor pour la fin du temps<\/em>\u00a0(1941) VII: Fouillis d\u2019arcs-en-ciel, pour l\u2019Ange qui annonce la fin du Temps<br \/>\nfor clarinet, violin, cello and piano<\/p>\n<h4>\u00a0\u2013\u00a0<em>Anser indicus<\/em>\u00a0(2011)<br \/>\nf\u00fcr Akkordeon, Bassklarinette, Violine, Viola und Violoncello<\/h4>\n<p><strong>Tristan Murail<\/strong>\u00a0\u2013\u00a0<em>Stalag VIIIA<\/em>\u00a0(2018)<br \/>\nf\u00fcr Klarinette, Violine, Violoncello und Klavier<\/p>\n<p><strong>Sarah Nemtsov<\/strong>\u00a0\u2013\u00a0<i>KAMMER\u00a0<\/i>(2020) fu\u0308r Toy Piano, Minisynthesizer und zwei Monotrone<\/p>\n<p><strong>Rebecca Saunders<\/strong>\u00a0\u2013\u00a0<em>Stirrings Still II<\/em>\u00a0(2008)<br \/>\nf\u00fcr Altfl\u00f6te, Oboe, Klarinette in A, Crotales, Klavier und Kontrabass<\/p>\n<p><strong>Rebecca Saunders<\/strong>\u00a0\u2013<em>\u00a0To And Fro<\/em>\u00a0(2010)<br \/>\nf\u00fcr Violine und Oboe<\/p>\n<p><strong>Olivier Messiaen<\/strong>\u00a0\u2013 aus:\u00a0<em>Quatuor pour la fin du temps<\/em>\u00a0(1940) VII: Fouillis d\u2019arcs-en-ciel, pour l\u2019Ange qui annonce la fin du Temps<br \/>\nf\u00fcr Klarinette, Violine, Violoncello und Klavier<\/p>\n<p>Studio Musikfabrik<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/benjamin-kobler\/\">Benjamin Kobler<\/a>, Leitung<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>, Leitung<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>05.10.2024: Alte Feuerwache | K\u00f6ln<\/strong><\/h4>\n<p><strong>Zett Emm_20_24<\/strong><\/p>\n<p>Concerts with Studio Musikfabrik participation:<\/p>\n<p><strong>Rebecca Saunders<\/strong>\u00a0\u2013<em>\u00a0To And Fro<\/em>\u00a0(2010)<br \/>\nfor violin and oboe<\/p>\n<p>Studio Musikfabrik:<br \/>\nGiovanna Sevi, violin<br \/>\nAlexander Kronbichler, oboe<br \/>\nPeter Veale, conductor<\/p>\n<p><a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>, Dirigent<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2023\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2023<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>28.10.2023 Alte Feuerwache | K\u00f6ln<\/strong><\/h4>\n<p><strong>Zett Emm_20_23<\/strong><\/p>\n<p>Konzerte mit Studio Musikfabrik Beteiligung:<\/p>\n<p><strong>Malika Kishino<\/strong>\u00a0\u2013\u00a0<i>Schmetterlingstanz<\/i>\u00a0(2023)<br \/>\nf\u00fcr Streichquartett<\/p>\n<p><strong>Kaija Saariaho<\/strong>\u00a0\u2013\u00a0<em>Nocturne<\/em>\u00a0(1994)<br \/>\nf\u00fcr Violine solo<\/p>\n<p>Aline Sarah M\u00fcller, Violine<br \/>\nStudio Musikfabrik<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>, Dirigent<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>19.08.2023 &#8211; 27.08.2023 Princess Galyani Vadhana Institute of Music | Bangkok<\/strong><\/h4>\n<p><b>Konzertreise Bangkok<\/b><\/p>\n<p>Zwei Musikerinnen von Studio Musikfabrik an Violine und Violoncello reisen gemeinsam mit Peter Veale zum Internationalen Symposium des Princess Galyani Vadhana Institute of Music nach Bangkok.<\/p>\n<p><strong>Raphael Brandst\u00e4ter<\/strong> \u2013 <em>Crop 2.8<\/em> (2023)<br \/>\nFl\u00f6te, Gitarre, Percussion, Violine, Violoncello<\/p>\n<p><strong>Oliver Korte<\/strong> \u2013 <em>rien nul<\/em> (2002)<br \/>\nFl\u00f6te, Klarinette, Violine, Viola, Violoncello<\/p>\n<p><strong>Katharina Roth <\/strong>\u2013 <em>ballet blanc<\/em> (2021\/22)<br \/>\nFl\u00f6te, Bassklarinette, Gitarre, Violoncello<\/p>\n<p><strong>Dylan Lardelli <\/strong><em>\u2013 <\/em><em>Past Numbers<\/em> (2019-20)<br \/>\nKhaen, Percussion, Gu Zheng, Gitarre, Violine, Viola<\/p>\n<p><strong>Klaus Huber <\/strong><em>\u2013 <\/em><em>Schattenbl\u00e4tter<\/em> (1976)<br \/>\nBassklarinette, Klavier, Violoncello<\/p>\n<p><strong>Dylan Lardelli<\/strong> \u2013 <em>Glow-Close-II<\/em> (2021-22)<br \/>\nBassfl\u00f6te, Violoncello und E-Gitarre<\/p>\n<p><strong>Kaija Saariaho<\/strong> \u2013 <em>Nocturne<\/em> (1994)<br \/>\nSolo Violine<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>14.10.2023 Alte Feuerwache | K\u00f6ln<\/strong><\/h4>\n<p><strong>death and desire<\/strong><\/p>\n<p><strong>Sean Quinn<\/strong>\u00a0\u2013\u00a0<em>death and desire<\/em>\u00a0(2021-23) Urauff\u00fchrung<br \/>\nf\u00fcr Ensemble \u2013 Kompositionsauftrag von Studio Musikfabrik mit Unterst\u00fctzung des Landesmusikrats NRW<\/p>\n<p><strong>Kee Yong Chong<\/strong>\u00a0\u2013<em>\u00a0<i>Splattered landscape II \u2013 Cloud\u2019s echoing<\/i><\/em>\u00a0(2007)<br \/>\nf\u00fcr Kammerorchester mit Video Projektion<br \/>\nvisuelle Kunstprojektion von Sigrid Tanghe<\/p>\n<p><strong>Dieter Mack<\/strong>\u00a0\u2013\u00a0<em>Kammermusik II<\/em>\u00a0(1991)<br \/>\nf\u00fcr Ensemble<\/p>\n<p><strong>Malika Kishino<\/strong>\u00a0\u2013\u00a0<i>Schmetterlingstanz<\/i>\u00a0(2023)<br \/>\nf\u00fcr Streichquartett<\/p>\n<p>Studio Musikfabrik<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>, Dirigent<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>28.01.2023 &#8211; 06.02.2023 Princess Galyani Vadhana Institute of Music | Bangkok<\/strong><\/h4>\n<p><b>Konzertreise Bangkok<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Aufnahme von sechs Call-for-Score Werken der letzten 10 Jahre, gemeinsam mit dem Princess Galyani Vadhana Institute of Music Youth Orchestra unter der Leitung von Peter Veale:<\/span><\/p>\n<p><span style=\"font-weight: 500;\"><strong style=\"font-weight: 500;\">Joey Yeo<\/strong> \u2013<\/span><i><span style=\"font-weight: 400;\">\u00a0Kempung Nelayan (Fishing Village) <\/span><\/i><span style=\"font-weight: 400;\">(2019)<br \/>\nf\u00fcr Orchester<\/span><\/p>\n<p><span style=\"font-weight: 500;\"><strong style=\"font-weight: 500;\">Waris Sukontapatipark<\/strong> \u2013 <\/span><i><span style=\"font-weight: 400;\">Der vermisste Fischer <\/span><\/i><span style=\"font-weight: 400;\">(2020)<br \/>\nf\u00fcr Orchester<br \/>\n<\/span><\/p>\n<p><span style=\"font-weight: 500;\"><strong style=\"font-weight: 500;\">Thanakarn Schofield<\/strong> \u2013 <\/span><i><span style=\"font-weight: 400;\">(Un)-Chained <\/span><\/i><span style=\"font-weight: 400;\">(2021)<br \/>\nf\u00fcr Orchester<br \/>\n<\/span><\/p>\n<p><strong>Sofia Rocha <\/strong>\u2013 <i><span style=\"font-weight: 400;\">Collage d\u2019hommages <\/span><\/i><span style=\"font-weight: 400;\">(2020\/22)<br \/>\nf\u00fcr Orchester<br \/>\n<\/span><\/p>\n<p><span style=\"font-weight: 500;\"><strong>Toshio Hosokawa<\/strong> \u2013<\/span><span style=\"font-weight: 400;\">\u00a0<\/span><a href=\"https:\/\/drive.google.com\/file\/d\/10bHFAplRvuK3vKQxDRdzr9VOuH56OC_-\/view?usp=sharing\"><i><span style=\"font-weight: 400;\">Duo<\/span><\/i><\/a><span style=\"font-weight: 400;\"> (1998)<br \/>\n<\/span><span style=\"font-weight: 400;\">f\u00fcr Violine und Violoncello\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 500;\"><strong>Giacinto Scelsi<\/strong> \u2013 <\/span><a href=\"https:\/\/drive.google.com\/file\/d\/1EebyIjmr5YTrXAcJ18ZL3niQR7C84xJF\/view?usp=sharing\"><i><span style=\"font-weight: 400;\">Duo<\/span><\/i><\/a> <span style=\"font-weight: 400;\">(1965)<br \/>\n<\/span><span style=\"font-weight: 400;\">f\u00fcr Violine und Violoncello<\/span><\/p>\n<p>Studio Musikfabrik<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>, Leitung<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>23.04.2023 Klanglandschaften<\/strong><\/h4>\n<h4><strong>12.15 Uhr Pax Christi | Krefeld<br \/>\n<\/strong><strong>18 Uhr Alte Feuerwache | K\u00f6ln<\/strong><\/h4>\n<p><strong>Salvatore Sciarrino<\/strong>\u00a0\u2013\u00a0<em>Muro d\u2019orizzonte<\/em>\u00a0(1997)<br \/>\nf\u00fcr Altfl\u00f6te, Englischhorn\u00a0und Bassklarinette<\/p>\n<p><strong>Bernd Alois Zimmermann<\/strong>\u00a0\u2013\u00a0<em>Trio<\/em>\u00a0(1944)<br \/>\nf\u00fcr Violine, Viola und Violoncello<\/p>\n<p><strong>Isang Yun<\/strong>\u00a0\u2013\u00a0<em>OstWest Miniaturen, Miniatur I<\/em>\u00a0(1994)<br \/>\nf\u00fcr Oboe und Violoncello<\/p>\n<p><strong>Morton Feldman<\/strong>\u00a0\u2013\u00a0<em>The Viola in My Life 2<\/em>\u00a0(1970)<br \/>\nf\u00fcr Viola und 6 Instrumente<\/p>\n<p>Studio Musikfabrik<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>\u00a0und\u00a0<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/axel-porath\/\">Axel Porath<\/a>, Leitung<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2022\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2022<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>05.11.2022 ALTE FEUERWACHE | cologne<\/strong><\/h4>\n<p><strong>Zett Emm_20_22<\/strong><\/p>\n<p>Concerts with Studio Musikfabrik participation:<\/p>\n<p><strong>18 UHR<\/strong><\/p>\n<p><strong>Toshio Hosokawa<\/strong> \u2013 <i data-stringify-type=\"italic\">Duo<\/i>\u00a0(1998)<br \/>\nf\u00fcr Violine und Cello<\/p>\n<p>Chelsea Bauer, violin<br \/>\nIna Wietheger, violoncello<\/p>\n<p><strong>19 UHR<\/strong><\/p>\n<p><strong>Vinko Globokar<\/strong> \u2013 <i data-stringify-type=\"italic\">Dos \u00e0 dos<\/i>\u00a0(1988)<br \/>\nfor 2 wind instruments<\/p>\n<p><strong>Peter Maxwell-Davies <\/strong>\u2013<i data-stringify-type=\"italic\">Litany for a ruined Chapel between sheep and shore<\/i>\u00a0(1999)<br \/>\nfor trumpet solo<\/p>\n<p>Simon Cavell, horn<br \/>\nChristopher Seggelke, trumpet<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<p><strong>Catherine Milliken<\/strong> \u2013 <i data-stringify-type=\"italic\">Pollok, <\/i>nach dem Action Painting von Jackson Pollock\u00a0(2017)<br \/>\nfor flute, clarinet, string quintet, percussion and piano<\/p>\n<p><strong>Gordon Kampe<\/strong> \u2013 <em>Nachtw\u00e4chter. Eine Chaconne.<\/em> (2021\/22)<br \/>\nfor ensemble<\/p>\n<p><strong>John Cage<\/strong> \u2013 <em>Ryoanji<\/em> (1983)<br \/>\nfor oboe, horn, trumpet, trombone, percussion and harp<\/p>\n<p><strong>Younghi Pagh-Paan<\/strong> \u2013 <em>Im Sternenlicht<\/em> (2018\/19)<br \/>\nfor flute, oboe, clarinet, violin, viola and violoncello<\/p>\n<p>Studio Musikfabrik<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>, conductor<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>20.-26.08.2022 Princess Galyani Vadhana Institute of Music | Bangkok<\/strong><\/h4>\n<p><strong>Konzertreise<\/strong><\/p>\n<p><strong>Toshio Hosokawa<\/strong> \u2013 <em>Duo<\/em> (1998)<br \/>\nf\u00fcr Violine und Violoncello<\/p>\n<p><strong>Vinko Globokar<\/strong> \u2013 <em>Dos \u00e0 Dos<\/em> (1988)<br \/>\nf\u00fcr zwei Bl\u00e4ser<\/p>\n<p><strong>John Cage<\/strong> \u2013 <em>Four6<\/em> (1990\u201392)<br \/>\nf\u00fcr 4 Spieler<\/p>\n<p>Studio Musikfabrik<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>, Leitung<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>13.08.2022 KOMED Saal im Mediapark | K\u00f6ln<\/strong><\/h4>\n<p><strong>Nachtw\u00e4chter<\/strong><\/p>\n<p><strong>Catherine Milliken<\/strong> \u2013 <i data-stringify-type=\"italic\">Pollok<\/i>\u00a0(2017)<br \/>\nf\u00fcr Fl\u00f6te, Klarinette, Streichquintett, Schlagzeug und Klavier<\/p>\n<p><strong>Gordon Kampe<\/strong> \u2013 <em>Nachtw\u00e4chter. Eine Chaconne.<\/em> (2021\/22) Urauff\u00fchrung<br \/>\nf\u00fcr Ensemble<br \/>\nein Kompositionsauftrag vom Landesmusikrat NRW f\u00fcr Studio Musikfabrik<\/p>\n<p><strong>John Cage<\/strong> \u2013 <em>Ryoanji<\/em> (1983)<br \/>\nf\u00fcr Oboe, Posaune, Schlagzeug und Harfe<\/p>\n<p><strong>Younghi Pagh-Paan<\/strong> \u2013 <em>Im Sternenlicht<\/em> (2018\/19)<br \/>\nf\u00fcr Fl\u00f6te, Oboe, Klarinette, Violine, Viola und Violoncello<\/p>\n<p>Studio Musikfabrik<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>, Leitung<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>17.05.2022 Maximilian-Kolbe-Gymnasium | K\u00f6ln<\/strong><\/h4>\n<p><strong>Licht und Schatten &#8211; Schulkonzert<\/strong><\/p>\n<p><strong>Wolfgang Rihm<\/strong> \u2013\u00a0<em>Chiffre VI<\/em> (1985)<br \/>\nf\u00fcr acht Spieler<\/p>\n<p><strong>Liza Lim<\/strong> \u2013\u00a0<em>Inguz<\/em> (1996)<br \/>\nf\u00fcr Klarinette und Cello<\/p>\n<p><strong>Klaus Huber<\/strong> \u2013\u00a0<em>Schattenbl\u00e4tter<\/em> (1975)<br \/>\nf\u00fcr Bassklarinette, Violoncello und Klavier<\/p>\n<p><strong>Isang Yun<\/strong> \u2013\u00a0<em>Oktett<\/em> (1978)<br \/>\nf\u00fcr Klarinette, Fagott, Horn und Streichquintett<\/p>\n<p>Studio Musikfabrik<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>, Leitung<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>24.04.2022 Anneliese Geske Musik- und Kulturhaus |\u00a0Erftstadt<\/strong><\/h4>\n<p><strong>Licht und Schatten<\/strong><\/p>\n<p><strong>Wolfgang Rihm<\/strong> \u2013\u00a0<em>Chiffre VI<\/em> (1985)<br \/>\nfu\u0308r acht Spieler<\/p>\n<p><strong>Liza Lim<\/strong> \u2013\u00a0<em>Inguz<\/em> (1996)<br \/>\nfu\u0308r Klarinette und Cello<\/p>\n<p><strong>Klaus Huber<\/strong> \u2013\u00a0<em>Schattenbl\u00e4tter<\/em> (1975)<br \/>\nfu\u0308r Bassklarinette, Violoncello und Klavier<\/p>\n<p><strong>Isang Yun<\/strong> \u2013\u00a0<em>Oktett<\/em> (1978)<br \/>\nfu\u0308r Klarinette, Fagott, Horn und Streichquintett<\/p>\n<p>Studio Musikfabrik<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>, Leitung<\/p>\n<p>Dieses Konzert war Teil von erftclassics.<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2021\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2021<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>11.\/12.11.2021 SOUNDBRIDGE VIRTUAL FESTIVAL MALAYSIA | ONLINE<\/strong><\/h4>\n<p><strong>Chong Kee Yong<\/strong>\u00a0\u2013\u00a0<em>Liu-Xu-Fei<\/em>\u00a0(2001)<br \/>\nfor oboe and violoncello<\/p>\n<p><strong>Dieter Mack<\/strong>\u00a0\u2013\u00a0<em>Luft<\/em>\u00a0(2012)<br \/>\nfor ensemble<\/p>\n<p><strong>Liza Lim<\/strong>\u00a0\u2013\u00a0<em>Songs found in dream<\/em>\u00a0(2005)<br \/>\nfor ensemble<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, conductor<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>30.10.2021 PHILHARMONIE ESSEN, RWE PAVILLON | M\u00dcNSTER<\/strong><\/h4>\n<p><strong>NOW! Festival \/ Mikrokosmos \u2013 Makrokosmos<\/strong><\/p>\n<p><strong>Dieter Mack<\/strong>\u00a0\u2013\u00a0<em>Luft<\/em>\u00a0(2012)<br \/>\nfor ensemble<\/p>\n<p><strong>Liza Lim<\/strong>\u00a0\u2013\u00a0<em>Songs found in dream<\/em>\u00a0(2005)<br \/>\nfor ensemble<\/p>\n<p>Students from the Institute for Computer Music and Electronic Media at Folkwang University of the Arts improvise live remixes by Lim and Mack.<\/p>\n<p>folkwang elektrisch<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, conductor<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-onecol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col\">\r\n\t\t\t\t<h4><strong>11.\/12.04.2021 ONLINE LIVE-STREAM<\/strong><\/h4>\n<p><strong>Longing from Afar<\/strong><\/p>\n<p><strong>Dai Fujikura<\/strong>\u00a0\u2013\u00a0<em>Longing from afar for to be tele-performed<\/em>\u00a0(2020)<br \/>\nfor ensemble<\/p>\n<p><strong>John Cage<\/strong>\u00a0\u2013\u00a0<em>Five<\/em>\u00a0(1988)<br \/>\nfor harp and four percussionists<\/p>\n<p><strong>James Tenney<\/strong>\u00a0\u2013\u00a0<em>Critical Band<\/em>\u00a0(1988)<br \/>\nfor ensemble<\/p>\n<p><strong>John Cage\u00a0<\/strong>\u2013\u00a0<em>Concert for Piano and Orchestra<\/em>\u00a0(1957-58)<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, conductor<\/p>\n<p>Linked to this project is another cooperative effort with grade 5 of the Maximilian-Kolbe-Gymnasium in Cologne-Porz.<br \/>\nIn the context of online school visits, musicians from Ensemble Musikfabrik present the works from the concert program to the students, invite them to a digital rehearsal visit at Studio Musikfabrik, and &#8211; as soon as the corona protection ordinance permits again &#8211; work on a work by an artist from the concert program in a spielBar workshop on the MKG sports field.<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2020\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2020<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>11.10.2020 Alte Feuerwache | K\u00f6ln<\/strong><\/h4>\n<p><strong>Resonanzen des Sommers<\/strong><\/p>\n<p><strong>Resonanzen des Sommers<\/strong><\/p>\n<p><strong>George Crumb <\/strong>&#8211; <em>Music for a summer evening <\/em>(1974)<\/p>\n<p><strong>Cornelius Cardew<\/strong> &#8211; <em>Treatise<\/em> (1963 &#8211; 67)<\/p>\n<p><strong>Malika Kishino <\/strong>&#8211; <em>Vagues Des Passions<\/em> (2010) for marimba and vibraphone<\/p>\n<p><strong>Sofia Gubaidulina<\/strong> &#8211; <em>Lied ohne Worte<\/em> (1977) for trumpet and piano<\/p>\n<p><strong>Damien Ricketson<\/strong> &#8211; <em>Bucolica<\/em> (1998) for tenor saxophone and bass clarinet<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, conductor<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>25.09.2020 Theater im Pumpenhaus | M\u00fcnster<\/strong><\/h4>\n<p><strong>M\u00fcnster Klangzeit<\/strong><\/p>\n<p><strong>George Crumb<\/strong> &#8211; <em>Music for a summer evening<\/em> (1974)<\/p>\n<p><strong>Cornelius Cardew<\/strong> &#8211; <em>Treatise<\/em> (1963 &#8211; 67)<\/p>\n<p><strong>Malika Kishino<\/strong> &#8211; <em>Vagues Des Passions <\/em>(2010) for marimba and vibraphone<\/p>\n<p><strong>Sofia Gubaidulina<\/strong> &#8211; <em>Lied ohne Worte<\/em> (1977) for trumpet and piano<\/p>\n<p><strong>Damien Ricketson<\/strong> &#8211; <em>Bucolica<\/em> (1998) for tenor-saxophone and bass clarinet<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, conductor<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>08.03.2020 <\/strong><strong>Sangita Vadhana Hall, Princess Galyani Vadhana Institute of Music | Bangkok<\/strong><\/h4>\n<p><strong>Studio Musikfabrik x Bangkok<\/strong><\/p>\n<p><strong>Ludwig van Beethoven <\/strong>&#8211; <em>Symphony No. 7<\/em> (1811 &#8211; 1812)<\/p>\n<p><strong>Call for Score<\/strong> \u2013 Neues Werk inspiriert durch Goethe (2020)<\/p>\n<p><strong>PGVIM<\/strong> \u2013 Neues Werk mit Live-Visual Performance (2020)<\/p>\n<p>Princess Galyani Vadhana Institute of Music Youth Orchestra (PYO)<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, conductor<\/p>\n<p>With the kind support of the Goethe-Institut and the PGVIM.<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>30.10.2021 Philharmonie Essen, RWE Pavillon<\/strong><\/h4>\n<p><strong>NOW! Festival \/ Mikrokosmos &#8211; Makrokosmos<\/strong><\/p>\n<p><strong>Dieter Mack<\/strong>\u00a0\u2013\u00a0<em>Luft<\/em>\u00a0(2012)<br \/>\nfu\u0308r Ensemble<\/p>\n<p><strong>Liza Lim<\/strong>\u00a0\u2013\u00a0<em>Songs found in dream<\/em>\u00a0(2005)<br \/>\nfu\u0308r Ensemble<\/p>\n<p>Studierende des Institut fu\u0308r Computermusik und elektronische Medien der Folkwang Universit\u00e4t der Ku\u0308nste improvisieren live Remixe von Lim und Mack.<\/p>\n<p>folkwang elektrisch<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2019\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2019<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>18.11.2019 Studio des Ensemble Musikfabrik | K\u00f6ln<\/strong><\/h4>\n<p><strong>Kuba x Studio Musikfabrik<\/strong><\/p>\n<p><strong>Edgard Var\u00e8se<\/strong> &#8211; <em>Octandre<\/em> (1923) f\u00fcr Ensemble<\/p>\n<p><strong>Jonathan Harvey &#8211;<\/strong> <em>Sringara Chaconne<\/em> (2009) f\u00fcr Ensemble<\/p>\n<p><strong>David P. Graham<\/strong> &#8211; <em>Selbstversuche <\/em>(2019) f\u00fcr Ensemble &#8211; <em>Deutsche Erstauff\u00fchrung<\/em><\/p>\n<p><strong>Guido L\u00f3pez-Gavil\u00e1n<\/strong> &#8211; <em>SONOTROPIC <\/em>(2006) f\u00fcr Ensemble<\/p>\n<p><strong>Wilma Alba Cal<\/strong> &#8211; <em>Instrucciones para respirar<\/em> (2019) &#8211; <em>Deutsche Erstauff\u00fchrung<\/em><\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>5.10.2019 Alte Feuerwache | K\u00f6ln<\/strong><\/h4>\n<p><strong>Zett_Emm_20_19<br \/>\n7. Jugendfestival f\u00fcr zeitgen\u00f6ssische Musik und Tanz<\/strong><\/p>\n<p><strong>Malika Kishino<\/strong> &#8211; <em>\u2026 kaum einen Hauch \u2026 <\/em>(2018) f\u00fcr 10 Spieler<\/p>\n<p><strong>Isang Yun<\/strong> &#8211; <em>Hirtenfl\u00f6te <\/em>aus <em>Chinesische Bilder<\/em> (1993) f\u00fcr Altblockfl\u00f6te<\/p>\n<p><strong>Toru Takemitsu<\/strong> &#8211; <em>Rain Tree<\/em> (1981) f\u00fcr drei Schlagzeuger<\/p>\n<p>Lina Westerkamp, Altblockfl\u00f6te (Rheinische Musikschule K\u00f6ln)<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n<p>Eine Veranstaltung der Rheinischen Musikschule K\u00f6ln.<br \/>\nDer Auftritt von Studio Musikfabrik wird gef\u00f6rdert durch die RheinenergieStiftung Kultur.<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>27.09.2019 Japanisches Kulturinstitut | K\u00f6ln<\/strong><\/h4>\n<p><strong>Toru Takemitsu<\/strong> &#8211; <em>Rain Tree<\/em> (1981) for percussion trio<\/p>\n<p><strong>Misato Mochizuki <\/strong>&#8211; <em>La chambre claire<\/em> (1998) for chamber ensemble<\/p>\n<p><strong>Malika Kishino <\/strong>&#8211; <em>\u2026kaum einen Hauch \u2026<\/em>(2018) for 10 players<\/p>\n<p><strong>Toshio Hosokawa <\/strong>&#8211; <em>Voyage X<\/em> (2009) for shakuhachi and ensemble<\/p>\n<p>Tadashi Tajima, shakuhachi<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, conductor<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>28.08.2019 Princess Galyani Vadhana Institute of Music | Bangkok<\/strong><\/h4>\n<p><strong>Elliot Carter<\/strong> &#8211; <em>Hioku<\/em> (2001) for two clarinets<\/p>\n<p><strong>Christian Wolff &#8211;<\/strong> <em>Tuba Song<\/em> (1992) for tuba solo<\/p>\n<p><strong>Toshio Hosokawa &#8211;<\/strong> <em>Neben dem Fluss<\/em> (1982) for harp solo<\/p>\n<p><strong>Zhe Qi Joey Yeo<\/strong> &#8211; <em>If Flowers were to bloom again<\/em> (2019)<\/p>\n<p><strong>Ryle Nicole Custodio<\/strong> &#8211; <em>At Kung Maging<\/em> (2019) for chamber ensemble, Kulintang and Bandurria<\/p>\n<p>and other works<\/p>\n<p>ASEAN Youth Ensemble<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, conductor<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4>29.08.2019 Princess Galyani Vadhana Institute of Music | Bangkok<\/h4>\n<p><strong>Harrison Birtwhistle<\/strong> &#8211; <em>Duets for Storab<\/em> (Auswahl) for two clarinets<\/p>\n<p><strong>Candra Bangun Setyawan <\/strong>&#8211; <em>Ngerumpy<\/em> (2019) for flute, clarinet, Saron Barung \u201cPelog\u201d, violin, cello and live electronics<\/p>\n<p><strong>Chie Sang Lee <\/strong>&#8211; <em>The Guest House<\/em> (2019) for oboe, bass clarinet, percussion, pat waing, Saung-gauk, bandurria, \u0111\u00e0n tranh und harfp<\/p>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Wantilan<\/em> (1988\/2008) for percussion and flute<\/p>\n<p>and other works<\/p>\n<p>ASEAN Youth Ensemble<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, conductor<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>30.08.2019 Princess Galyani Vadhana Institute of Music <\/strong><strong>| Bangkok<\/strong><\/h4>\n<p><strong>Georges Aperghis <\/strong>&#8211; <em>Retrouvailles<\/em> (2010) for two percussionists<\/p>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Ngotek<\/em><\/p>\n<p>and other works<\/p>\n<p>Kusimanten<br \/>\nJonathan Day Trio<br \/>\nStudio Musikfabrik<br \/>\nPGVIM Big Band<br \/>\nPeter Veale, conductor<br \/>\nDieter Mack, conductor<\/p>\n<p>With the kind support of the Goethe-Institut<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<p><strong>07.07.2019 | Welten und Rituale | M\u00fcnster, Friedenskapelle<\/strong><br \/>\n2nd performance of the program of 06.07.2019<\/p>\n<h4><strong>06.07.2019 Welten und Rituale | K\u00f6ln, Alte Feuerwache<\/strong><\/h4>\n<p><strong>Wolfgang Rihm<\/strong> &#8211; <em>Chiffre VI<\/em> (1985) &#8211; for 8 players<\/p>\n<p><em>Welten und Rituale<\/em> (2016\/17) for ensemble &#8211; <em>world premiere<\/em><\/p>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Luft <\/em>(2012) for ensemble<\/p>\n<p><strong>G\u00fcnter Steinke &#8211;<\/strong> <em>so nah &#8211; so fern<\/em> (2018\/19) for ensemble &#8211;<em> world premiere<\/em><\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, conductor<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>30.04.2019 Acht Br\u00fccken | Musik f\u00fcr K\u00f6ln<\/strong><\/h4>\n<p><strong>Gerhard St\u00e4bler &#8211;<\/strong> <em>H\u00d6R\u00b7FLECKEN<\/em> (2018\/2019) for various singers, ensembles and groups \u2014 <em>Uchronische Augenblicke in der U-Bahn-Station Heumarkt K\u00f6ln <\/em>\u2014 <em>world premiere<\/em><\/p>\n<p>Commissioned by ACHT BR\u00dcCKEN | Musik f\u00fcr K\u00f6ln<\/p>\n<p>Angelika Luz, soprano<br \/>\nTheresa Szorek, soprano<br \/>\nZografia-Maria Madesi, alto<br \/>\nEnsemble Musikfabrik<br \/>\nStudio Musikfabrik \u2013 Jugendensemble des Landesmusikrats NRW<br \/>\nPeter Veale, direction Studio Musikfabrik<br \/>\nKammerchor der Universit\u00e4t zu K\u00f6ln<br \/>\nMichael Ostrzyga, direction choir<br \/>\nPupils of Albertus-Magnus-Gymnasiums K\u00f6ln<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2018\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2018<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<p><strong>04.11.2018 Voyage | K\u00f6ln, Alte Feuerwache<\/strong><br \/>\nRepetition of the program of Essen NOW! Festival Form per form on 03.11.2018 in Essen.<\/p>\n<h4><strong>03.11.2018 NOW! Form per form | Essen, Stiftung Zollverein &#8211; Salzlager<\/strong><\/h4>\n<p><strong>Dieter Schnebel<\/strong> &#8211; <em>Bauernszene aus Museumsst\u00fccke <\/em>1 (1991-93) for plates, glasses, bottles, cutlery and voices<\/p>\n<p><strong>Harrison Birtwistle <\/strong>&#8211; <em>Cortege a ceremony for 14 musicians in memory of Michael Vyner<\/em> (2007) for ensemble<\/p>\n<p><strong>Toshio Hosokawa<\/strong> &#8211; <em>Voyage V<\/em> (2001) for flute and chamber orchestra<\/p>\n<p><strong>Yasutaki Inamori<\/strong> &#8211; <em>Miscommunication to Excommunication<\/em> (2018) World Premiere &#8211; Commissioned by NOW! Festival<\/p>\n<p><strong>Mauricio Kagel<\/strong> &#8211; <em>Finale mit Kammerensemble<\/em> (1980\/81)<\/p>\n<p>Sarah Heemann, flute<br \/>\nPeter Veale, conductor<br \/>\nStudio Musikfabrik<\/p>\n<p>Supported by Kunststiftung NRW.<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>06.10.2018 ZETT EMM_20_18 | K\u00f6ln, Alte Feuerwache<\/strong><\/h4>\n<p><strong>Youthfestival for Contemporary Music<\/strong><\/p>\n<p><strong>Luigi Dallapiccola<\/strong> &#8211; <em>piccola musica nott urna<\/em> (1954) for flute, oboe, clarinet, harp, celesta, violin, viola and violoncello<\/p>\n<p><strong>David P. Graham<\/strong> &#8211; <em>I. Puppets and Crowds and II. Waltzes from: Three Dances \u2013 A hommage to Petrouschka<\/em> (2018) for clarinet, trompet, percussion, accordion, violin and double bass<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, conductor<\/p>\n<p>A festival of Rheinischen Musikschule K\u00f6ln.<br \/>\nThe concert of Studio Musikfabrik is supported by RheinenergieStiftung Kultur.<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>07.07.2018 Eine kleine Nachtmusik | K\u00f6ln, Studio Ensemble Musikfabrik<\/strong><\/h4>\n<p><strong>Anton Webern<\/strong> &#8211; <em>Op. 24 <\/em>(1931-1934) for flute, oboe, clarinet, horn, trumpet, trombone, piano, violin and viola<\/p>\n<p><strong>Bernd Alois Zimmermann<\/strong> &#8211; <em>Trio f\u00fcr Violine, Viola und Violoncello<\/em> (1944)<\/p>\n<p><strong>David P. Graham<\/strong> &#8211; <em>Three Dances &#8211; A hommage to Petrouschka<\/em> (2018) for clarinet, trumpet, percussion, accordion, violin and double bass &#8211; Commissioned by the Junge Oper am Rhein<\/p>\n<p><strong>Luigi Dallapiccola<\/strong> &#8211; <em>piccola musica notturna<\/em> (1954) for flute, oboe, clarinet, harp, violin, viola and cello<\/p>\n<p>Studio Musikfabrik<\/p>\n<p>Cooperation of Studio Musikfabrik with classes of schools in Cologne for sharing knowledge about contemporary music.<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>05. &amp; 06. 07. 2018 <em>Bis in die Puppen! <\/em>| D\u00fcsseldorf<\/strong><br \/>\nAn inclusive dance and theatre project with and of all our sences in 3 acts<\/h4>\n<p>with music by <strong>David P. Graham<\/strong> &#8211; T<em>hree Dances &#8211; A hommage to Petrouschka<\/em> (2018) for clarinet, trumpet, percussion, accordion, violin and double bass &#8211; Commissioned by the Junge Oper am Rhein<\/p>\n<p>Anja F\u00fcrstenberg and Krysztina Winkel, Projectmanagement<br \/>\nDavid P. Graham, Composition<br \/>\nKrysztina Winkel and Thuy-Tien Nguyen, \u200bChoreography<br \/>\nPeter Veale, \u200bConductor and artistic direction Studio Musikfabrik<br \/>\nLeonie H\u00f6ttges, \u200bProjectmanagement Studio Musikfabrik<br \/>\nAnja F\u00fcrstenberg, Costume<br \/>\nLena Volmer, Special educational direction<\/p>\n<p>A participatory project of Junge Oper am Rhein in cooperation with Lebenshilfe D\u00fcsseldorf, Arrive&amp;Join e.V., AWO D\u00fcsseldorf e.V., Hulda-Pankok-Gesamtschule, Dieter-Forte-Gesamtschule and Studio Musikfabrik<\/p>\n<p>Supported by Ralf und Uschi Kutscheit Stiftung.<\/p>\n<p><a href=\"http:\/\/www.jungeoperamrhein.de\/\">www.jungeoperamrhein.de<\/a><\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>20.04.2018 Portrait Konzert Dieter Mack | Oldenburg<\/strong><\/h4>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Yonsei<\/em> (2010) for chamber ensemble<\/p>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Kebyar Baru II<\/em> (2015) for violin and piano<\/p>\n<p><strong>Dieter Mack <\/strong>&#8211; <em>Snells Beach<\/em> (2009) percussion solo<\/p>\n<p>Arturo Uribe Portugal, drums<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, artistic direction<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>24.03.2018<\/strong> Princess Galyani Vadhana Institute of Music | Bangkok<\/h4>\n<p><strong>Edgard Var\u00e8se<\/strong> &#8211; <em>Int\u00e9grales<\/em> (1923-25) for 11 winds and brass and 4 percussionists<\/p>\n<p><strong>Toshio Hosokawa <\/strong>&#8211; <em>Blossoming II<\/em> (2011) for chamber orchestrs<\/p>\n<p>NN | NN (Winner of call for scores of Princess Galyani Vadhana Institute of Music Bangkok)<\/p>\n<p>Princess Galyani Vadhana Institute of Music Bangkok Youth Orchestra<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, conductor<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2017\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2017<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4>07.10.2017 <strong>Zett Emm | Jugendfestival f\u00fcr zeitgen\u00f6ssische Musik | Alte Feuerwache K\u00f6ln<\/strong><\/h4>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Snells Beach<\/em> (2009) for drums solo<\/p>\n<p><strong>G\u00e9rard Grisey <\/strong>&#8211; <em>Solo pour deux <\/em>(1981) for clarinet and trombone<\/p>\n<p>and other pieces<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, conductor<\/p>\n<p>A project by Rheinischen Musikschule K\u00f6ln in cooperation with Studio Musikfabrik, K\u00f6lnMusik\/K\u00f6lner Philharmonie, WDR, Tanzakademie der RMS, Clara-Schumann-Musikschule D\u00fcsseldorf and Institut f\u00fcr Computermusik und elektronische Medien (ICEM) der Folkwang Universit\u00e4t der K\u00fcnste Essen.<\/p>\n<p>With friendly assistance of Annemarie und Helmut B\u00f6rner-Stiftung.<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4>02.09.2017 <strong>4. Symposium des Princess Galyani Vadhana Institute of Music | Bangkok<\/strong><\/h4>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Snells Beach<\/em> &#8211; for percussion solo<\/p>\n<p><strong>Liza Lim<\/strong> <em>Inguz<\/em> &#8211; for clarinet solo and violoncello<\/p>\n<p><strong>G\u00e9rard Grisey <\/strong>&#8211; <em>Duo f\u00fcr Posaune und Klarinette<\/em><\/p>\n<p>and more pieces<\/p>\n<p>Louisa Kaltenbach, violoncello<br \/>\nSven Kandalowski, clarinet<br \/>\nArturo Uribe Portugal, drums<br \/>\nAnn-Catherina Strehmel, trombone<br \/>\nPeter Veale, conductor<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4>29.01.2017 Zweites Dortmunder Kammermusikfestival<\/h4>\n<p><strong>Dieter Schnebel<\/strong> &#8211; Bauernszene aus Museumsst\u00fccke I (1993)<\/p>\n<p><strong>Edgar Var\u00e8se<\/strong> &#8211; Octandre (1923)<\/p>\n<p><strong>Isang Yun<\/strong> &#8211; Quartet (1992)<\/p>\n<p><strong>Harrison Birtwistle<\/strong> &#8211; Ritual Fragment (1989)<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>30.04.2019 Acht Br\u00fccken | Musik f\u00fcr K\u00f6ln<\/strong><\/h4>\n<p><strong>Gerhard St\u00e4bler <\/strong>&#8211; <em>H\u00d6R\u00b7FLECKEN<\/em> (2018\/2019) f\u00fcr mehrere S\u00e4ngerInnen, Ensembles und Aktionsgruppen &#8211; Uchronische Augenblicke in der U-Bahn-Station Heumarkt K\u00f6ln &#8211; <em>Urauff\u00fchrung <\/em>Kompositionsauftrag von ACHT BR\u00dcCKEN | Musik f\u00fcr K\u00f6ln<\/p>\n<p>Angelika Luz, Sopran<br \/>\nTheresa Szorek, Sopran<br \/>\nZografia-Maria Madesi, Alt<br \/>\nEnsemble Musikfabrik<br \/>\nStudio Musikfabrik \u2013 Jugendensemble des Landesmusikrats NRW<br \/>\nPeter Veale, Leitung Studio Musikfabrik<br \/>\nKammerchor der Universit\u00e4t zu K\u00f6ln<br \/>\nMichael Ostrzyga, Chorleitung<br \/>\nSch\u00fclerinnen und Sch\u00fcler des Albertus-Magnus-Gymnasiums K\u00f6ln<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2016\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2016<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>18.10.2016 Musikfabrik im WDR 60<\/strong><\/h4>\n<p><strong>Michael Finnissy<\/strong> &#8211; <em>Mu-Fa<\/em> (2016) world premiere<\/p>\n<p><strong>07.08.2016 Studio Musikfabrik und Youth Ensemble of CAI<\/strong><\/p>\n<p>together developed pieces by Youth Ensemble of Chicago Arts Initiative and Studio Musikfabrik<\/p>\n<h4><strong>06.08.2016 48. Ferienkurse f\u00fcr Neue Musik Darmstadt<\/strong><\/h4>\n<p><strong>Ansgar Beste<\/strong> &#8211; <em>new work<\/em> (2015\/16) world premiere<br \/>\n<strong>Mauricio Kagel<\/strong> &#8211; <em>Finale mit Kammerensemble<\/em> (1980\/81)<br \/>\n<strong>Dieter Mack<\/strong> &#8211; <em>Yonsei<\/em> (2010)<br \/>\nand one piece by Youth Ensemble of Chicago Arts Initiative and Studio Musikfabrik<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>02.08.2016 48. Ferienkurse f\u00fcr Neue Musik Darmstadt<\/strong><\/h4>\n<p><strong>John Cage<\/strong> &#8211; <em>Concerto for piano and orchestra (1958)<\/em><\/p>\n<p><strong>29.05.2016 chiffren. kieler tage f\u00fcr neue musik<\/strong><\/p>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Luft (2012)<\/em><br \/>\n<strong>Edgard Var\u00e8se<\/strong> &#8211; <em>Octandre (1923)<\/em><br \/>\n<strong>Toshio Hosokawa<\/strong> &#8211; <em>Duo (1998)<\/em><br \/>\n<strong>Mathias Ronnefeld<\/strong> &#8211; <em>Christ ist erstanden (1981) (Neubearbeitung von Johannes Harneit 2016)<\/em><br \/>\n<strong>Salvatore Sciarrino<\/strong> &#8211; <em>Quattro intermezzi (1997)<\/em><\/p>\n<h4><strong>18.03.2016 Fr\u00fchlingsfest 2016 bei PACT Zollverein<\/strong><\/h4>\n<p><strong>Edgard Var\u00e8se<\/strong> &#8211;<em> Octandre (1923)<\/em><br \/>\n<strong>Toru Takemitsu<\/strong> &#8211;<em> Rain Spell (1982)<\/em><br \/>\n<strong>Toshio Hosokawa<\/strong> &#8211; <em>Duo (1998)<\/em><br \/>\n<strong>Dieter Mack<\/strong> &#8211; <em>Yonsei (2010)<\/em><\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2015\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2015<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol \" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>29.11.2015 &#8220;Br\u00fccken&#8221; &#8211; Festival f\u00fcr Neue Musik in Mecklenburg-Vorpommern<\/strong><\/h4>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Luft <\/em>(2012)<br \/>\n<strong>Dieter Mack<\/strong> &#8211; <em>Yonsei <\/em>(2010)<\/p>\n<h4><strong>31.10.2015 Zett Emm_20_15 &#8211; 3. Jugendfestival f\u00fcr zeitgen\u00f6ssische Musik<\/strong><\/h4>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Luft <\/em>(2012)<br \/>\n<strong>Toshio Hosokawa<\/strong> &#8211; <em>Duo <\/em>(1998)<\/p>\n<h4><strong>16.10.2015 Studio Musikfabrik in den Vereinigten Staaten von Amerika<\/strong><\/h4>\n<p><strong>Harrison Birtwistle <\/strong>&#8211; <em>Ritual Fragment<\/em> (1989)<br \/>\n<strong>Misato Mochizuki<\/strong> &#8211; <em>La chambre claire<\/em> (1998)<br \/>\n<strong>Dieter Mack<\/strong> &#8211; <em>Luft<\/em> (2012)<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>13.09.2015 30 Jahre Junge Bl\u00e4serphilharmonie NRW<\/strong><\/h4>\n<p><strong>Toru Takemitsu<\/strong> &#8211; <em>Rain Spell<\/em> (1982)<br \/>\n<strong>Toshio Hosokawa<\/strong> &#8211; <em>Duo <\/em>(1998)<br \/>\n<strong>Edgar Var\u00e8se<\/strong> &#8211; <em>Octandre<\/em> (1923\/24)<br \/>\n<strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment<\/em> (1990)<\/p>\n<h4><strong>17.05.2015 Upgrade Neue | Musik | Vermittlung Donaueschingen<\/strong><\/h4>\n<p><strong>Louis Andriessen<\/strong> &#8211; <em>Bells for Haarlem<\/em> (2002)<br \/>\n<strong>Louis Andriessen<\/strong> &#8211; <em>Mouse running<\/em> (2008)<br \/>\n<strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment<\/em> (1990)<\/p>\n<h4><strong>01.05.2015 ACHT BR\u00dcCKEN | Musik f\u00fcr K\u00f6ln<\/strong><\/h4>\n<p><strong>Louis Andriessen <\/strong>&#8211;<em> Bells for Haarlem<\/em> (2002)<br \/>\n<strong>Louis Andriessen <\/strong>&#8211;<em> Mouse running <\/em>(2008)<br \/>\n<strong>Nicolaus A. Huber <\/strong>&#8211;<em> Er\u00f6ffnung und Zertr\u00fcmmerung<\/em> (1992)<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2014\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2014<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol \" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>18. \/ 19.10.2014 | Donaueschinger Musiktage 2014<\/strong><\/h4>\n<p><strong>Fran\u00e7ois Sarhan<\/strong> &#8211; <em>Zentral Park <\/em>(2014) performance with members of Studio Musikfabrik<\/p>\n<h4><strong>13.11.2014 | TRIPCLUBBING<\/strong><\/h4>\n<p><strong>Rebecca Saunders<\/strong> &#8211;<em> Into the Blue<\/em> (1996)<br \/>\n<strong>Toru Takemitsu<\/strong> &#8211; <em>Rain Tree<\/em> (1981)<br \/>\n<strong>Harrison Birtwistle-<\/strong> <em>Ritual Fragment<\/em> (1989)<br \/>\n<strong>Jo Kondo<\/strong> &#8211; <em>Under The Umbrella<\/em> (1976)<\/p>\n<h4><strong>14.09.2014 | Beethovenfest Bonn<\/strong><\/h4>\n<p><strong>Gerhard St\u00e4bler<\/strong> &#8211; <em>Fund.St\u00fccke \u2013 Ein VabanqueSpiel<\/em><br \/>\n<strong>Philipp Maintz<\/strong> &#8211; <em>sur tourbillon<\/em> (2013\/2014) world premiere<br \/>\n<strong>Jo Kondo<\/strong> &#8211; <em>Under The Umbrella<\/em> (1976)<br \/>\n<strong>Harrison Birtwistle <\/strong>&#8211; <em>Ritual Fragment<\/em> (1989)<\/p>\n<h4><strong>09.08.2014 | Studio des Ensemble Musikfabrik K\u00f6ln<\/strong><\/h4>\n<p>Studio Musikfabrik:<br \/>\n<strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment <\/em>(1989)<\/p>\n<p>ACME:<br \/>\n<strong>Jonas Baes<\/strong> &#8211; <em>Aus der Bilderwelt der Erwin Blumenfeld <\/em>(2014)<br \/>\n<strong>Piyawat Louilarpprasert<\/strong> &#8211; <em>\u201c&#8230;from Inside&#8230;Aristotle&#8230;\u201d <\/em>(2014)<br \/>\n<strong>Erica Ngiam<\/strong> &#8211; <em>A Concerto? <\/em>(2014)<br \/>\n<strong>Yeo Chow Shern<\/strong> &#8211; <em>Teo <\/em>(2014)<br \/>\n<strong>Septian Dwi Cahya<\/strong> &#8211; <em>Abstrak <\/em>(2014)<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>08.08.2014 | 47. Internationale Ferienkurse f\u00fcr Neue Musik Darmstadt<\/strong><\/h4>\n<p><strong>Wolfgang Rihm<\/strong> &#8211; <em>Alarm will sound anew (again)<\/em> (2014) world premiere<br \/>\n<strong>Misato Mochizuki<\/strong> &#8211; <em>La chambre claire<\/em> (1998)<br \/>\n<strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment<\/em> (1989)<br \/>\n<strong>Brigitta Muntendorf <\/strong>&#8211; <em>IN SYNC<\/em> (2012)<br \/>\n<strong>Gy\u00f6rgy Kurt\u00e1g<\/strong> &#8211; <em>Double concerto, op. 27, no. 2<\/em><\/p>\n<h4><strong>02.02.2014 | Tonhalle D\u00fcsseldorf Sch\u00f6nes Wochenende<\/strong><\/h4>\n<p><strong>Gregor A. Mayrhofer<\/strong> &#8211; <em>Melodie und Dekoration<\/em> (2014) world premiere<br \/>\n<strong>Ehsan Khatibi<\/strong> &#8211; <em>la corDe<\/em> (2014) world premiere<br \/>\n<strong>Myunghoon Park<\/strong> &#8211; <em>The rose of sharon has blossomed<\/em> (2014) world premiere<\/p>\n<h4><strong>17.01.2014 | Felix Mendelssohn Bartholdy Hochschulwettbewerb<\/strong><\/h4>\n<p><strong>Eunsung Kim<\/strong> &#8211; <em>mobile Elemente<\/em> (2013)<br \/>\n<strong>Francisco Concha Goldschmidt<\/strong> &#8211; <em>;;<\/em><br \/>\n<strong>Josep Planells Schiaffino<\/strong> &#8211; <em>triosatz<\/em> (2013)<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2013\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2013<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol \" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>8.12.2013 | Studio des Ensemble Musikfabrik<\/strong><\/h4>\n<p><strong>Ernst Krenek<\/strong> &#8211; <em>Symeon der Stylit<\/em> (1935\/36)<\/p>\n<h4><strong>16.11.2013 | Umspannwerk Alexanderplatz Berlin<\/strong><\/h4>\n<p>L\u00e4nderSpiel der Neuen Musik \u2013 Meeting of all german Youth Ensembles for contemporary music<\/p>\n<h4><strong>10.11.2013 | Zett_EMM_20_13 Jugendfestival f\u00fcr zeitgen\u00f6ssische Musik der Rheinischen Musikschule K\u00f6ln<\/strong><\/h4>\n<p><strong>Niklas Seidl<\/strong> &#8211; <em>werkstatt behindert<\/em> (2009\/12)<br \/>\n<strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment<\/em> (1989)<\/p>\n<h4><strong>9.11.2013 | Kasseler Musiktage 2013<\/strong><\/h4>\n<p><strong>Ernst Krenek<\/strong> &#8211; <em>Symeon der Stylit<\/em> (1935\/36) | Germany premiere<\/p>\n<h4><strong>27.10.2013 | Now! Philharmonie Essen<\/strong><\/h4>\n<p><strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment<\/em> (1989)<br \/>\n<strong>James Tenney<\/strong> &#8211; <em>Form 3 in memoriam Stefan Wolpe<\/em> (1993)<br \/>\n<strong>Atac Sezer<\/strong> &#8211; <em>Neues Werk<\/em> (2012\/13)<\/p>\n<h4><strong>04.09.2013 | Japanische Stimmungen und Impressionen K\u00f6ln<\/strong><\/h4>\n<p><strong>Toru Takemitsu<\/strong> &#8211; <em>Rain Spell<\/em> (1982)<br \/>\n<strong>Toshio Hosokawa<\/strong> &#8211; <em>Gesine<\/em> (1982)<br \/>\n<strong>Misato Mochizuki<\/strong> &#8211; <em>La chambre claire<\/em> (1998)<br \/>\n<strong>Yasuko Yamaguchi<\/strong> &#8211; <em>Buttes Tr\u00e4ume<\/em> (2013)<br \/>\n<strong>Toru Takemitsu<\/strong> &#8211; <em>Rain Tree<\/em> (1981)<br \/>\n<strong>Toshio Hosokawa<\/strong> &#8211; <em>Voyage III<\/em> (1997)<\/p>\n<h4><strong>30.06.2013 | Musikhochschule L\u00fcbeck<\/strong><\/h4>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Luft<\/em> (2012)<br \/>\n<strong>Niklas Seidl<\/strong> &#8211; <em>werkstatt behindert<\/em> (2009\/12)<br \/>\n<strong>Christoph Breidler<\/strong> &#8211; <em>Staub<\/em> (2012)<br \/>\n<strong>Paul H\u00fcbner<\/strong> &#8211; <em>niemand blies wegen dem bisschen armut und verwahrlosung der nachwachsenden avantgarde ein freejazz-requiem auf der querfl\u00f6te<\/em> (2013)<br \/>\n<strong>Atac Sezer<\/strong> &#8211; <em>infinitimal<\/em> (2012\/13)<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>23.06.2013 | Abschlusskonzert Ensemblia M\u00f6nchengladbach<\/strong><\/h4>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Luft<\/em> (2012)<br \/>\n<strong>Christoph Breidler<\/strong> &#8211; <em>Staub<\/em> (2012)<br \/>\n<strong>Paul H\u00fcbner &#8211;<\/strong> <em>niemand blies wegen dem bisschen armut und verwahrlosung der nachwachsenden avantgarde ein freejazz-requiem auf der querfl\u00f6te (2013)<br \/>\n<strong>Niklas Seidl<\/strong> &#8211; werkstatt behindert <\/em>(2009\/12)<br \/>\n<strong>Atac Sezer<\/strong> &#8211; <em>infinitimal<\/em> (2012\/13)<\/p>\n<h4><strong>29.05.2013 | Tonhalle D\u00fcsseldorf Japanische Stimmungen und Impressionen<\/strong><\/h4>\n<p><strong>Toru Takemitsu<\/strong> &#8211; <em>Rain Spell <\/em>(1982)<br \/>\n<strong>Toshio Hosokawa<\/strong> &#8211; <em>Gesine<\/em> (1982)<br \/>\n<strong>Misato Mochizuki<\/strong> &#8211; <em>La chambre claire<\/em> (1998)<br \/>\n<strong>Yasuko Yamaguchi <\/strong>&#8211; <em>Buttes Tr\u00e4ume<\/em> (2013) world premiere<br \/>\n<strong>Toshio Hosokawa<\/strong> &#8211; <em>Voyage III<\/em> (1997)<br \/>\n<strong>Toru Takemitsu<\/strong> &#8211; <em>Rain Spell<\/em> (1982)<\/p>\n<h4><strong>05.01.2013 | Bangkok Art and Culture Centre<\/strong><\/h4>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Luft<\/em> (2012) national premiere<br \/>\n<strong>Brigitta Muntendorf<\/strong> &#8211; <em>IN SYNC<\/em> (2012) national premiere<br \/>\n<strong>Michael Asmara<\/strong> &#8211; <em>Etude for Orchestra<\/em> (2012) national premiere<\/p>\n<h4><strong>03.01.2013 | Kuala Lumpur | National Theater, Malaysia | Istana Budaya, Lambang Sari<\/strong><\/h4>\n<p><strong>Dieter Mack <\/strong>&#8211; <em>Luft<\/em> (2012) | national premiere<strong><br \/>\nBrigitta Muntendorf <\/strong>&#8211; <em>IN SYNC<\/em> (2012) | national premiere<strong><br \/>\nMichael Asmara <\/strong>&#8211; <em>Etude for Orchestra<\/em> (2012) | national premiere<\/p>\n<h4><strong>02.01.2013 | Singapur Raffles Institution<\/strong><\/h4>\n<p><strong>Dieter Mack <\/strong>&#8211; <em>Luft<\/em> (2012) | national premiere<strong><br \/>\nBrigitta Muntendorf <\/strong>&#8211; <em>IN SYNC<\/em> (2012) | national premiere<strong><br \/>\nMichael Asmara <\/strong>&#8211; <em>Etude for Orchestra<\/em> (2012) |national premiere<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2012\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2012<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol \" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>02.12.2012 | ONtemporary K\u00f6ln im Studio des Ensemble Musikfabrik<\/strong><\/h4>\n<p><strong>Brigitta Muntendorf<\/strong> &#8211; <em>IN SYNC<\/em> (2012)<br \/>\n<strong>Matthias S. Kr\u00fcger<\/strong> &#8211; <em>umKurven<\/em> (2009-2011) | world premiere of the new version<br \/>\n<strong>Julien Jamet<\/strong> &#8211; <em>Doppel Mobile<\/em> (2012) | world premiere<br \/>\n<strong>Steffen Krebber<\/strong> &#8211; <em>Konfusion III<\/em> (2012) | world premiere<\/p>\n<h4><strong>14.10.2012 | Mnemosyne Nijmegen\/ Utrecht Geertekerk <\/strong><\/h4>\n<p><strong>Carlos Mich\u00e1ns<\/strong> &#8211; <em>Tres Plegarias (Drie Gebeden)<\/em> (1999)<br \/>\n<strong>Daan Manneke<\/strong> &#8211; <em>Caccia II<\/em> (1994)<br \/>\n<strong>Wolfgang von Schweinitz &#8211;<\/strong> <em>Septett op. 11<\/em> (1976)<\/p>\n<h4><strong>13.10.2012 | Mnemosyne Utrecht Geertekerk<\/strong><\/h4>\n<p><strong>Carlos Mich\u00e1ns<\/strong> &#8211; <em>Tres Plegarias (Drie Gebeden)<\/em> (1999)<br \/>\n<strong>Daan Manneke<\/strong> &#8211; <em>Caccia II<\/em> (1994)<br \/>\n<strong>Wolfgang von Schweinitz<\/strong> &#8211; <em>Septett op. 11<\/em> (1976)<\/p>\n<h4><strong>22.09.2012 | K\u00f6lner Musiknacht: Reste, Reliquien, Reminiszenzen<br \/>\nK\u00f6ln<\/strong><\/h4>\n<p><strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment<\/em> (1989)<br \/>\n<strong>Brigitta Muntendorf<\/strong> &#8211; I<em>N SYNC<\/em> (2012) world premiere<br \/>\n<strong>Dieter Mack<\/strong> &#8211; <em>Luft<\/em> (2012)<\/p>\n<h4><strong>05.09.2012 | Weg als Aufbruch \u2013 Neue Musik in der Kirche 2012 Kassel<\/strong><\/h4>\n<p><strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment<\/em> (1989)<br \/>\n<strong>Charlotte Seither<\/strong> &#8211; <em>F\u00fcnf St\u00fccke um den Fluss zu queren<\/em> (2012) world premiere<br \/>\n<strong>Dieter Mack<\/strong> &#8211; <em>Luft<\/em> (2012)<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>27.07.2012 | 46. Internationale Ferienkurse f\u00fcr Neue Musik Darmstadt<\/strong><\/h4>\n<p><strong>Rebecca Saunders<\/strong> &#8211; <em>Into the Blue<\/em> (1996)<br \/>\n<strong>Earle Brown<\/strong> &#8211; <em>Available Forms 1 <\/em>(1961)<br \/>\n<strong>James Tenney<\/strong> &#8211; <em>Form 2<\/em> (1993)<br \/>\n<strong>Dieter Mack<\/strong> &#8211;<em> Luft<\/em> (2012) |world premiere<\/p>\n<h4><strong>21.07.2012 | 46. Internationale Ferienkurse f\u00fcr Neue Musik Darmstadt<\/strong><\/h4>\n<p><strong>Rebecca Saunders <\/strong>&#8211;<em>Into the Blue<\/em> (1996)<br \/>\n<strong>Earle Brown <\/strong>&#8211;<em>Available Forms 1 <\/em>(1961)<br \/>\n<strong>James Tenney <\/strong>&#8211;<em>Form 2<\/em> (1993)<br \/>\n<strong>Dieter Mack<\/strong> &#8211;<em>Luft<\/em> (2012)<strong> |<\/strong> world premiere<\/p>\n<h4><strong>30.04.2012 | 8 Br\u00fccken K\u00f6ln Funkhaus am Wallrafplatz <\/strong><\/h4>\n<p><strong>Rebecca Saunders<\/strong> &#8211; <em>Into the Blue<\/em> (1996)<br \/>\n<strong>James Tenney<\/strong> &#8211; <em>Form 2<\/em> (1993)<br \/>\n<strong>Earle Brown<\/strong> &#8211; <em>Available Forms 1<\/em> (1961)<\/p>\n<h4><strong>29.04.2012 | Aachen Forms and fragments Altes Kurhaus<\/strong><\/h4>\n<p><strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment<\/em> (1989)<br \/>\n<strong>Rebecca Saunders<\/strong> &#8211; <em>Into the Blue<\/em> (1996)<br \/>\n<strong>James Tenney<\/strong> &#8211; <em>Form 2<\/em> (1993)<br \/>\n<strong>Earle Brown<\/strong> &#8211; <em>Available Forms 1<\/em> (1961)<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2011\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2011<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol \" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>03.12.2011 |<\/strong><strong> Studio des Ensemble Musikfabrik<\/strong><\/h4>\n<p>Schl\u00fcsselwerkefestival 2011<\/p>\n<p>Various ensembles play excerpts of<br \/>\n<strong>Cornelius Cardew<\/strong> &#8211; <em>Treatise<\/em> (1963-67)| for ensemble<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, conductor<br \/>\nensemble ]h[iatus<br \/>\nTrio Pr\u00e9vost\/van Bebber\/Hirt<\/p>\n<h4><strong>23.01.2011 | <\/strong><strong>Essen Chorforum St. Engelbert<\/strong><\/h4>\n<p><strong>David Graham<\/strong> &#8211; <em>Dream of Africa<\/em><br \/>\n<strong>Lucia Ronchetti<\/strong> &#8211; <em>Opus 100<\/em> (2005)<br \/>\n<strong>Gerhard St\u00e4bler<\/strong> &#8211; <em>NACHTST\u00dcCK I<\/em> (2005)<br \/>\n<strong>Michael Beil<\/strong> &#8211; <em>Beleuchter<\/em> (2004)<br \/>\n<strong>Carola Bauckholt<\/strong> &#8211; <em>Treibstoff <\/em>(1995)<\/p>\n<p>Studio Musikfabrik<br \/>\nMarco Blaauw and Dirk Wietheger, rehearsals and direction<br \/>\nPart of the project \u201cHaste T\u00f6ne? \u2013 So klingt Schule!\u201d of NRW KULTURsekretariat<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>24.06.2011 | <\/strong><strong>Konzerthaus<\/strong><strong> Dortmund <\/strong><\/h4>\n<p>closing concert of the project \u201cHaste T\u00f6ne? \u2013 So klingt Schule!\u201d of NRW KULTURsekretariat<\/p>\n<p><strong>Terry Riley<\/strong> &#8211; <em>In C<\/em> (1964)<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, Ulrich L\u00f6ffler and Dirk Wietheger | rehearsals and direction<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Review 2009 &#8211; 2025 2025 22.11.2025 Alte Feuerwache | Cologne Zett Emm Nikolaus Knop\u00a0\u2013\u00a0Rondo\u00a0(2025) for clarinet, string trio, and live electronics Birthe M\u00fcller\u00a0\u2013\u00a0Longing for the sky\u00a0(2025) for percussion and piano Gray Stencel\u00a0\u2013\u00a0Pulsieren\u00a0(2025) for flute, clarinet, trumpet, trombone, percussion, piano, and string quartet Soroush Bahmani\u00a0\u2013\u00a0Im L\u00e4rm der Stille\u00a0(2025) for oboe, clarinet, violin, cello Jakob Hefer\u00a0\u2013\u00a0Irrwisch\u00a0(2025) for [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"parent":3666,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"class_list":["post-3686","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/pages\/3686","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/comments?post=3686"}],"version-history":[{"count":17,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/pages\/3686\/revisions"}],"predecessor-version":[{"id":15785,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/pages\/3686\/revisions\/15785"}],"up":[{"embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/pages\/3666"}],"wp:attachment":[{"href":"https:\/\/www.musikfabrik.eu\/en\/wp-json\/wp\/v2\/media?parent=3686"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}