Lea Letzel setzt seit Anfang des Jahres regelmäßig unsere Montagskonzerte in Szene. Aus Kyoto, wo sie derzeit als Stipendiatin des Goethe Instituts der Villa Kamogawa verweilt, meldet sie sich hier zu Wort.
Carl Rosman writes about the collaboration between ELISION and Richard Barrett. The Australian ensemble will visit us soon for our Monday Concert with pieces by Barrett on May, 14. Admission free!
16.06.2016 | Ballroom, Lee Plaza Hotel (the ruins of Detroit) für Violine mit Delaygerät, Electric Toy Piano, E-Gitarre, Steine, Trommel und Kasettenspieler ist inspiriert von der gleichnamigen Fotografie des Fotografenduos Yves Marchand und Romain Meffre. Sie portraitieren in diesem Band verlassene Fabrikgebäude und Grand Hotels im Detroit der Gegenwart, einst blühende Wiege der amerikanischen Automobilindustrie und boomende industrielle Produktionsstätte.
10.02.2016 | Evan Johnson had already written for the clarinet in a solo context well before we met - this is his third piece for solo clarinet, or his fourth if we include a seven-second piece he wrote to accompany the well-known early film generally known as 'Fred Ott's Sneeze'. This time, though, the specific instrument involved is not such a familiar object.
21.08.2014 | At the last Monday concert, we were, unfortunately, not able to reproduce our own Zen garden in our studio in Cologne. But, with Cage’s „Ryoanji“, peace and tranquility found their way into our rehearsal space just the same.
If you are looking for a moment of rest, watch the live recording of the performance by Bruce Collings (trombone), Dirk Rothbrust (percussion) and Carl Rosman (clarinet).
