We are looking forward to present our live recording from Kosmostage 2019 with Harry Partchs Castor and Pollux - A Dance for the Twin Rhythms of Gemini (1952).
The fact that he built and invented the instruments out of necessity to realize his music is important, as well as tunings and the wide palette of timbres and sonic possibilities.
For the first time in our workshop series “Composer Collider“, young composers were confronted with the task of writing for the Harry Partch instruments.
11.08.2017 | Die dialektische Aufhebung musikalischer GegensätzePhillip Sollmann (aka Efdemin) erkundet Harry Partch
Phillip Sollmann in "Harry Bertoais Barn" in Bally Pennsylvania, September 2016
ENGLISH VERSION BELOW
