{"id":1860,"date":"2021-10-20T18:09:21","date_gmt":"2021-10-20T16:09:21","guid":{"rendered":"https:\/\/www.musikfabrik.eu\/?page_id=1860"},"modified":"2026-02-23T10:09:40","modified_gmt":"2026-02-23T09:09:40","slug":"rueckblick","status":"publish","type":"page","link":"https:\/\/www.musikfabrik.eu\/de\/akademie\/studio-musikfabrik\/rueckblick\/","title":{"rendered":"R\u00fcckblick \/ Studio Musikfabrik"},"content":{"rendered":"<div class=\"ce ce-headline pt-large\">\n    <div class=\"container\">\n        <div class=\"row\">\n            <div class=\"col\">\n\t\t\t\t<h1>R\u00fcckblick 2009 - 2025<\/h1>            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n<div class=\"ce ce-accordion \">\n  <div class=\"container\">\n    <div class=\"row\">\n      <div class=\"col\">\n        <div class=\"accordion\"><div class=\"accordion-panel\" data-panel-id=\"2025\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2025<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol \" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>22.11.2025 Alte Feuerwache | K\u00f6ln<\/strong><\/h4>\n<p>Zett Emm<\/p>\n<p><strong>Nikolaus Knop<\/strong> \u2013 <em>Rondo<\/em> (2025)<br \/>\nf\u00fcr Klarinette, Streichtrio und Live-Elektronik<\/p>\n<p><strong>Birthe M\u00fcller<\/strong> \u2013 <em>Longing for the sky<\/em> (2025)<br \/>\nf\u00fcr Schlagzeug und Klavier<\/p>\n<p><strong>Gray Stencel<\/strong> \u2013 <em>Pulsieren<\/em> (2025)<br \/>\nf\u00fcr Fl\u00f6te, Klarinette, Trompete, Posaune, Schlagwerk, Klavier und Streichquartett<\/p>\n<p><strong>Soroush Bahmani<\/strong> \u2013 <em>Im L\u00e4rm der Stille<\/em> (2025)<br \/>\nf\u00fcr Oboe, Klarinette, Violine und Cello<\/p>\n<p><strong>Jakob Hefer<\/strong> \u2013 <em>Irrwisch<\/em> (2025)<br \/>\nf\u00fcr Fl\u00f6te und Klavier<\/p>\n<p><strong>Friederike Horz<\/strong> \u2013 <em>Argile<\/em> (2025)<br \/>\nf\u00fcr Fl\u00f6te, Oboe, Klarinette, Trompete, Posaune, zwei Schlagwerke, Klavier und Streichquartett<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, K\u00fcnstlerische Leitung<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>18.10.2025 Musikhochschule L\u00fcbeck | L\u00fcbeck<\/strong><\/h4>\n<p><strong>Fausto Romitelli<\/strong> \u2013 <em>An Index of Metals<\/em> (2003)<br \/>\nVideooper f\u00fcr Sopran, Ensemble, Multiprojektion und Elektronik<\/p>\n<p>Monica Rirhandzu Mhangwana, Sopran<br \/>\nStudio Musikfabrik<br \/>\nStudierende der Musikhochschule L\u00fcbeck<br \/>\nPeter Veale, Dirigent und k\u00fcnstlerische Leitung<\/p>\n<p>Ein Kooperationsprojekt zwischen Studio Musikfabrik und der Musikhochschule L\u00fcbeck<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol \" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>26.08.2025 Yong Siew Toh Conservatory of Music Concert Hall | Singapore<\/strong><\/h4>\n<p>Singapur Erstauff\u00fchrung von Fausto Romitellis Videooper:<\/p>\n<p><strong>Fausto Romitelli<\/strong> \u2013 <em>An Index of Metals<\/em> (2003)<br \/>\nVideooper f\u00fcr Sopran, Ensemble, Multiprojektion und Elektronik<\/p>\n<p><strong>Iannis Xenakis<\/strong> \u2013 <em>Kottos<\/em> (1977)<br \/>\nf\u00fcr Cello solo<\/p>\n<p><strong>Kaija Saariaho<\/strong> \u2013 <em>Sept Papillons<\/em> (2000)<br \/>\nf\u00fcr Cello solo<\/p>\n<p><strong>Do\u011fukan Pahsa<\/strong> \u2013 <em>Hu\u015fu for solo flute<\/em> (2024)<br \/>\nf\u00fcr Fl\u00f6te solo<\/p>\n<p><strong>Arda Bayram<\/strong> \u2013 <em>Phenomenalistic Blackouts<\/em> (2021)<br \/>\nf\u00fcr Bassfl\u00f6te<\/p>\n<p>Mine Ece Pahsa, Fl\u00f6te<br \/>\nJungin Kim, Violoncello<br \/>\nPeter Veale, Dirigent und musikalische Leitung<\/p>\n<p>Kooperationsprojekt von Studio Musikfabrik, Princess Galyani Vadhana Institute of Music (PGVIM) und Musikhochschule L\u00fcbeck<\/p>\n<h4><strong>05.04.2025 Musikhochschule L\u00fcbeck | <\/strong><strong>L\u00fcbeck<\/strong><\/h4>\n<p>Die letzte Station der \u201eTribute\u201c Tour von Studio Musikfabrik<\/p>\n<p><strong>Giacinto Scelsi<\/strong> \u2013 <em>Krishna e Radha<\/em> (1986)<br \/>\nf\u00fcr Fl\u00f6te und Klavier<\/p>\n<p><strong>Hermione Johnson<\/strong> \u2013 <em>Shaking in the garden<\/em> (2020)<br \/>\nf\u00fcr Viola und Oboe<\/p>\n<p><strong>Fredrik H\u00f6gberg<\/strong> \u2013 <em>Plast Musikk<\/em><br \/>\nf\u00fcr Perkussion und Klarinette<\/p>\n<p><strong>Olivier Messiaen<\/strong> \u2013 <em>Le Merle noir<\/em> (1951)<br \/>\nf\u00fcr Fl\u00f6te und Klavier<\/p>\n<p><strong>Edison Denisov<\/strong> \u2013 <em>Trio<\/em> (1969)<br \/>\nf\u00fcr Fl\u00f6te, Fagott und Klavier<\/p>\n<p><strong>Vivier, Claude<\/strong> \u2013 <em>Improvisation pour basson et piano<\/em> (1975)<br \/>\nf\u00fcr Fagott und Klavier<\/p>\n<p><strong>Gene Koshinski<\/strong> \u2013 <em>Get it!<\/em> (2011)<br \/>\nf\u00fcr Fagott und Perkussion<\/p>\n<p><strong>Matan Porat<\/strong> \u2013 <em>Hands Off<\/em><br \/>\nf\u00fcr Viola und Perkussion<\/p>\n<p><strong>Violeta Dinescu<\/strong> \u2013 <em>Trio d\u2019anches<\/em> (1982)<br \/>\nf\u00fcr Oboe, Klarinette und Fagott<\/p>\n<p>Puthita Puvabunditsin, Fl\u00f6te<br \/>\nAseman Esmaeilzadeh, Oboe<br \/>\nKanoksan Rungjiratananon, Klarinette<br \/>\nCassandra Le Cunff, Faggot<br \/>\nJirawat Chainan, Faggot<br \/>\nJonathan Hartwig, Perkussion<br \/>\nSamuel Choi, Klavier<br \/>\nHaylin Park, Violine<br \/>\nNapat Ruankaew, Viola<\/p>\n<p>Ein Kooperationsprojekt zwischen Studio Musikfabrik, Princess Galyani Vadhana<br \/>\nInstitute of Music, Bangkok und der Musikhochschule L\u00fcbeck<\/p>\n<h4><strong>22.03.2025 Pax Christi | Krefeld<\/strong><\/h4>\n<p><strong>Raven Chacon<\/strong> \u2013 <em>The journey of the horizontal people<\/em> (2016)<br \/>\nf\u00fcr Streichquartett<\/p>\n<p><strong>James Tenney<\/strong> \u2013 <em>Critical Band<\/em> (1988)<br \/>\nf\u00fcr Ensemble<\/p>\n<p><strong>John Cage<\/strong> \u2013 <em>String Quartet in Four Parts<\/em> (1950)<br \/>\nf\u00fcr Streichquartett<\/p>\n<p><strong>Raven Chacon<\/strong> \u2013 <em>Voiceless Mass<\/em> (2021)<br \/>\nf\u00fcr Orgel und gro\u00dfes Ensemble<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>22.08.2025 Princess Galyani Vadhana Institute of Music | Bangkok<\/strong><\/h4>\n<p><strong>Fausto Romitelli<\/strong> \u2013 <em>An Index of Metals<\/em> (2003)<br \/>\nVideooper f\u00fcr Sopran, Ensemble, Multiprojektion und Elektronik<\/p>\n<p><strong>Iannis Xenakis<\/strong> \u2013 <em>Kottos<\/em> (1977)<br \/>\nf\u00fcr Cello solo<\/p>\n<p><strong>Kaija Saariaho<\/strong> \u2013 <em>Sept Papillons<\/em> (2000)<br \/>\nf\u00fcr Cello solo<\/p>\n<p><strong>Do\u011fukan Pahsa<\/strong> \u2013 <em>Hu\u015fu for solo flute<\/em> (2024)<br \/>\nf\u00fcr Fl\u00f6te solo<\/p>\n<p><strong>Arda Bayram<\/strong> \u2013 <em>Phenomenalistic Blackouts<\/em> (2021)<br \/>\nf\u00fcr Bassfl\u00f6te<\/p>\n<p>Mine Ece Pahsa, Fl\u00f6te<br \/>\nJungin Kim, Violoncello<br \/>\nPeter Veale, Dirigent und musikalische Leitung<\/p>\n<p>Kooperationsprojekt von Studio Musikfabrik, Princess Galyani Vadhana Institute of Music (PGVIM) und Musikhochschule L\u00fcbeck<\/p>\n<h4><strong>29.03.2025 Princess Galyani Vadhana Institute of Music | Bangkok<br \/>\n<\/strong><strong>02.04.2025 Saalbau | Witten<br \/>\n<\/strong><strong>04.04.2025 Kunststation St. Peter\u00a0| K\u00f6ln<\/strong><\/h4>\n<p>Studio Musikfabrik auf Tour in Bangkok, Witten und K\u00f6ln<\/p>\n<p><strong>Gy\u00f6rgy Ligeti<\/strong>\u00a0\u2013\u00a0<em>Melodien<\/em>\u00a0(1971)<br \/>\nf\u00fcr Orchester<\/p>\n<p><b data-stringify-type=\"bold\">Songklod Nunthakasem \u2013\u00a0<\/b><i data-stringify-type=\"italic\">The Enigma of the Mirror in Portraiture<\/i>\u00a0(2025)<br \/>\n<b data-stringify-type=\"bold\"><\/b>f\u00fcr Ensemble<\/p>\n<p><strong>Dieter Mack<\/strong>\u00a0\u2013\u00a0<em>Khaen<\/em>\u00a0(2024) Urauff\u00fchrung<br \/>\nf\u00fcr chromatisches Solo-Khaen und 14 Instrumente<\/p>\n<p><strong>Mauricio Kagel\u00a0<\/strong>\u2013\u00a0<em>Finale mit Kammerensemble<\/em>\u00a0(1980)<br \/>\nf\u00fcr Ensemble<\/p>\n<p>Patchaya Nantachai, Khaen<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n<p>Ein Kooperationsprojekt zwischen Studio Musikfabrik, Princess Galyani Vadhana<br \/>\nInstitute of Music, Bangkok und der Musikhochschule L\u00fcbeck<\/p>\n<h4><strong>03.04.2025 Hochschule f\u00fcr Musik und Tanz | K\u00f6ln<\/strong><\/h4>\n<p><strong>Salvatore Sciarrino<\/strong> \u2013 <em>La malinconia<\/em> (1980)<br \/>\nf\u00fcr Violine und Viola<\/p>\n<p><strong>Raven Chacon<\/strong> \u2013 <em>The journey of the horizontal people<\/em> (2016)<br \/>\nf\u00fcr Streichquartett<\/p>\n<p><strong>Malika Kishino<\/strong> \u2013 <em>Lamento<\/em> (2013)<br \/>\nf\u00fcr zwei Violinen<\/p>\n<p><strong>John Cage<\/strong> \u2013 <em>String Quartet in Four Parts<\/em> (1950)<br \/>\nf\u00fcr Streichquartett<\/p>\n<p><strong>Piyawat Louilarpprasert<\/strong> \u2013 <em>from inside\u2026Aristotle<\/em> (2014)<br \/>\nf\u00fcr Posaune und Streicher<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n<p>&nbsp;<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2024\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2024<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol \" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>02.11.2024 Philharmonie Essen, RWE Pavillion | Essen<\/strong><\/h4>\n<p>Now! Festival<\/p>\n<p>Konzerte mit Studio Musikfabrik Beteiligung:<\/p>\n<p><strong>Ioannis Mitsialis<\/strong>\u00a0\u2013\u00a0<em>Flux<\/em>\u00a0(2024) Urauff\u00fchrung<br \/>\nf\u00fcr Violine, Posaune, Schlagzeug und Ensemble<br \/>\nAuftragswerk von Festival NOW! und Studio Musikfabrik<\/p>\n<p><strong>Zeynep Toraman<\/strong>\u00a0\u2013\u00a0<em>Epokhe<\/em>\u00a0(2016)<br \/>\nf\u00fcr 15 Instrumente und Elektronik<\/p>\n<p><strong>Orestis Papaioannou<\/strong>\u00a0\u2013\u00a0<em>dream | breathe<\/em>\u00a0(2020)<br \/>\nf\u00fcr Klarinette, Fl\u00f6te, Klavier und Violoncello<\/p>\n<p><strong>Zeynep Gedizlioglu<\/strong>\u00a0\u2013\u00a0<em>Wenn Du mich h\u00f6rst, klopf zweimal<\/em>\u00a0(2009)<br \/>\nf\u00fcr Sopran und Streichquartett<\/p>\n<p>Paula B\u00e4chli, Sopran<br \/>\nSara Cubarsi, Violine<br \/>\nBruce Collings, Posaune<br \/>\nDirk Rothbrust, Schlagzeug<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, Dirigent<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol \" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>14.04.2024\u00a0 Crossroads<\/strong><\/h4>\n<p>12:15: Pax Christi | Krefeld<br \/>\n18:00: Studio des Ensemble Musikfabrik | K\u00f6ln<\/p>\n<p>Oliver Schneller<\/p>\n<h4>\u00a0\u2013\u00a0<em>Anser indicus<\/em>\u00a0(2011)<br \/>\nf\u00fcr Akkordeon, Bassklarinette, Violine, Viola und Violoncello<\/h4>\n<p><strong>Tristan Murail<\/strong>\u00a0\u2013\u00a0<em>Stalag VIIIA<\/em>\u00a0(2018)<br \/>\nf\u00fcr Klarinette, Violine, Violoncello und Klavier<\/p>\n<p><strong>Sarah Nemtsov<\/strong>\u00a0\u2013\u00a0<i>KAMMER\u00a0<\/i>(2020) fu\u0308r Toy Piano, Minisynthesizer und zwei Monotrone<\/p>\n<p><strong>Rebecca Saunders<\/strong>\u00a0\u2013\u00a0<em>Stirrings Still II<\/em>\u00a0(2008)<br \/>\nf\u00fcr Altfl\u00f6te, Oboe, Klarinette in A, Crotales, Klavier und Kontrabass<\/p>\n<p><strong>Rebecca Saunders<\/strong>\u00a0\u2013<em>\u00a0To And Fro<\/em>\u00a0(2010)<br \/>\nf\u00fcr Violine und Oboe<\/p>\n<p><strong>Olivier Messiaen<\/strong>\u00a0\u2013 aus:\u00a0<em>Quatuor pour la fin du temps<\/em>\u00a0(1940) VII: Fouillis d\u2019arcs-en-ciel, pour l\u2019Ange qui annonce la fin du Temps<br \/>\nf\u00fcr Klarinette, Violine, Violoncello und Klavier<\/p>\n<p>Studio Musikfabrik<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/benjamin-kobler\/\">Benjamin Kobler<\/a>, Leitung<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>, Leitung<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>05.10.2024: Alte Feuerwache | K\u00f6ln<\/strong><\/h4>\n<p><strong>Zett Emm_20_24<\/strong><\/p>\n<p>Konzerte mit Studio Musikfabrik Beteiligung:<\/p>\n<p><strong>Rebecca Saunders<\/strong>\u00a0\u2013<em>\u00a0To And Fro<\/em>\u00a0(2010)<br \/>\nf\u00fcr Violine und Oboe<\/p>\n<p>Studio Musikfabrik:<br \/>\nGiovanna Sevi, Violine<br \/>\nAlexander Kronbichler, Oboe<br \/>\nPeter Veale, Leitung<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2023\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2023<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol \" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>28.10.2023 Alte Feuerwache | K\u00f6ln<\/strong><\/h4>\n<p><strong>Zett Emm_20_23<\/strong><\/p>\n<p>Konzerte mit Studio Musikfabrik Beteiligung:<\/p>\n<p><strong>Malika Kishino<\/strong>\u00a0\u2013\u00a0<i>Schmetterlingstanz<\/i>\u00a0(2023)<br \/>\nf\u00fcr Streichquartett<\/p>\n<p><strong>Kaija Saariaho<\/strong>\u00a0\u2013\u00a0<em>Nocturne<\/em>\u00a0(1994)<br \/>\nf\u00fcr Violine solo<\/p>\n<p>Aline Sarah M\u00fcller, Violine<br \/>\nStudio Musikfabrik<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>, Dirigent<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>19.08.2023 &#8211; 27.08.2023 Princess Galyani Vadhana Institute of Music | Bangkok<\/strong><\/h4>\n<p><b>Konzertreise Bangkok<\/b><\/p>\n<p>Zwei Musikerinnen von Studio Musikfabrik an Violine und Violoncello reisen gemeinsam mit Peter Veale zum Internationalen Symposium des Princess Galyani Vadhana Institute of Music nach Bangkok.<\/p>\n<p><strong>Raphael Brandst\u00e4ter<\/strong> \u2013 <em>Crop 2.8<\/em> (2023)<br \/>\nFl\u00f6te, Gitarre, Percussion, Violine, Violoncello<\/p>\n<p><strong>Oliver Korte<\/strong> \u2013 <em>rien nul<\/em> (2002)<br \/>\nFl\u00f6te, Klarinette, Violine, Viola, Violoncello<\/p>\n<p><strong>Katharina Roth <\/strong>\u2013 <em>ballet blanc<\/em> (2021\/22)<br \/>\nFl\u00f6te, Bassklarinette, Gitarre, Violoncello<\/p>\n<p><strong>Dylan Lardelli <\/strong><em>\u2013 <\/em><em>Past Numbers<\/em> (2019-20)<br \/>\nKhaen, Percussion, Gu Zheng, Gitarre, Violine, Viola<\/p>\n<p><strong>Klaus Huber <\/strong><em>\u2013 <\/em><em>Schattenbl\u00e4tter<\/em> (1976)<br \/>\nBassklarinette, Klavier, Violoncello<\/p>\n<p><strong>Dylan Lardelli<\/strong> \u2013 <em>Glow-Close-II<\/em> (2021-22)<br \/>\nBassfl\u00f6te, Violoncello und E-Gitarre<\/p>\n<p><strong>Kaija Saariaho<\/strong> \u2013 <em>Nocturne<\/em> (1994)<br \/>\nSolo Violine<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>14.10.2023 Alte Feuerwache | K\u00f6ln<\/strong><\/h4>\n<p><strong>death and desire<\/strong><\/p>\n<p><strong>Sean Quinn<\/strong>\u00a0\u2013\u00a0<em>death and desire<\/em>\u00a0(2021-23) Urauff\u00fchrung<br \/>\nf\u00fcr Ensemble \u2013 Kompositionsauftrag von Studio Musikfabrik mit Unterst\u00fctzung des Landesmusikrats NRW<\/p>\n<p><strong>Kee Yong Chong<\/strong>\u00a0\u2013<em>\u00a0<i>Splattered landscape II \u2013 Cloud\u2019s echoing<\/i><\/em>\u00a0(2007)<br \/>\nf\u00fcr Kammerorchester mit Video Projektion<br \/>\nvisuelle Kunstprojektion von Sigrid Tanghe<\/p>\n<p><strong>Dieter Mack<\/strong>\u00a0\u2013\u00a0<em>Kammermusik II<\/em>\u00a0(1991)<br \/>\nf\u00fcr Ensemble<\/p>\n<p><strong>Malika Kishino<\/strong>\u00a0\u2013\u00a0<i>Schmetterlingstanz<\/i>\u00a0(2023)<br \/>\nf\u00fcr Streichquartett<\/p>\n<p>Studio Musikfabrik<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>, Dirigent<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>28.01.2023 &#8211; 06.02.2023 Princess Galyani Vadhana Institute of Music | Bangkok<\/strong><\/h4>\n<p><b>Konzertreise Bangkok<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Aufnahme von sechs Call-for-Score Werken der letzten 10 Jahre, gemeinsam mit dem Princess Galyani Vadhana Institute of Music Youth Orchestra unter der Leitung von Peter Veale:<\/span><\/p>\n<p><span style=\"font-weight: 500;\"><strong style=\"font-weight: 500;\">Joey Yeo<\/strong> \u2013<\/span><i><span style=\"font-weight: 400;\">\u00a0Kempung Nelayan (Fishing Village) <\/span><\/i><span style=\"font-weight: 400;\">(2019)<br \/>\nf\u00fcr Orchester<\/span><\/p>\n<p><span style=\"font-weight: 500;\"><strong style=\"font-weight: 500;\">Waris Sukontapatipark<\/strong> \u2013 <\/span><i><span style=\"font-weight: 400;\">Der vermisste Fischer <\/span><\/i><span style=\"font-weight: 400;\">(2020)<br \/>\nf\u00fcr Orchester<br \/>\n<\/span><\/p>\n<p><span style=\"font-weight: 500;\"><strong style=\"font-weight: 500;\">Thanakarn Schofield<\/strong> \u2013 <\/span><i><span style=\"font-weight: 400;\">(Un)-Chained <\/span><\/i><span style=\"font-weight: 400;\">(2021)<br \/>\nf\u00fcr Orchester<br \/>\n<\/span><\/p>\n<p><strong>Sofia Rocha <\/strong>\u2013 <i><span style=\"font-weight: 400;\">Collage d\u2019hommages <\/span><\/i><span style=\"font-weight: 400;\">(2020\/22)<br \/>\nf\u00fcr Orchester<br \/>\n<\/span><\/p>\n<p><span style=\"font-weight: 500;\"><strong>Toshio Hosokawa<\/strong> \u2013<\/span><span style=\"font-weight: 400;\">\u00a0<\/span><a href=\"https:\/\/drive.google.com\/file\/d\/10bHFAplRvuK3vKQxDRdzr9VOuH56OC_-\/view?usp=sharing\"><i><span style=\"font-weight: 400;\">Duo<\/span><\/i><\/a><span style=\"font-weight: 400;\"> (1998)<br \/>\n<\/span><span style=\"font-weight: 400;\">f\u00fcr Violine und Violoncello\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 500;\"><strong>Giacinto Scelsi<\/strong> \u2013 <\/span><a href=\"https:\/\/drive.google.com\/file\/d\/1EebyIjmr5YTrXAcJ18ZL3niQR7C84xJF\/view?usp=sharing\"><i><span style=\"font-weight: 400;\">Duo<\/span><\/i><\/a> <span style=\"font-weight: 400;\">(1965)<br \/>\n<\/span><span style=\"font-weight: 400;\">f\u00fcr Violine und Violoncello<\/span><\/p>\n<p>Studio Musikfabrik<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>, Leitung<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>23.04.2023 Klanglandschaften<\/strong><\/h4>\n<h4><strong>12.15 Uhr Pax Christi | Krefeld<br \/>\n<\/strong><strong>18 Uhr Alte Feuerwache | K\u00f6ln<\/strong><\/h4>\n<p><strong>Salvatore Sciarrino<\/strong>\u00a0\u2013\u00a0<em>Muro d\u2019orizzonte<\/em>\u00a0(1997)<br \/>\nf\u00fcr Altfl\u00f6te, Englischhorn\u00a0und Bassklarinette<\/p>\n<p><strong>Bernd Alois Zimmermann<\/strong>\u00a0\u2013\u00a0<em>Trio<\/em>\u00a0(1944)<br \/>\nf\u00fcr Violine, Viola und Violoncello<\/p>\n<p><strong>Isang Yun<\/strong>\u00a0\u2013\u00a0<em>OstWest Miniaturen, Miniatur I<\/em>\u00a0(1994)<br \/>\nf\u00fcr Oboe und Violoncello<\/p>\n<p><strong>Morton Feldman<\/strong>\u00a0\u2013\u00a0<em>The Viola in My Life 2<\/em>\u00a0(1970)<br \/>\nf\u00fcr Viola und 6 Instrumente<\/p>\n<p>Studio Musikfabrik<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>\u00a0und\u00a0<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/axel-porath\/\">Axel Porath<\/a>, Leitung<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2022\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2022<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>05.11.2022 Alte Feuerwache | K\u00f6ln<\/strong><\/h4>\n<p><strong>Zett Emm_20_22<\/strong><\/p>\n<p>Konzerte mit Studio Musikfabrik Beteiligung:<\/p>\n<p><strong>18 UHR<\/strong><\/p>\n<p><strong>Toshio Hosokawa<\/strong> \u2013 <i data-stringify-type=\"italic\">Duo<\/i>\u00a0(1998)<br \/>\nf\u00fcr Violine und Cello<\/p>\n<p>Chelsea Bauer, Violine<br \/>\nIna Wietheger, Violoncello<\/p>\n<p><strong>19 UHR<\/strong><\/p>\n<p><strong>Vinko Globokar<\/strong> \u2013 <i data-stringify-type=\"italic\">Dos \u00e0 dos<\/i>\u00a0(1988)<br \/>\nf\u00fcr 2 Bl\u00e4ser<\/p>\n<p><strong>Peter Maxwell-Davies <\/strong>\u2013<i data-stringify-type=\"italic\">Litany for a ruined Chapel between sheep and shore<\/i>\u00a0(1999)<br \/>\nf\u00fcr Trompete solo<\/p>\n<p>Simon Cavell, Horn<br \/>\nChristopher Seggelke, Trompete<\/p>\n<p>Eintritt frei<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>02.10.2022 Hangar 21 | Detmold<\/strong><\/h4>\n<p><strong>H\u00f6rfest Neue Musik Detmold<\/strong><\/p>\n<p><strong>Catherine Milliken<\/strong> \u2013 <i data-stringify-type=\"italic\">Pollok, <\/i>nach dem Action Painting von Jackson Pollock\u00a0(2017)<br \/>\nf\u00fcr Fl\u00f6te, Klarinette, Streichquintett, Schlagzeug und Klavier<\/p>\n<p><strong>Gordon Kampe<\/strong> \u2013 <em>Nachtw\u00e4chter. Eine Chaconne.<\/em> (2021\/22)<br \/>\nf\u00fcr Ensemble<\/p>\n<p><strong>John Cage<\/strong> \u2013 <em>Ryoanji<\/em> (1983)<br \/>\nf\u00fcr Oboe, Horn, Trompete, Posaune, Schlagzeug und Harfe<\/p>\n<p><strong>Younghi Pagh-Paan<\/strong> \u2013 <em>Im Sternenlicht<\/em> (2018\/19)<br \/>\nf\u00fcr Fl\u00f6te, Oboe, Klarinette, Violine, Viola und Violoncello<\/p>\n<p>Studio Musikfabrik<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>, Leitung<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>20.-26.08.2022 Princess Galyani Vadhana Institute of Music | Bangkok<\/strong><\/h4>\n<p><strong>Konzertreise<\/strong><\/p>\n<p><strong>Toshio Hosokawa<\/strong> \u2013 <em>Duo<\/em> (1998)<br \/>\nf\u00fcr Violine und Violoncello<\/p>\n<p><strong>Vinko Globokar<\/strong> \u2013 <em>Dos \u00e0 Dos<\/em> (1988)<br \/>\nf\u00fcr zwei Bl\u00e4ser<\/p>\n<p><strong>John Cage<\/strong> \u2013 <em>Four6<\/em> (1990\u201392)<br \/>\nf\u00fcr 4 Spieler<\/p>\n<p>Studio Musikfabrik<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>, Leitung<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>13.08.2022 KOMED Saal im Mediapark | K\u00f6ln<\/strong><\/h4>\n<p><strong>Nachtw\u00e4chter<\/strong><\/p>\n<p><strong>Catherine Milliken<\/strong> \u2013 <i data-stringify-type=\"italic\">Pollok<\/i>\u00a0(2017)<br \/>\nf\u00fcr Fl\u00f6te, Klarinette, Streichquintett, Schlagzeug und Klavier<\/p>\n<p><strong>Gordon Kampe<\/strong> \u2013 <em>Nachtw\u00e4chter. Eine Chaconne.<\/em> (2021\/22) Urauff\u00fchrung<br \/>\nf\u00fcr Ensemble<br \/>\nein Kompositionsauftrag vom Landesmusikrat NRW f\u00fcr Studio Musikfabrik<\/p>\n<p><strong>John Cage<\/strong> \u2013 <em>Ryoanji<\/em> (1983)<br \/>\nf\u00fcr Oboe, Posaune, Schlagzeug und Harfe<\/p>\n<p><strong>Younghi Pagh-Paan<\/strong> \u2013 <em>Im Sternenlicht<\/em> (2018\/19)<br \/>\nf\u00fcr Fl\u00f6te, Oboe, Klarinette, Violine, Viola und Violoncello<\/p>\n<p>Studio Musikfabrik<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>, Leitung<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>17.05.2022 Maximilian-Kolbe-Gymnasium | K\u00f6ln<\/strong><\/h4>\n<p><strong>Licht und Schatten &#8211; Schulkonzert<\/strong><\/p>\n<p><strong>Wolfgang Rihm<\/strong> \u2013\u00a0<em>Chiffre VI<\/em> (1985)<br \/>\nf\u00fcr acht Spieler<\/p>\n<p><strong>Liza Lim<\/strong> \u2013\u00a0<em>Inguz<\/em> (1996)<br \/>\nf\u00fcr Klarinette und Cello<\/p>\n<p><strong>Klaus Huber<\/strong> \u2013\u00a0<em>Schattenbl\u00e4tter<\/em> (1975)<br \/>\nf\u00fcr Bassklarinette, Violoncello und Klavier<\/p>\n<p><strong>Isang Yun<\/strong> \u2013\u00a0<em>Oktett<\/em> (1978)<br \/>\nf\u00fcr Klarinette, Fagott, Horn und Streichquintett<\/p>\n<p>Studio Musikfabrik<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>, Leitung<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>24.04.2022 Anneliese Geske Musik- und Kulturhaus |\u00a0Erftstadt<\/strong><\/h4>\n<p><strong>Licht und Schatten<\/strong><\/p>\n<p><strong>Wolfgang Rihm<\/strong> \u2013\u00a0<em>Chiffre VI<\/em> (1985)<br \/>\nfu\u0308r acht Spieler<\/p>\n<p><strong>Liza Lim<\/strong> \u2013\u00a0<em>Inguz<\/em> (1996)<br \/>\nfu\u0308r Klarinette und Cello<\/p>\n<p><strong>Klaus Huber<\/strong> \u2013\u00a0<em>Schattenbl\u00e4tter<\/em> (1975)<br \/>\nfu\u0308r Bassklarinette, Violoncello und Klavier<\/p>\n<p><strong>Isang Yun<\/strong> \u2013\u00a0<em>Oktett<\/em> (1978)<br \/>\nfu\u0308r Klarinette, Fagott, Horn und Streichquintett<\/p>\n<p>Studio Musikfabrik<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>, Leitung<\/p>\n<p>Dieses Konzert war Teil von erftclassics.<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2021\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2021<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>11.\/12.11.2021 Soundbridge Virtual Festival Malaysia | Online<\/strong><\/h4>\n<p><strong>Chong Kee Yong<\/strong>\u00a0\u2013\u00a0<em>Liu-Xu-Fei<\/em>\u00a0(2001)<br \/>\nf\u00fcr Oboe und Cello<\/p>\n<p><strong>Dieter Mack<\/strong>\u00a0\u2013\u00a0<em>Luft<\/em>\u00a0(2012)<br \/>\nf\u00fcr Ensemble<\/p>\n<p><strong>Liza Lim<\/strong>\u00a0\u2013\u00a0<em>Songs found in dream<\/em>\u00a0(2005)<br \/>\nf\u00fcr Ensemble<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>30.10.2021 Philharmonie Essen, RWE Pavillon<\/strong><\/h4>\n<p><strong>NOW! Festival \/ Mikrokosmos &#8211; Makrokosmos<\/strong><\/p>\n<p><strong>Dieter Mack<\/strong>\u00a0\u2013\u00a0<em>Luft<\/em>\u00a0(2012)<br \/>\nfu\u0308r Ensemble<\/p>\n<p><strong>Liza Lim<\/strong>\u00a0\u2013\u00a0<em>Songs found in dream<\/em>\u00a0(2005)<br \/>\nfu\u0308r Ensemble<\/p>\n<p>Studierende des Institut fu\u0308r Computermusik und elektronische Medien der Folkwang Universit\u00e4t der Ku\u0308nste improvisieren live Remixe von Lim und Mack.<\/p>\n<p>folkwang elektrisch<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol \" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>11.\/12.04.2021 Online Live-Stream<\/strong><\/h4>\n<p><strong>Longing from Afar<\/strong><\/p>\n<p><strong>Dai Fujikura<\/strong>\u00a0\u2013\u00a0<em>Longing from afar for to be tele-performed<\/em>\u00a0(2020)<br \/>\nf\u00fcr Ensemble<\/p>\n<p><strong>John Cage<\/strong>\u00a0\u2013\u00a0<em>Five<\/em>\u00a0(1988)<br \/>\nf\u00fcr Harfe und vier SchlagzeugerInnen<\/p>\n<p><strong>James Tenney<\/strong>\u00a0\u2013\u00a0<em>Critical Band<\/em>\u00a0(1988)<br \/>\nf\u00fcr Ensemble<\/p>\n<p><strong>John Cage\u00a0<\/strong>\u2013\u00a0<em>Concert for Piano and Orchestra<\/em>\u00a0(1957-58)<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n<p>An dieses Projekt angebunden ist eine weitere Kooperationsarbeit mit der Jahrgangsstufe 5 des Maximilian-Kolbe-Gymnasiums K\u00f6ln-Porz.<br \/>\nIm Rahmen von online-Schulbesuchen stellen Musiker von Ensemble Musikfabrik den Sch\u00fclerInnen die Werke des Konzertprogramms vor, laden sie zum digitalen Probenbesuch bei Studio Musikfabrik ein und erarbeiten \u2013 sobald es die Coronaschutzverordnung wieder zul\u00e4sst \u2013 in einem spielBar-Workshop auf dem Sportplatz des MKG ein Werk eines K\u00fcnstlers aus dem Konzertprogramm.<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2020\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2020<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>11.10.2020 Alte Feuerwache | K\u00f6ln<\/strong><\/h4>\n<p><strong>Resonanzen des Sommers<\/strong><\/p>\n<p><strong>George Crumb <\/strong>&#8211; <em>Music for a summer evening <\/em>(1974)<\/p>\n<p><strong>Cornelius Cardew<\/strong> &#8211; <em>Treatise<\/em> (1963 &#8211; 67)<\/p>\n<p><strong>Malika Kishino <\/strong>&#8211; <em>Vagues Des Passions<\/em> (2010) f\u00fcr Marimbaphon und Vibraphon<\/p>\n<p><strong>Sofia Gubaidulina<\/strong> &#8211; <em>Lied ohne Worte<\/em> (1977) f\u00fcr Trompete und Klavier<\/p>\n<p><strong>Damien Ricketson<\/strong> &#8211; <em>Bucolica<\/em> (1998) f\u00fcr Tenor-Saxophon und Bassklarinette<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>25.09.2020 Theater im Pumpenhaus | M\u00fcnster<\/strong><\/h4>\n<p><strong>M\u00fcnster Klangzeit<\/strong><\/p>\n<p><strong>George Crumb &#8211; <\/strong><em>Music for a summer evening<\/em> (1974)<\/p>\n<p><strong>Cornelius Cardew &#8211; <\/strong><em>Treatise<\/em> (1963 &#8211; 67)<\/p>\n<p><strong>Malika Kishino &#8211; <\/strong><em>Vagues Des Passions <\/em>(2010) f\u00fcr Marimbaphon und Vibraphon<\/p>\n<p><strong>Sofia Gubaidulina &#8211; <\/strong><em>Lied ohne Worte<\/em> (1977) f\u00fcr Trompete und Klavier<\/p>\n<p><strong>Damien Ricketson &#8211; <\/strong><em>Bucolica<\/em> (1998) f\u00fcr Tenor-Saxophon und Bassklarinette<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>08.03.2020 <\/strong><strong>Sangita Vadhana Hall, Princess Galyani Vadhana Institute of Music | Bangkok<\/strong><\/h4>\n<p><strong>Studio Musikfabrik x Bangkok<\/strong><\/p>\n<p><strong>Ludwig van Beethoven <\/strong>&#8211; <em>Symphony No. 7<\/em> (1811 &#8211; 1812)<\/p>\n<p><strong>Call for Score<\/strong> \u2013 Neues Werk inspiriert durch Goethe (2020)<\/p>\n<p><strong>PGVIM<\/strong> \u2013 Neues Werk mit Live-Visual Performance (2020)<\/p>\n<p>Princess Galyani Vadhana Institute of Music Youth Orchestra (PYO)<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n<p>Mit freundlicher Unterst\u00fctzung des Goethe-Instituts und des PGVIM.<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2019\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2019<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>18.11.2019 Studio des Ensemble Musikfabrik | K\u00f6ln<\/strong><\/h4>\n<p><strong>Kuba x Studio Musikfabrik<\/strong><\/p>\n<p><strong>Edgard Var\u00e8se<\/strong> &#8211; <em>Octandre<\/em> (1923) f\u00fcr Ensemble<\/p>\n<p><strong>Jonathan Harvey &#8211;<\/strong> <em>Sringara Chaconne<\/em> (2009) f\u00fcr Ensemble<\/p>\n<p><strong>David P. Graham<\/strong> &#8211; <em>Selbstversuche <\/em>(2019) f\u00fcr Ensemble &#8211; <em>Deutsche Erstauff\u00fchrung<\/em><\/p>\n<p><strong>Guido L\u00f3pez-Gavil\u00e1n<\/strong> &#8211; <em>SONOTROPIC <\/em>(2006) f\u00fcr Ensemble<\/p>\n<p><strong>Wilma Alba Cal<\/strong> &#8211; <em>Instrucciones para respirar<\/em> (2019) &#8211; <em>Deutsche Erstauff\u00fchrung<\/em><\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>5.10.2019 Alte Feuerwache | K\u00f6ln<\/strong><\/h4>\n<p><strong>Zett_Emm_20_19<br \/>\n7. Jugendfestival f\u00fcr zeitgen\u00f6ssische Musik und Tanz<\/strong><\/p>\n<p><strong>Malika Kishino<\/strong> &#8211; <em>\u2026 kaum einen Hauch \u2026 <\/em>(2018) f\u00fcr 10 Spieler<\/p>\n<p><strong>Isang Yun<\/strong> &#8211; <em>Hirtenfl\u00f6te <\/em>aus <em>Chinesische Bilder<\/em> (1993) f\u00fcr Altblockfl\u00f6te<\/p>\n<p><strong>Toru Takemitsu<\/strong> &#8211; <em>Rain Tree<\/em> (1981) f\u00fcr drei Schlagzeuger<\/p>\n<p>Lina Westerkamp, Altblockfl\u00f6te (Rheinische Musikschule K\u00f6ln)<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n<p>Eine Veranstaltung der Rheinischen Musikschule K\u00f6ln.<br \/>\nDer Auftritt von Studio Musikfabrik wird gef\u00f6rdert durch die RheinenergieStiftung Kultur.<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>27.09.2019 Japanisches Kulturinstitut | K\u00f6ln<\/strong><\/h4>\n<p><strong>Toru Takemitsu<\/strong> &#8211; <em>Rain Tree<\/em> (1981) f\u00fcr drei Schlagzeuger<\/p>\n<p><strong>Misato Mochizuki <\/strong>&#8211; <em>La chambre claire<\/em> (1998) f\u00fcr Kammerensemble<\/p>\n<p><strong>Malika Kishino<\/strong> &#8211; <em>\u2026kaum einen Hauch \u2026<\/em>(2018) f\u00fcr 10 Spieler<\/p>\n<p><strong>Toshio Hosokawa<\/strong> &#8211; <em>Voyage X<\/em> (2009) f\u00fcr Shakuhachi und Ensemble<\/p>\n<p>Tadashi Tajima, Shakuhachi<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>28.08.2019 Princess Galyani Vadhana Institute of Music | Bangkok<\/strong><\/h4>\n<p><strong>Elliot Carter<\/strong> &#8211; <em>Hioku<\/em> (2001) f\u00fcr zwei Klarinetten<\/p>\n<p><strong>Christian Wolff <\/strong>&#8211; <em>Tuba Song<\/em> (1992) f\u00fcr Tuba solo<\/p>\n<p><strong>Toshio Hosokawa <\/strong>&#8211; <em>Neben dem Fluss<\/em> (1982) f\u00fcr Harfe solo<\/p>\n<p><strong>Zhe Qi Joey Yeo<\/strong> &#8211; <em>If Flowers were to bloom again<\/em> (2019)<\/p>\n<p><strong>Ryle Nicole Custodio<\/strong> &#8211; <em>At Kung Maging<\/em> (2019) f\u00fcr Kammerensemble, Kulintang und Bandurria<\/p>\n<p>und weitere Werke<\/p>\n<p>ASEAN Youth Ensemble<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4>29.08.2019 Princess Galyani Vadhana Institute of Music | Bangkok<\/h4>\n<p><strong>Harrison Birtwhistle<\/strong> &#8211; <em>Duets for Storab<\/em> (Auswahl) f\u00fcr zwei Klarinetten<\/p>\n<p><strong>Candra Bangun Setyawan <\/strong>&#8211; <em>Ngerumpy<\/em> (2019) f\u00fcr Fl\u00f6te, Klarinette, Saron Barung \u201cPelog\u201d, Violine, Cello und Live Electronik<\/p>\n<p><strong>Chie Sang Lee <\/strong>&#8211; <em>The Guest House<\/em> (2019) f\u00fcr Oboe, Bassklarinette, Schlagzeug, pat waing, Saung-gauk, bandurria, \u0111\u00e0n tranh und Harfe<\/p>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Wantilan<\/em> (1988\/2008) f\u00fcr Schlagzeug und Fl\u00f6te<\/p>\n<p>und weitere Werke<\/p>\n<p>ASEAN Youth Ensemble<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>30.08.2019 Princess Galyani Vadhana Institute of Music <\/strong><strong>| Bangkok<\/strong><\/h4>\n<p><strong>Georges Aperghis <\/strong>&#8211; <em>Retrouvailles<\/em> (2010) f\u00fcr zwei Schlagzeuger<\/p>\n<p><strong>Dieter Mack <\/strong>&#8211; <em>Ngotek<\/em><\/p>\n<p>und weitere Werke<\/p>\n<p>Kusimanten<br \/>\nJonathan Day Trio<br \/>\nStudio Musikfabrik<br \/>\nPGVIM Big Band<br \/>\nPeter Veale, Leitung<br \/>\nDieter Mack, Leitung<\/p>\n<p>Erm\u00f6glicht durch die F\u00f6rderung des Goethe-Instituts.<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<p><strong>07.07.2019 | Welten und Rituale | M\u00fcnster, Friedenskapelle<\/strong><br \/>\nWiederholungskonzert vom 06.07.2019<\/p>\n<h4><strong>06.07.2019 Welten und Rituale | K\u00f6ln, Alte Feuerwache<\/strong><\/h4>\n<p><strong>Wolfgang Rihm<\/strong> &#8211; <em>Chiffre VI<\/em> (1985) &#8211; f\u00fcr 8 Spieler<\/p>\n<p><em>Welten und Rituale<\/em> (2016\/17) f\u00fcr Ensemble &#8211; <em>Urauff\u00fchrung<\/em><\/p>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Luft <\/em>(2012) f\u00fcr Ensemble<\/p>\n<p><strong>G\u00fcnter Steinke <\/strong>&#8211; <em>so nah &#8211; so fern<\/em> (2018\/19) f\u00fcr Ensemble &#8211;<em> Urauff\u00fchrung<\/em><\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>30.04.2019 Acht Br\u00fccken | Musik f\u00fcr K\u00f6ln<\/strong><\/h4>\n<p><strong>Gerhard St\u00e4bler <\/strong>&#8211; <em>H\u00d6R\u00b7FLECKEN<\/em> (2018\/2019) f\u00fcr mehrere S\u00e4ngerInnen, Ensembles und Aktionsgruppen &#8211; Uchronische Augenblicke in der U-Bahn-Station Heumarkt K\u00f6ln &#8211; <em>Urauff\u00fchrung <\/em>Kompositionsauftrag von ACHT BR\u00dcCKEN | Musik f\u00fcr K\u00f6ln<\/p>\n<p>Angelika Luz, Sopran<br \/>\nTheresa Szorek, Sopran<br \/>\nZografia-Maria Madesi, Alt<br \/>\nEnsemble Musikfabrik<br \/>\nStudio Musikfabrik \u2013 Jugendensemble des Landesmusikrats NRW<br \/>\nPeter Veale, Leitung Studio Musikfabrik<br \/>\nKammerchor der Universit\u00e4t zu K\u00f6ln<br \/>\nMichael Ostrzyga, Chorleitung<br \/>\nSch\u00fclerinnen und Sch\u00fcler des Albertus-Magnus-Gymnasiums K\u00f6ln<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2018\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2018<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<p><strong>04.11.2018 Voyage | K\u00f6ln, Alte Feuerwache<\/strong><br \/>\nWiederholungskonzert von Essen NOW! Festival Form per form am 03.11.2018 in Essen<\/p>\n<h4><strong>03.11.2018 NOW! Form per form | Essen, Stiftung Zollverein &#8211; Salzlager<\/strong><\/h4>\n<p><strong>Dieter Schnebel <\/strong>&#8211; <em>Bauernszene aus Museumsst\u00fccke 1<\/em> (1991-93) f\u00fcr Teller, Gl\u00e4ser, Flaschen, Besteck und Stimmen<\/p>\n<p><strong>Harrison Birtwistle<\/strong> &#8211; <em>Cortege a ceremony for 14 musicians in memory of Michael Vyner<\/em> (2007) f\u00fcr Ensemble<\/p>\n<p><strong>Toshio Hosokawa<\/strong> &#8211; <em>Voyage V<\/em> (2001) f\u00fcr Fl\u00f6te und Kammerorchester<\/p>\n<p><strong>Yasutaki Inamori<\/strong> &#8211; <em>Miscommunication to Excommunication<\/em> (2018) f\u00fcr gro\u00dfes Ensemble &#8211; <em>Urauff\u00fchrung<\/em> &#8211; Kompositionsauftrag des NOW! Festivals<\/p>\n<p><strong>Mauricio Kagel<\/strong> &#8211; <em>Finale mit Kammerensemble<\/em> (1980\/81)<\/p>\n<p>Sarah Heemann, Fl\u00f6te<br \/>\nPeter Veale, Dirigent<br \/>\nStudio Musikfabrik<\/p>\n<p>Gef\u00f6rdert durch die Kunststiftung NRW.<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>06.10.2018 ZETT EMM_20_18 | K\u00f6ln, Alte Feuerwache<\/strong><\/h4>\n<p><strong>Jugendfestival f\u00fcr Zeitgen\u00f6ssische Musik <\/strong><\/p>\n<p><strong>Luigi Dallapiccola <\/strong>&#8211; <em>piccola musica notturna<\/em> (1954) f\u00fcr Fl\u00f6te, Oboe, Klarinette, Harfe, Celesta, Violine, Viola und Violoncello<\/p>\n<p><strong>David P. Graham<\/strong> &#8211; <em>I. Puppets and Crowds<\/em> und <em>II. Waltzes <\/em>aus: <em>Three Dances \u2013 A hommage to Petrouschka<\/em> (2018) f\u00fcr Klarinette, Trompete, Percussion, Akkordeon, Violine und Kontrabass<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n<p>Eine Veranstaltung der Rheinischen Musikschule K\u00f6ln.<br \/>\nDer Auftritt von Studio Musikfabrik wird gef\u00f6rdert durch die RheinenergieStiftung Kultur.<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>07.07.2018 Eine kleine Nachtmusik | K\u00f6ln, Studio Ensemble Musikfabrik<\/strong><\/h4>\n<p><strong>Anton Webern<\/strong> &#8211; <em>Op. 24<\/em> (1931-1934) f\u00fcr Fl\u00f6te, Oboe, Klarinette, Horn, Trompete, Posaune, Klavier, Violine und Viola<\/p>\n<p><strong>Bernd Alois Zimmermann<\/strong> &#8211; <em>Trio f\u00fcr Violine, Viola und Violoncello<\/em> (1944)<\/p>\n<p><strong>David P. Graham<\/strong> &#8211; <em>Three Dances &#8211; A hommage to Petrouschka<\/em> (2018) f\u00fcr Klarinette, Trompete, Percussion, Akkordeon, Violine und Kontrabass &#8211; Kompositionsauftrag der Deutschen Oper am Rhein<\/p>\n<p><strong>Luigi Dallapiccola <\/strong>&#8211; <em>piccola musica notturna<\/em> (1954) f\u00fcr Fl\u00f6te, Oboe, Klarinette, Harfe, Celesta, Violine, Viola und Violoncello<\/p>\n<p>Kooperation von Studio Musikfabrik mit K\u00f6lner Schulklasse zur Vermittlung neuer Musik von Jugendlichen an Jugendliche.<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>05. &amp; 06. 07. 2018 <em>Bis in die Puppen! <\/em>| D\u00fcsseldorf<\/strong><br \/>\nEin inklusives Tanz- und Theaterprojekt<\/h4>\n<p>mit Musik von <strong>David P. Graham <\/strong>&#8211; <em>Three Dances &#8211; A hommage to Petrouschka<\/em> (2018) f\u00fcr Klarinette, Trompete, Percussion, Akkordeon, Violine, Kontrabass<\/p>\n<p>Anja F\u00fcrstenberg und Krysztina Winkel, Projektleitung<br \/>\nDavid P. Graham, Komposition<br \/>\nKrysztina Winkel und Thuy-Tien Nguyen, \u200bChoreographie<br \/>\nPeter Veale, \u200bDirigent und k\u00fcnstlerischer Leiter Studio Musikfabrik<br \/>\nLeonie H\u00f6ttges, \u200bProjektleitung Studio Musikfabrik<br \/>\nAnja F\u00fcrstenberg, Kost\u00fcm<br \/>\nLena Volmer, Sonderp\u00e4dagogische Leitung<\/p>\n<p>Ein Partizipationsprojekt der Jungen Oper am Rhein in Kooperation mit der Lebenshilfe D\u00fcsseldorf, Arrive&amp;Join e.V., der AWO D\u00fcsseldorf e.V., der Hulda-Pankok-Gesamtschule, der Dieter-Forte-Gesamtschule und dem Studio Musikfabrik<\/p>\n<p>Gef\u00f6rdert durch die Ralf und Uschi Kutscheit Stiftung.<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>20.04.2018 Portrait Konzert Dieter Mack | Oldenburg<\/strong><\/h4>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Yonsei<\/em> (2010) f\u00fcr Kammermusikensemble<\/p>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Kebyar Baru II<\/em> (2015) f\u00fcr Violine und Piano<\/p>\n<p><strong>Dieter Mack <\/strong>&#8211; <em>Snells Beach<\/em> (2009) Percussion Solo<\/p>\n<p>Arturo Uribe Portugal, Schlagzeug<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, k\u00fcnstlerische Leitung<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>24.03.2018<\/strong> Princess Galyani Vadhana Institute of Music | Bangkok<\/h4>\n<p><strong>Edgard Var\u00e8se<\/strong> &#8211; <em>Int\u00e9grales<\/em> (1923-25) f\u00fcr 11 Bl\u00e4ser und 4 Schlagzeuger<\/p>\n<p><strong>Toshio Hosokawa <\/strong>&#8211; <em>Blossoming II<\/em> (2011) f\u00fcr Kammerorchester<\/p>\n<p>NN | NN (Gewinner des Kompositionswettbewerbs des Princess Galyani Vadhana Institute of Music Bangkok)<\/p>\n<p>Princess Galyani Vadhana Institute of Music Bangkok Youth Orchestra<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2017\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2017<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4>07.10.2017 <strong>Zett Emm | Jugendfestival f\u00fcr zeitgen\u00f6ssische Musik | Alte Feuerwache K\u00f6ln<\/strong><\/h4>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Snells Beach<\/em> (2009) f\u00fcr Schlagzeug solo<\/p>\n<p><strong>G\u00e9rard Grisey <\/strong>&#8211; <em>Solo pour deux <\/em>(1981) f\u00fcr Klarinette und Posaune<\/p>\n<p>und weitere Werke<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n<p>Ein Projekt der Rheinischen Musikschule K\u00f6ln in Kooperation mit Studio Musikfabrik, der K\u00f6lnMusik\/K\u00f6lner Philharmonie, dem WDR, der Tanzakademie der RMS, der Clara-Schumann-Musikschule D\u00fcsseldorf und dem Institut f\u00fcr Computermusik und elektronische Medien (ICEM) der Folkwang Universit\u00e4t der K\u00fcnste Essen.<\/p>\n<p>Mit freundlicher Unterst\u00fctzung der Annemarie und Helmut B\u00f6rner-Stiftung.<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4>02.09.2017 <strong>4. Symposium des Princess Galyani Vadhana Institute of Music | Bangkok<\/strong><\/h4>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Snells Beach<\/em> (f\u00fcr Percussion Solo)<\/p>\n<p><strong>Liza Lim<\/strong> &#8211; <em>Inguz<\/em> (f\u00fcr Solo Klarinette in A + Violoncello)<\/p>\n<p><strong>G\u00e9rard Grisey <\/strong>&#8211; <em>Duo f\u00fcr Posaune und Klarinette<\/em><\/p>\n<p>und weitere Werke<\/p>\n<p>Louisa Kaltenbach, Violoncello<br \/>\nSven Kandalowski, Klarinette<br \/>\nArturo Uribe Portugal, Schlagzeug<br \/>\nAnn-Catherina Strehmel, Posaune<br \/>\n<a href=\"https:\/\/www.musikfabrik.eu\/de\/ensemble\/mitglieder\/peter-veale\/\">Peter Veale<\/a>, Leitung<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4>03. Juli 2017 <strong>Folkwang Woche Neue Musik | Essen<\/strong><\/h4>\n<p><strong>Isang Yun<\/strong> &#8211; <em>Quartet for Horn, Trumpet, Trombone, Piano<\/em> (1992)<\/p>\n<p><strong>Peter Rubel<\/strong> &#8211;<em> Heimkehr der Ochsentreiber im Sturm<\/em> (2017, ~15\u2018, UA)<\/p>\n<p><strong>Johannes Sch\u00f6llhorn<\/strong> &#8211;<em> black &amp; gold<\/em> (2016)<\/p>\n<p><strong>Toru Takemitsu<\/strong> &#8211; <em>Rain Spell<\/em> (1982)<\/p>\n<p><strong>Toshio Hosokawa<\/strong> &#8211; <em>Voyage V<\/em> (2001) f\u00fcr Fl\u00f6te und Ensemble<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4>28.04.2017 ACHT BR\u00dcCKEN | Musik f\u00fcr K\u00f6ln<\/h4>\n<p><strong>Dieter Schnebel <\/strong>&#8211; <em>Bauernszene aus Museumsst\u00fccke I <\/em>(1993)<br \/>\n\u001ff\u00fcr Stimmen, Teller, Gl\u00e4ser, Flaschen und Besteck<\/p>\n<p><strong>Georges Aperghis<\/strong> &#8211; <em>Babil<\/em> (1996) | \u001ff\u00fcr Klarine\u001ette und 15 Instrumente<\/p>\n<p><strong>George Crumb <\/strong>&#8211; <em>Ancient Voices of Children<\/em> (1970) Liederzyklus zu Texten von Frederico Garc\u00eda Lorca | f\u00fcr Mezzosopran, Knabensopran, Oboe, Mandoline, Harfe, verst\u00e4rktes Klavier und Schlagzeug (drei Spieler)<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4>29.01.2017 Zweites Dortmunder Kammermusikfestival<\/h4>\n<p><strong>Dieter Schnebel<\/strong> &#8211; Bauernszene aus Museumsst\u00fccke I (1993)<\/p>\n<p><strong>Edgar Var\u00e8se<\/strong> &#8211; Octandre (1923)<\/p>\n<p><strong>Isang Yun<\/strong> &#8211; Quartet (1992)<\/p>\n<p><strong>Harrison Birtwistle<\/strong> &#8211; Ritual Fragment (1989)<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>30.04.2019 Acht Br\u00fccken | Musik f\u00fcr K\u00f6ln<\/strong><\/h4>\n<p><strong>Gerhard St\u00e4bler <\/strong>&#8211; <em>H\u00d6R\u00b7FLECKEN<\/em> (2018\/2019) f\u00fcr mehrere S\u00e4ngerInnen, Ensembles und Aktionsgruppen &#8211; Uchronische Augenblicke in der U-Bahn-Station Heumarkt K\u00f6ln &#8211; <em>Urauff\u00fchrung <\/em>Kompositionsauftrag von ACHT BR\u00dcCKEN | Musik f\u00fcr K\u00f6ln<\/p>\n<p>Angelika Luz, Sopran<br \/>\nTheresa Szorek, Sopran<br \/>\nZografia-Maria Madesi, Alt<br \/>\nEnsemble Musikfabrik<br \/>\nStudio Musikfabrik \u2013 Jugendensemble des Landesmusikrats NRW<br \/>\nPeter Veale, Leitung Studio Musikfabrik<br \/>\nKammerchor der Universit\u00e4t zu K\u00f6ln<br \/>\nMichael Ostrzyga, Chorleitung<br \/>\nSch\u00fclerinnen und Sch\u00fcler des Albertus-Magnus-Gymnasiums K\u00f6ln<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2016\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2016<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol pb-medium\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>18.10.2016 Musikfabrik im WDR 60<\/strong><\/h4>\n<p><strong>Michael Finnissy<\/strong> &#8211; <em>Mu-Fa<\/em> (2016) Urauff\u00fchrung<\/p>\n<h4><strong>07.08.2016 Studio Musikfabrik und Youth Ensemble of CAI<\/strong><\/h4>\n<p><em>gemeinsame St\u00fccke von Youth Ensemble of Chicago Arts Initiative und Studio Musikfabrik<\/em><\/p>\n<h4><strong>06.08.2016 48. Ferienkurse f\u00fcr Neue Musik Darmstadt<\/strong><\/h4>\n<p><strong>Edgard Var\u00e8se<\/strong> &#8211; <em>Octandre (1923)<\/em><br \/>\n<strong>Mauricio Kagel<\/strong> &#8211; <em>Finale mit Kammerensemble (1980\/81)<\/em><br \/>\n<strong>Dieter Mack<\/strong> &#8211;<em> Yonsei (2010)<br \/>\nund ein St\u00fcck von Youth Ensemble of Chicago Arts Initiative und Studio Musikfabrik<\/em><\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>02.08.2016 48. Ferienkurse f\u00fcr Neue Musik Darmstadt<\/strong><\/h4>\n<p><strong>John Cage<\/strong> &#8211; <em>Concerto for piano and orchestra (1958)<\/em><\/p>\n<p><strong>29.05.2016 chiffren. kieler tage f\u00fcr neue musik<\/strong><\/p>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Luft (2012)<\/em><br \/>\n<strong>Edgard Var\u00e8se<\/strong> &#8211; <em>Octandre (1923)<\/em><br \/>\n<strong>Toshio Hosokawa<\/strong> &#8211; <em>Duo (1998)<\/em><br \/>\n<strong>Mathias Ronnefeld<\/strong> &#8211; <em>Christ ist erstanden (1981) (Neubearbeitung von Johannes Harneit 2016)<\/em><br \/>\n<strong>Salvatore Sciarrino<\/strong> &#8211; <em>Quattro intermezzi (1997)<\/em><\/p>\n<h4><strong>18.03.2016 Fr\u00fchlingsfest 2016 bei PACT Zollverein<\/strong><\/h4>\n<p><strong>Edgard Var\u00e8se<\/strong> &#8211;<em> Octandre (1923)<\/em><br \/>\n<strong>Toru Takemitsu<\/strong> &#8211;<em> Rain Spell (1982)<\/em><br \/>\n<strong>Toshio Hosokawa<\/strong> &#8211; <em>Duo (1998)<\/em><br \/>\n<strong>Dieter Mack<\/strong> &#8211; <em>Yonsei (2010)<\/em><\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2015\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2015<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol \" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>29.11.2015 &#8222;Br\u00fccken&#8220; &#8211; Festival f\u00fcr Neue Musik in Mecklenburg-Vorpommern<\/strong><\/h4>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Luft <\/em>(2012)<br \/>\n<strong>Dieter Mack<\/strong> &#8211; <em>Yonsei <\/em>(2010)<\/p>\n<h4><strong>31.10.2015 Zett Emm_20_15 &#8211; 3. Jugendfestival f\u00fcr zeitgen\u00f6ssische Musik<\/strong><\/h4>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Luft <\/em>(2012)<br \/>\n<strong>Toshio Hosokawa<\/strong> &#8211; <em>Duo <\/em>(1998)<\/p>\n<h4><strong>16.10.2015 Studio Musikfabrik in den Vereinigten Staaten von Amerika<\/strong><\/h4>\n<p><strong>Harrison Birtwistle <\/strong>&#8211; <em>Ritual Fragment<\/em> (1989)<br \/>\n<strong>Misato Mochizuki<\/strong> &#8211; <em>La chambre claire<\/em> (1998)<br \/>\n<strong>Dieter Mack<\/strong> &#8211; <em>Luft<\/em> (2012)<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>13.09.2015 30 Jahre Junge Bl\u00e4serphilharmonie NRW<\/strong><\/h4>\n<p><strong>Toru Takemitsu<\/strong> &#8211; <em>Rain Spell<\/em> (1982)<br \/>\n<strong>Toshio Hosokawa<\/strong> &#8211; <em>Duo <\/em>(1998)<br \/>\n<strong>Edgar Var\u00e8se<\/strong> &#8211; <em>Octandre<\/em> (1923\/24)<br \/>\n<strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment<\/em> (1990)<\/p>\n<h4><strong>17.05.2015 Upgrade Neue | Musik | Vermittlung Donaueschingen<\/strong><\/h4>\n<p><strong>Louis Andriessen<\/strong> &#8211; <em>Bells for Haarlem<\/em> (2002)<br \/>\n<strong>Louis Andriessen<\/strong> &#8211; <em>Mouse running<\/em> (2008)<br \/>\n<strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment<\/em> (1990)<\/p>\n<h4><strong>01.05.2015 ACHT BR\u00dcCKEN | Musik f\u00fcr K\u00f6ln<\/strong><\/h4>\n<p><strong>Louis Andriessen <\/strong>&#8211;<em> Bells for Haarlem<\/em> (2002)<br \/>\n<strong>Louis Andriessen <\/strong>&#8211;<em> Mouse running <\/em>(2008)<br \/>\n<strong>Nicolaus A. Huber <\/strong>&#8211;<em> Er\u00f6ffnung und Zertr\u00fcmmerung<\/em> (1992)<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2014\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2014<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol \" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>18. \/ 19.10.2014 | Donaueschinger Musiktage 2014<\/strong><\/h4>\n<p><strong>Fran\u00e7ois Sarhan<\/strong> &#8211; <em>Zentral Park <\/em>(2014) | Performance mit Mitgliedern des Studio Musikfabrik<\/p>\n<h4><strong>13.11.2014 | TRIPCLUBBING<\/strong><\/h4>\n<p><strong>Rebecca Saunders<\/strong> &#8211;<em> Into the Blue<\/em> (1996)<br \/>\n<strong>Toru Takemitsu<\/strong> &#8211; <em>Rain Tree<\/em> (1981)<br \/>\n<strong>Harrison Birtwistle <\/strong>&#8211; <em>Ritual Fragment<\/em> (1989)<br \/>\n<strong>Jo Kondo<\/strong> &#8211; <em>Under The Umbrella<\/em> (1976)<\/p>\n<h4><strong>14.09.2014 | Beethovenfest Bonn<\/strong><\/h4>\n<p><strong>Gerhard St\u00e4bler<\/strong> &#8211; <em>Fund.St\u00fccke \u2013 Ein VabanqueSpiel<\/em><br \/>\n<strong>Philipp Maintz<\/strong> &#8211; <em>sur tourbillon<\/em> (2013\/2014) Urauff\u00fchrung<br \/>\n<strong>Jo Kondo<\/strong> &#8211; <em>Under The Umbrella<\/em> (1976)<br \/>\n<strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment<\/em> (1989)<\/p>\n<h4><strong>09.08.2014 | Studio des Ensemble Musikfabrik K\u00f6ln<\/strong><\/h4>\n<p>Studio Musikfabrik:<br \/>\n<strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment <\/em>(1989)<\/p>\n<p>ACME:<br \/>\n<strong>Jonas Baes<\/strong> &#8211; <em>Aus der Bilderwelt der Erwin Blumenfeld <\/em>(2014)<br \/>\n<strong>Piyawat Louilarpprasert<\/strong> &#8211; <em>\u201c&#8230;from Inside&#8230;Aristotle&#8230;\u201d <\/em>(2014)<br \/>\n<strong>Erica Ngiam<\/strong> &#8211; <em>A Concerto? <\/em>(2014)<br \/>\n<strong>Yeo Chow Shern<\/strong> &#8211; <em>Teo <\/em>(2014)<br \/>\n<strong>Septian Dwi Cahya<\/strong> &#8211; <em>Abstrak <\/em>(2014)<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>08.08.2014 | 47. Internationale Ferienkurse f\u00fcr Neue Musik Darmstadt<\/strong><\/h4>\n<p><strong>Wolfgang Rihm<\/strong> &#8211; <em>Alarm will sound anew (again)<\/em> (2014) Urauff\u00fchrung<br \/>\n<strong>Misato Mochizuki<\/strong> &#8211; <em>La chambre claire<\/em> (1998)<br \/>\n<strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment<\/em> (1989)<br \/>\n<strong>Brigitta Muntendorf <\/strong>&#8211; <em>IN SYNC<\/em> (2012)<br \/>\n<strong>Gy\u00f6rgy Kurt\u00e1g<\/strong> &#8211; <em>Double concerto, op. 27, no. 2<\/em><\/p>\n<h4><strong>02.02.2014 | Tonhalle D\u00fcsseldorf Sch\u00f6nes Wochenende<\/strong><\/h4>\n<p><strong>Gregor A. Mayrhofer<\/strong> &#8211; <em>Melodie und Dekoration<\/em> (2014) Urauff\u00fchrung<br \/>\n<strong>Ehsan Khatibi<\/strong> &#8211; <em>la corDe<\/em> (2014) Urauff\u00fchrung<br \/>\n<strong>Myunghoon Park<\/strong> | <em>The rose of sharon has blossomed<\/em> (2014) <strong>U<\/strong>rauff\u00fchrung<\/p>\n<h4><strong>17.01.2014 | Felix Mendelssohn Bartholdy Hochschulwettbewerb<\/strong><\/h4>\n<p><strong>Eunsung Kim<\/strong> &#8211; <em>mobile Elemente<\/em> (2013)<br \/>\n<strong>Francisco Concha Goldschmidt<\/strong> &#8211; <em>;;<\/em><br \/>\n<strong>Josep Planells Schiaffino<\/strong> &#8211; <em>triosatz<\/em> (2013)<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2013\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2013<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol \" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>8.12.2013 | Studio des Ensemble Musikfabrik<\/strong><\/h4>\n<p><strong>Ernst Krenek<\/strong> &#8211; <em>Symeon der Stylit<\/em> (1935\/36)<\/p>\n<h4><strong>16.11.2013 | Umspannwerk Alexanderplatz Berlin<\/strong><\/h4>\n<p>L\u00e4nderSpiel der Neuen Musik \u2013 Treffen aller deutschen Landesjugendensembles f\u00fcr Neue Musik<\/p>\n<h4><strong>10.11.2013 | Zett_EMM_20_13 Jugendfestival f\u00fcr zeitgen\u00f6ssische Musik der Rheinischen Musikschule K\u00f6ln<\/strong><\/h4>\n<p><strong>Niklas Seidl<\/strong> &#8211; <em>werkstatt behindert<\/em> (2009\/12)<br \/>\n<strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment<\/em> (1989)<\/p>\n<h4><strong>9.11.2013 | Kasseler Musiktage 2013<\/strong><\/h4>\n<p><strong>Ernst Krenek<\/strong> &#8211; <em>Symeon der Stylit<\/em> (1935\/36) Deutsche Erstauff\u00fchrung<\/p>\n<h4><strong>27.10.2013 | Now! Philharmonie Essen<\/strong><\/h4>\n<p><strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment<\/em> (1989)<br \/>\n<strong>James Tenney<\/strong> &#8211; <em>Form 3 in memoriam Stefan Wolpe<\/em> (1993)<br \/>\n<strong>Atac Sezer<\/strong> &#8211; <em>Neues Werk<\/em> (2012\/13)<\/p>\n<h4><strong>04.09.2013 | Japanische Stimmungen und Impressionen K\u00f6ln<\/strong><\/h4>\n<p><strong>Toru Takemitsu<\/strong> &#8211; <em>Rain Spell<\/em> (1982)<br \/>\n<strong>Toshio Hosokawa<\/strong> &#8211; <em>Gesine<\/em> (1982)<br \/>\n<strong>Misato Mochizuki<\/strong> &#8211; <em>La chambre claire<\/em> (1998)<br \/>\n<strong>Yasuko Yamaguchi<\/strong> &#8211; <em>Buttes Tr\u00e4ume<\/em> (2013)<br \/>\n<strong>Toru Takemitsu<\/strong> &#8211; <em>Rain Tree<\/em> (1981)<br \/>\n<strong>Toshio Hosokawa<\/strong> &#8211; <em>Voyage III<\/em> (1997)<\/p>\n<h4><strong>30.06.2013 | Musikhochschule L\u00fcbeck<\/strong><\/h4>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Luft<\/em> (2012)<br \/>\n<strong>Niklas Seidl<\/strong> &#8211; <em>werkstatt behindert<\/em> (2009\/12)<br \/>\n<strong>Christoph Breidler<\/strong> &#8211; <em>Staub<\/em> (2012)<br \/>\n<strong>Paul H\u00fcbner<\/strong> &#8211; <em>niemand blies wegen dem bisschen armut und verwahrlosung der nachwachsenden avantgarde ein freejazz-requiem auf der querfl\u00f6te<\/em> (2013)<br \/>\n<strong>Atac Sezer<\/strong> &#8211; <em>infinitimal<\/em> (2012\/13)<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>23.06.2013 | Abschlusskonzert Ensemblia M\u00f6nchengladbach<\/strong><\/h4>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Luft<\/em> (2012)<br \/>\n<strong>Christoph Breidler<\/strong> &#8211; <em>Staub<\/em> (2012)<br \/>\n<strong>Paul H\u00fcbner <\/strong>&#8211; <em>niemand blies wegen dem bisschen armut und verwahrlosung der nachwachsenden avantgarde ein freejazz-requiem auf der querfl\u00f6te (2013)<br \/>\n<strong>Niklas Seidl<\/strong> &#8211; werkstatt behindert <\/em>(2009\/12)<br \/>\n<strong>Atac Sezer<\/strong> &#8211; <em>infinitimal<\/em> (2012\/13)<\/p>\n<h4><strong>29.05.2013 | Tonhalle D\u00fcsseldorf Japanische Stimmungen und Impressionen<\/strong><\/h4>\n<p><strong>Toru Takemitsu<\/strong> &#8211; <em>Rain Spell <\/em>(1982)<br \/>\n<strong>Toshio Hosokawa<\/strong> &#8211; <em>Gesine<\/em> (1982)<br \/>\n<strong>Misato Mochizuki<\/strong> &#8211; <em>La chambre claire<\/em> (1998)<br \/>\n<strong>Yasuko Yamaguchi <\/strong>&#8211; <em>Buttes Tr\u00e4ume<\/em> (2013) Urauff\u00fchrung<br \/>\n<strong>Toshio Hosokawa<\/strong> &#8211; <em>Voyage III<\/em> (1997)<br \/>\n<strong>Toru Takemitsu<\/strong> &#8211; <em>Rain Spell<\/em> (1982)<\/p>\n<h4><strong>05.01.2013 | Bangkok Art and Culture Centre<\/strong><\/h4>\n<p><strong>Dieter Mack<\/strong> &#8211; <em>Luft<\/em> (2012) Nationale Erstauff\u00fchrung<br \/>\n<strong>Brigitta Muntendorf<\/strong> &#8211; <em>IN SYNC<\/em> (2012) Nationale Erstauff\u00fchrung<br \/>\n<strong>Michael Asmara<\/strong> &#8211; <em>Etude for Orchestra<\/em> (2012) Nationale Erstauff\u00fchrung<\/p>\n<h4><strong>03.01.2013 | Kuala Lumpur | National Theater, Malaysia | Istana Budaya, Lambang Sari<\/strong><\/h4>\n<p><strong>Dieter Mack <\/strong>&#8211; <em>Luft<\/em> (2012)Nationale Erstauff\u00fchrung<strong><br \/>\nBrigitta Muntendorf <\/strong>&#8211; <em>IN SYNC<\/em> (2012) Nationale Erstauff\u00fchrung<strong><br \/>\nMichael Asmara <\/strong>&#8211; <em>Etude for Orchestra<\/em> (2012) Nationale Erstauff\u00fchrung<\/p>\n<h4><strong>02.01.2013 | Singapur Raffles Institution<\/strong><\/h4>\n<p><strong>Dieter Mack <\/strong>&#8211; <em>Luft<\/em> (2012)Nationale Erstauff\u00fchrung<strong><br \/>\nBrigitta Muntendorf <\/strong>&#8211; <em>IN SYNC<\/em> (2012)Nationale Erstauff\u00fchrung<strong><br \/>\nMichael Asmara <\/strong>&#8211; <em>Etude for Orchestra<\/em> (2012) Nationale Erstauff\u00fchrung<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2012\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2012<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol \" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>02.12.2012 | ONtemporary K\u00f6ln im Studio des Ensemble Musikfabrik<\/strong><\/h4>\n<p><strong>Brigitta Muntendorf<\/strong> &#8211; <em>IN SYNC<\/em> (2012)<br \/>\n<strong>Matthias S. Kr\u00fcger<\/strong> &#8211; <em>umKurven<\/em> (2009-2011) Urauff\u00fchrung der Neufassung<br \/>\n<strong>Julien Jamet<\/strong> &#8211; <em>Doppel Mobile<\/em> (2012) Urauff\u00fchrung<br \/>\n<strong>Steffen Krebber<\/strong> &#8211; <em>Konfusion III<\/em> (2012) Urauff\u00fchrung<\/p>\n<h4><strong>14.10.2012 | Mnemosyne Nijmegen\/ Utrecht Geertekerk <\/strong><\/h4>\n<p><strong>Carlos Mich\u00e1ns<\/strong> &#8211; <em>Tres Plegarias (Drie Gebeden)<\/em> (1999)<br \/>\n<strong>Daan Manneke<\/strong> &#8211; <em>Caccia II<\/em> (1994)<br \/>\n<strong>Wolfgang von Schweinitz <\/strong>&#8211; <em>Septett op. 11<\/em> (1976)<\/p>\n<h4><strong>13.10.2012 | Mnemosyne Utrecht Geertekerk<\/strong><\/h4>\n<p><strong>Carlos Mich\u00e1ns<\/strong> &#8211; <em>Tres Plegarias (Drie Gebeden)<\/em> (1999)<br \/>\n<strong>Daan Manneke<\/strong> &#8211; <em>Caccia II<\/em> (1994)<br \/>\n<strong>Wolfgang von Schweinitz<\/strong> &#8211; <em>Septett op. 11<\/em> (1976)<\/p>\n<h4><strong>22.09.2012 | K\u00f6lner Musiknacht: Reste, Reliquien, Reminiszenzen<br \/>\nK\u00f6ln<\/strong><\/h4>\n<p><strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment<\/em> (1989)<br \/>\n<strong>Brigitta Muntendorf <\/strong>&#8211; I<em>N SYNC<\/em> (2012) Urauff\u00fchrung<br \/>\n<strong>Dieter Mack<\/strong> &#8211; <em>Luft<\/em> (2012)<\/p>\n<h4><strong>05.09.2012 | Weg als Aufbruch \u2013 Neue Musik in der Kirche 2012 Kassel<\/strong><\/h4>\n<p><strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment<\/em> (1989)<br \/>\n<strong>Charlotte Seither<\/strong> &#8211; <em>F\u00fcnf St\u00fccke um den Fluss zu queren<\/em> (2012) Urauff\u00fchrung<br \/>\n<strong>Dieter Mack<\/strong> &#8211; <em>Luft<\/em> (2012)<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>27.07.2012 | 46. Internationale Ferienkurse f\u00fcr Neue Musik Darmstadt<\/strong><\/h4>\n<p><strong>Rebecca Saunders<\/strong> &#8211; <em>Into the Blue<\/em> (1996)<br \/>\n<strong>Earle Brown<\/strong> &#8211; <em>Available Forms 1 <\/em>(1961)<br \/>\n<strong>James Tenney<\/strong> &#8211; <em>Form 2<\/em> (1993)<br \/>\n<strong>Dieter Mack<\/strong> &#8211;<em> Luft<\/em> (2012) Urauff\u00fchrung<\/p>\n<h4><strong>21.07.2012 | 46. Internationale Ferienkurse f\u00fcr Neue Musik Darmstadt<\/strong><\/h4>\n<p><strong>Rebecca Saunders<\/strong> &#8211;<em>Into the Blue<\/em> (1996)<br \/>\n<strong>Earle Brown<\/strong> &#8211;<em>Available Forms 1 <\/em>(1961)<br \/>\n<strong>James Tenney<\/strong> &#8211;<em>Form 2<\/em> (1993)<br \/>\n<strong>Dieter Mack<\/strong> &#8211; <em>Luft<\/em> (2012)Urauff\u00fchrung<\/p>\n<h4><strong>30.04.2012 | 8 Br\u00fccken K\u00f6ln Funkhaus am Wallrafplatz <\/strong><\/h4>\n<p><strong>Rebecca Saunders<\/strong> &#8211; <em>Into the Blue<\/em> (1996)<br \/>\n<strong>James Tenney<\/strong> &#8211; <em>Form 2<\/em> (1993)<br \/>\n<strong>Earle Brown<\/strong> &#8211; <em>Available Forms 1<\/em> (1961)<\/p>\n<h4><strong>29.04.2012 | Aachen Forms and fragments Altes Kurhaus<\/strong><\/h4>\n<p><strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment<\/em> (1989)<br \/>\n<strong>Rebecca Saunders<\/strong> &#8211; <em>Into the Blue<\/em> (1996)<br \/>\n<strong>James Tenney<\/strong> &#8211; <em>Form 2<\/em> (1993)<br \/>\n<strong>Earle Brown<\/strong> &#8211; <em>Available Forms 1<\/em> (1961)<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2011\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2011<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol \" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>03.12.2011 |<\/strong><strong> Studio des Ensemble Musikfabrik<\/strong><\/h4>\n<p>Schl\u00fcsselwerkefestival 2011<\/p>\n<p>Verschiedene Ensembles spielen Ausz\u00fcge aus<br \/>\n<strong>Cornelius Cardew<\/strong> &#8211; <em>Treatise<\/em><br \/>\nf\u00fcr Ensemble<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, Einstudierung<br \/>\nensemble ]h[iatus<br \/>\nTrio Pr\u00e9vost\/van Bebber\/Hirt<\/p>\n<h4><strong>23.01.2011 | <\/strong><strong>Essen Chorforum St. Engelbert<\/strong><\/h4>\n<p><strong>David Graham<\/strong> &#8211; <em>Dream of Africa<\/em><br \/>\n<strong>Lucia Ronchetti<\/strong> &#8211; <em>Opus 100<\/em> (2005)<br \/>\n<strong>Gerhard St\u00e4bler<\/strong> &#8211; <em>NACHTST\u00dcCK I<\/em> (2005)<br \/>\n<strong>Michael Beil<\/strong> &#8211; <em>Beleuchter<\/em> (2004)<br \/>\n<strong>Carola Bauckholt<\/strong> &#8211; <em>Treibstoff <\/em>(1995)<\/p>\n<p>Studio Musikfabrik<br \/>\nMarco Blaauw und Dirk Wietheger, Einstudierung und Leitung<br \/>\nIm Rahmen des Projekts \u201cHaste T\u00f6ne? \u2013 So klingt Schule!\u201d des NRW KULTURsekretariats<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>24.06.2011 | <\/strong><strong>Konzerthaus<\/strong><strong> Dortmund <\/strong><\/h4>\n<p>Abschlusskonzert \u201cHaste T\u00f6ne? \u2013 So klingt Schule!\u201d des NRW KULTURsekretariats<\/p>\n<p><strong>Terry Riley<\/strong> | <em>In C<\/em> (1964)<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, Ulrich L\u00f6ffler und Dirk Wietheger, Einstudierung und Leitung<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2010\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2010<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol \" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>28.10.2010 | <\/strong><strong>Essen Zeche Carl<\/strong><\/h4>\n<p><strong>Stefan Hakenberg<\/strong> &#8211; <em>Oder River Image<\/em> (2001)<br \/>\n<strong>Krzysztof Penderecki <\/strong>&#8211; <em>Quartetto per archi<\/em> (1960)<br \/>\n<strong>Mauricio Kagel<\/strong> &#8211; <em>10 M\u00e4rsche um den Sieg zu verfehlen<\/em> (1978\/79)<br \/>\n<strong>Mauricio Kagel<\/strong> &#8211; <em>Schattenkl\u00e4nge<\/em> (1995)<\/p>\n<p>Julia Mih\u00e1ly, Mezzosopran<br \/>\nCarl Rosman, Bassklarinette<br \/>\nStudio Musikfabrik<br \/>\nCarl Rosman, Dirk Wietheger, Einstudierung<br \/>\nCarl Rosman, Leitung<\/p>\n<h4><strong>23.10.2010 | <\/strong><strong>Witten Europas Junger Klang<\/strong><\/h4>\n<p><strong>Krzystof Penderecki<\/strong> &#8211; <em>Quartetto per archi<\/em> (1960)<br \/>\n<strong>Mauricio Kagel<\/strong> &#8211; <em>10 M\u00e4rsche um den Sieg zu verfehlen<\/em> (1978\/79)<br \/>\n<strong>Stefan Hakenberg<\/strong> &#8211; <em>Oder River Image<\/em> (2001)<\/p>\n<p>Julia Mih\u00e1ly, Mezzosopran<br \/>\nStudio Musikfabrik<br \/>\nCarl Rosman und Dirk Wietheger, Einstudierung<br \/>\nCarl Rosman, Leitung<\/p>\n<h4><strong>25.09.2010 | <\/strong><strong>Gladbeck Zeche Zweckel\/Maschinenhalle<br \/>\nWeitere Auff\u00fchrungen: 28., 30. September, 2., 3., 6., 8. Oktober 2010 <\/strong><\/h4>\n<p><em>Gisela!<br \/>\noder: die merk- und denkw\u00fcrdigen Wege des Gl\u00fccks<\/em> (2009\/2010)<br \/>\nEin Musiktheaterst\u00fcck von Hans Werner Henze, Christian Lehnert und Michael Kerstan<\/p>\n<p><strong>Eine Urauff\u00fchrung der Ruhrtriennale<\/strong><br \/>\nRegie, Pierre Audi<br \/>\nB\u00fchne, Christof Hetzer<br \/>\nJugendkammerchor der Chorakademie Dortmund<br \/>\nStudio Musikfabrik<br \/>\nCarl Rosman, Einstudierung<br \/>\nSteven Sloane, Musikalische Leitung<br \/>\nAuftragswerk der S\u00e4chsischen Staatsoper Dresden und der Kulturhauptstadt Europas RUHR.2010 f\u00fcr \u201eDas Henze-Projekt\u201c. Der Kompositionsauftrag wird gef\u00f6rdert durch die Kunststiftung NRW.<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>21.05.2010 | <\/strong><strong>Moers Musikschule Her(t)zt\u00f6ne IV<\/strong><\/h4>\n<p><strong>Harrison Birtwistle<\/strong> &#8211; <em>Cort\u00e8ge<\/em> (2007)<br \/>\n<strong>Mauricio Kagel<\/strong> &#8211;<em> 10 M\u00e4rsche um den Sieg zu verfehlen <\/em>(1978\/79)<\/p>\n<p>Studio Musikfabrik | Jugendensemble des Landesmusikrats NRW<br \/>\nCarl Rosman und Dirk Wietheger, Einstudierung<br \/>\nCarl Rosman, Dirigent<br \/>\nAbschluss der Projektwoche des Netzwerks Improvisierte Musik Moers<\/p>\n<h4><strong>13.05.2010 | <\/strong><strong>MusikTriennale K\u00f6ln TRIPCLUBBING<\/strong><\/h4>\n<p><strong>Mauricio Kagel<\/strong> &#8211; <em>10 M\u00e4rsche um den Sieg zu verfehlen<\/em> (1978\/79)<br \/>\n<strong>Harrison Birtwistle<\/strong> &#8211; <em>Cort\u00e8ge<\/em> (2007)<br \/>\n<strong>Stefan Hakenberg<\/strong> &#8211; <em>Oder River Image<\/em> (2001) | Urauff\u00fchrung<br \/>\n<strong>Krzysztof Penderecki<\/strong> &#8211; <em>Streichquartett Nr.1<\/em> (1960)<\/p>\n<p>Nicolas Tribes, Moderation<br \/>\nJulia Mih\u00e1ly, Mezzosopran<br \/>\nStudio Musikfabrik<br \/>\nCarl Rosman, Leitung<\/p>\n<h3><\/h3>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"accordion-panel\" data-panel-id=\"2009\">\n    <div class=\"accordion-headline\">\n        <div class=\"accordion-headline-inner\">\n            <h4>2009<span class=\"accordion-toggle-btn\"><\/span><\/h4>\n        <\/div>\n    <\/div>\n    <div class=\"accordion-content\">\n        <div class=\"accordion-content-inner\"><div class=\"ce ce-twocol \" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col col-custom-1\">\r\n\t\t\t\t<h4><strong>12.12.2009 | <\/strong><strong>Tonhalle D\u00fcsseldorf <\/strong><\/h4>\n<p><strong>Carola Bauckholt<\/strong> &#8211; <em>Treibstoff<\/em> (1995)<br \/>\n<strong>Krzystof Penderecki<\/strong> &#8211; <em>Quartetto per archi<\/em> (1960)<br \/>\n<strong>Edgar Var\u00e8se<\/strong> &#8211; <em>Octandre<\/em> (1923)<br \/>\n<strong>Cornelius Cardew<\/strong> &#8211; <em>Treatise<\/em> (1963-67)<br \/>\n<strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment<\/em> (1990)<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale und Axel Porath, Einstudierung<br \/>\nPeter Veale, Leitung<\/p>\n<h4><strong>11.12.2009 | <\/strong><strong>Folkwang-Musikschule Essen<\/strong><\/h4>\n<p><strong>Edgar Var\u00e8se<\/strong> &#8211; <em>Octandre<\/em> (1923)<br \/>\n<strong>Carola Bauckholt<\/strong> &#8211; <em>Treibstoff<\/em> (1995)<br \/>\n<strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment<\/em> (1990)<br \/>\n<strong>Terry Riley<\/strong> &#8211; <em>In C <\/em>(1964)<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale und Axel Porath, Einstudierung<br \/>\nPeter Veale, Leitung<\/p>\n<h4><strong>05.12.2009 | <\/strong><strong>Schl\u00fcsselwerke,<\/strong> <strong>Studio des Ensemble Musikfabrik <\/strong><\/h4>\n<p><strong>Helmut Lachenmann<\/strong> &#8211; <em>Allegro sostenuto<\/em> (1986-88)*<br \/>\n<strong>Carola Bauckholt<\/strong> &#8211; <em>Treibstoff<\/em> (1995)<br \/>\n<strong>Luigi Nono<\/strong> &#8211; <em>\u201eHay que caminar\u201c so\u00f1ando<\/em> (1989)*<br \/>\n<strong>Terry Riley<\/strong> &#8211; <em>In C <\/em>(1964)<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n<p>*Ensemble Musikfabrik<\/p>\n<h4><strong>01.12.2009 | K\u00f6ln <\/strong><strong>Funkhaus am Wallrafplatz | junge ohren preis 2009<\/strong><\/h4>\n<p><strong>Harrison Birtwistle<\/strong> &#8211; <em>Ritual Fragment<\/em> (1990)<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale und Axel Porath &#8211; Einstudierung<\/p>\n            <\/div>\r\n            <div class=\"col col-custom-2\">\r\n\t\t\t\t<h4><strong>05.06.2009 | <\/strong><strong>Japanisches Kulturinstitut K\u00f6ln<\/strong><\/h4>\n<p><strong>Toshio Hosokawa<\/strong> &#8211; <em>Landscape IV<\/em> (1993)<br \/>\n<strong>P\u00e9ter K\u00f6szeghy<\/strong> &#8211; <em>Flosculus<\/em> (2009) Urauff\u00fchrung<br \/>\n<strong>Ulrich Gasser<\/strong> &#8211; <em>Cher-Cher<\/em> (2008) Urauff\u00fchrung<br \/>\n<strong>Matthias S. Kr\u00fcger <\/strong>&#8211; <em>umKurven<\/em> (2009)<br \/>\n<strong>Toshio Hosokawa<\/strong> &#8211; <em>Voyage VIII<\/em> (2006)<\/p>\n<p>Melvyn Poore, Tuba<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n<h4><strong>24.05.2009 | <\/strong><strong>Ensemblia M\u00f6nchengladbach,<\/strong> <strong>M\u00fcnster St. Vitus <\/strong><\/h4>\n<p><strong>P\u00e9ter K\u00f6szeghy<\/strong> &#8211; <em>Flosculus<\/em> (2009)<br \/>\n<strong>Ulrich Gasser<\/strong> &#8211; <em>Cher-Cher<\/em> (2008) Urauff\u00fchrung<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n<h4><strong>24.05.2009 | <\/strong><strong>Ensemblia M\u00f6nchengladbach,<\/strong> <strong>Museum Abteiberg <\/strong><\/h4>\n<p><strong>Piotr Moss<\/strong> &#8211; <em>Moment Musical II <\/em>(2008) Urauff\u00fchrung<br \/>\n<strong>Sidney Corbett<\/strong> &#8211; <em>Finestre del Mirandola<\/em> (2008) Urauff\u00fchrung<br \/>\n<strong>Carmen Maria C\u00e2rneci<\/strong> &#8211; <em>Zburator<\/em> (2008)<br \/>\n<strong>Matthias S. Kr\u00fcger<\/strong> &#8211; <em>umKurven<\/em> (2009) Urauff\u00fchrung<\/p>\n<p>Studio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n<h4><strong>21.05.2009 | <\/strong><strong>Kindertag in der K\u00f6lner Philharmonie<\/strong><\/h4>\n<p><strong>Carmen Maria C\u00e2rneci<\/strong> &#8211; <em>Zburator<\/em> (2008) Urauff\u00fchrung<br \/>\n<strong>P\u00e9ter K\u00f6szeghy <\/strong>&#8211; <em>Flosculus<\/em> (2009) Urauff\u00fchrung<br \/>\n<strong>Toshio Hosokawa<\/strong> &#8211; <em>Voyage VIII<\/em> (2006)<\/p>\n<p>Melvyn Poore, Tuba<br \/>\nStudio Musikfabrik<br \/>\nPeter Veale, Leitung<\/p>\n            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"ce ce-onecol pt-xlarge\" >\r\n    <div class=\"container\">\r\n        <div class=\"row\">\r\n            <div class=\"col\">\r\n\t\t\t\t            <\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n","protected":false},"excerpt":{"rendered":"<p>R\u00fcckblick 2009 &#8211; 2025 2025 22.11.2025 Alte Feuerwache | K\u00f6ln Zett Emm Nikolaus Knop \u2013 Rondo (2025) f\u00fcr Klarinette, Streichtrio und Live-Elektronik Birthe M\u00fcller \u2013 Longing for the sky (2025) f\u00fcr Schlagzeug und Klavier Gray Stencel \u2013 Pulsieren (2025) f\u00fcr Fl\u00f6te, Klarinette, Trompete, Posaune, Schlagwerk, Klavier und Streichquartett Soroush Bahmani \u2013 Im L\u00e4rm der Stille [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"parent":116,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"class_list":["post-1860","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.musikfabrik.eu\/de\/wp-json\/wp\/v2\/pages\/1860","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikfabrik.eu\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.musikfabrik.eu\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/de\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/de\/wp-json\/wp\/v2\/comments?post=1860"}],"version-history":[{"count":42,"href":"https:\/\/www.musikfabrik.eu\/de\/wp-json\/wp\/v2\/pages\/1860\/revisions"}],"predecessor-version":[{"id":15784,"href":"https:\/\/www.musikfabrik.eu\/de\/wp-json\/wp\/v2\/pages\/1860\/revisions\/15784"}],"up":[{"embeddable":true,"href":"https:\/\/www.musikfabrik.eu\/de\/wp-json\/wp\/v2\/pages\/116"}],"wp:attachment":[{"href":"https:\/\/www.musikfabrik.eu\/de\/wp-json\/wp\/v2\/media?parent=1860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}