{"id":2884,"date":"2021-08-02T12:05:35","date_gmt":"2021-08-02T10:05:35","guid":{"rendered":"https:\/\/www.musikfabrik.eu\/?p=2884"},"modified":"2024-01-23T14:52:41","modified_gmt":"2024-01-23T13:52:41","slug":"microbiome","status":"publish","type":"post","link":"https:\/\/www.musikfabrik.eu\/de\/blog\/microbiome\/","title":{"rendered":"Microbiome"},"content":{"rendered":"
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Liza Lim <\/strong>– Microbiome<\/em> (2020)
\nf\u00fcr Bassklarinette<\/p>\n

Carl Rosman, Bassklarinette<\/p>\n

Janet Sinica, Video
\nJan B\u00f6yng, Schnitt
\nHendrik Manook, Tonaufnahme\/Mischung<\/p>\n <\/div>\r\n <\/div>\r\n <\/div>\r\n<\/div>\r\n

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Programmtext von Carl Rosman<\/h3> <\/div>\n <\/div>\n <\/div>\n<\/div>\n
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As most musicians will tell you from bitter experience, it is generally a mistake to start a practice session with a quick look at Twitter. But there are exceptions.<\/p>\n

May 2020 was close enough to the beginning of the First Wave that I was still able to muster some practice motivation despite watching the concerts fall like dominoes far into the foreseeable (and unforeseeable) future. I was, though, not quite motivated enough not to peek at Twitter first, and what should I see but this tweet by Liza Lim …<\/p>\n

Liza and I had been discussing a bass clarinet solo on and off for a quarter of a century or so\u2014but somehow it had never come to fruition, with our collaborative activities instead taking place inside her larger-scale pieces for ELISION or Ensemble Musikfabrik. When she tweeted that there seemed to be \u201ca great bass clarinet solo or 10\u201d in Chris Watson\u2019s recordings of humpback whales from the Caribbean (www.bbc.co.uk<\/a>), my curiosity was piqued.<\/p>\n

This was in any case a period in 2020 in which, for obvious reasons, I was making quite a bit of audio material for composers. So when a few days after Liza\u2019s tweet I sat down to record some bass clarinet sounds for Monty Adkins, I warmed up by\u2026improvising along with some whales. As it happened, their sounds strongly suggested a specific area of clarinet technique which has long been of particular interest to me. (Since you ask: the overblowing possibilities available from combining \u2018basset note\u2019 fingerings (the \u2018extra\u2019 notes available on those clarinets which are built with an extended low range to the C below the clarinet\u2019s normal low E) with the register key: the notes are not overblown in normal practice, so they are not tuned by the instrument builders, so this combination can give rise to microtones and multiphonics which are entirely idiomatic to the clarinets in question.)<\/p>\n <\/div>\r\n

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Not long after, I had sent Liza some notation to go with the sounds:<\/p>\n

\"Skizzen<\/figure>\n

And not long after that, Microbiome was complete, after a few more such exchanges and some video calls; I premiered it in an ELISION Ensemble concert in Berlin in September 2020 and made this recording on my return to K\u00f6ln a few days later.
\nOn re-reading her tweet I\u2019ve just seen that she mentions \u201ca great bass clarinet solo or 10\u201d.
\nExcellent, nine to go.<\/p>\n <\/div>\r\n <\/div>\r\n <\/div>\r\n<\/div>\r\n","protected":false},"excerpt":{"rendered":"

Carl Rosman spielt Liza Lims Komposition „Microbiome“ f\u00fcr Bassklarinette.<\/p>\n","protected":false},"author":7,"featured_media":2886,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[1,90],"tags":[],"class_list":["post-2884","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video","category-werktext"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.musikfabrik.eu\/de\/wp-json\/wp\/v2\/posts\/2884","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikfabrik.eu\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikfabrik.eu\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/de\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/de\/wp-json\/wp\/v2\/comments?post=2884"}],"version-history":[{"count":8,"href":"https:\/\/www.musikfabrik.eu\/de\/wp-json\/wp\/v2\/posts\/2884\/revisions"}],"predecessor-version":[{"id":12703,"href":"https:\/\/www.musikfabrik.eu\/de\/wp-json\/wp\/v2\/posts\/2884\/revisions\/12703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/de\/wp-json\/wp\/v2\/media\/2886"}],"wp:attachment":[{"href":"https:\/\/www.musikfabrik.eu\/de\/wp-json\/wp\/v2\/media?parent=2884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/de\/wp-json\/wp\/v2\/categories?post=2884"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/de\/wp-json\/wp\/v2\/tags?post=2884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}