Gladbeck | Zeche Zweckel
Claude Vivier / Albert Ostermeier
Sing für mich, Tod
a ritual for Claude Vivier by Albert Ostermeier
world première – commissioned by RuhrTriennale with the music of Claude Vivier
Claude Vivier | Stefan Kurt
soprano | Caroline Melzer
mezzo-soprano | Maria Riccarda Wesseling
choir | Kammerchor der Chorakademie Dortmund
orchestra | musikFabrik
conductor | Christoph Poppen
director | David Hermann
stage and costumes | Christof Hetzer
light | Georg Velt
dramaturgy | Jan Philipp Possmann
order of the music:
Claude Vivier | Zipangu (1980)
for string-orchestra
Claude Vivier | Lonely Child (1980)
for soprano and orchestra
Claude Vivier | Wo Bist Du Licht! (1981)
for mezzosoprano, percussion, 20 strings and tape
Claude Vivier | Glaubst Du an die Unsterblichkeit der Seele (1983)
unfinished work for choir, 3 synthesizer and two percussionists
(actor speaks part of the texts)
Claude Vivier | Cinq Chansons pour percussion (1980)
for Balinese percussion-ensemble
AlbertOstermaier.jpg)
Dieter Schnebel | Bauernszene (1992)
Institut fuer Feinmotorik
Richard Barrett | Interference (1996-2000)
Institut fuer Feinmotorik
Thierry de Mey | Musique de Tables (1987)
Institut fuer Feinmotorik
Soloists of the musikFabrik

György Ligeti | Poème symphonique für 100 Metronome (1962)
Soloists of the musikFabrik
Piano works by Helmut Lachenmann, John Cage and Karlheinz Stockhausen
Stefan Litwin, piano

Gladbeck | Zeche Zweckel
Claude Vivier / Albert Ostermeier
Sing für mich, Tod
a ritual for Claude Vivier by Albert Ostermeier
world première – commissioned by RuhrTriennale with the music of Claude Vivier
Claude Vivier | Stefan Kurt
soprano | Caroline Melzer
mezzo-soprano | Maria Riccarda Wesseling
choir | Kammerchor der Chorakademie Dortmund
orchestra | musikFabrik
conductor | Christoph Poppen
director | David Hermann
stage and costumes | Christof Hetzer
light | Georg Velt
dramaturgy | Jan Philipp Possmann
order of the music:
Claude Vivier | Zipangu (1980)
for string-orchestra
Claude Vivier | Lonely Child (1980)
for soprano and orchestra
Claude Vivier | Wo Bist Du Licht! (1981)
for mezzosoprano, percussion, 20 strings and tape
Claude Vivier | Glaubst Du an die Unsterblichkeit der Seele (1983)
unfinished work for choir, 3 synthesizer and two percussionists
(actor speaks part of the texts)
Claude Vivier | Cinq Chansons pour percussion (1980)
for Balinese percussion-ensemble

Gladbeck | Zeche Zweckel
Claude Vivier / Albert Ostermeier
Sing für mich, Tod
a ritual for Claude Vivier by Albert Ostermeier
world première – commissioned by RuhrTriennale with the music of Claude Vivier
Claude Vivier | Stefan Kurt
soprano | Caroline Melzer
mezzo-soprano | Maria Riccarda Wesseling
choir | Kammerchor der Chorakademie Dortmund
orchestra | musikFabrik
conductor | Christoph Poppen
director | David Hermann
stage and costumes | Christof Hetzer
light | Georg Velt
dramaturgy | Jan Philipp Possmann
order of the music:
Claude Vivier | Zipangu (1980)
for string-orchestra
Claude Vivier | Lonely Child (1980)
for soprano and orchestra
Claude Vivier | Wo Bist Du Licht! (1981)
for mezzosoprano, percussion, 20 strings and tape
Claude Vivier | Glaubst Du an die Unsterblichkeit der Seele (1983)
unfinished work for choir, 3 synthesizer and two percussionists
(actor speaks part of the texts)
Claude Vivier | Cinq Chansons pour percussion (1980)
for Balinese percussion-ensemble
BarbaraAumuller_x.jpg)
Gladbeck | Zeche Zweckel
Claude Vivier / Albert Ostermeier
Sing für mich, Tod
a ritual for Claude Vivier by Albert Ostermeier
world première – commissioned by RuhrTriennale with the music of Claude Vivier
Claude Vivier | Stefan Kurt
soprano | Caroline Melzer
mezzo-soprano | Maria Riccarda Wesseling
choir | Kammerchor der Chorakademie Dortmund
orchestra | musikFabrik
conductor | Christoph Poppen
director | David Hermann
stage and costumes | Christof Hetzer
light | Georg Velt
dramaturgy | Jan Philipp Possmann
order of the music:
Claude Vivier | Zipangu (1980)
for string-orchestra
Claude Vivier | Lonely Child (1980)
for soprano and orchestra
Claude Vivier | Wo Bist Du Licht! (1981)
for mezzosoprano, percussion, 20 strings and tape
Claude Vivier | Glaubst Du an die Unsterblichkeit der Seele (1983)
unfinished work for choir, 3 synthesizer and two percussionists
(actor speaks part of the texts)
Claude Vivier | Cinq Chansons pour percussion (1980)
for Balinese percussion-ensemble

Gladbeck | Zeche Zweckel
Claude Vivier / Albert Ostermeier
Sing für mich, Tod
a ritual for Claude Vivier by Albert Ostermeier
world première – commissioned by RuhrTriennale with the music of Claude Vivier
Claude Vivier | Stefan Kurt
soprano | Caroline Melzer
mezzo-soprano | Maria Riccarda Wesseling
choir | Kammerchor der Chorakademie Dortmund
orchestra | musikFabrik
conductor | Christoph Poppen
director | David Hermann
stage and costumes | Christof Hetzer
light | Georg Velt
dramaturgy | Jan Philipp Possmann
order of the music:
Claude Vivier | Zipangu (1980)
for string-orchestra
Claude Vivier | Lonely Child (1980)
for soprano and orchestra
Claude Vivier | Wo Bist Du Licht! (1981)
for mezzosoprano, percussion, 20 strings and tape
Claude Vivier | Glaubst Du an die Unsterblichkeit der Seele (1983)
unfinished work for choir, 3 synthesizer and two percussionists
(actor speaks part of the texts)
Claude Vivier | Cinq Chansons pour percussion (1980)
for Balinese percussion-ensemble

Gladbeck | Zeche Zweckel
Claude Vivier / Albert Ostermeier
Sing für mich, Tod
a ritual for Claude Vivier by Albert Ostermeier
world première – commissioned by RuhrTriennale with the music of Claude Vivier
Claude Vivier | Stefan Kurt
soprano | Caroline Melzer
mezzo-soprano | Maria Riccarda Wesseling
choir | Kammerchor der Chorakademie Dortmund
orchestra | musikFabrik
conductor | Christoph Poppen
director | David Hermann
stage and costumes | Christof Hetzer
light | Georg Velt
dramaturgy | Jan Philipp Possmann
order of the music:
Claude Vivier | Zipangu (1980)
for string-orchestra
Claude Vivier | Lonely Child (1980)
for soprano and orchestra
Claude Vivier | Wo Bist Du Licht! (1981)
for mezzosoprano, percussion, 20 strings and tape
Claude Vivier | Glaubst Du an die Unsterblichkeit der Seele (1983)
unfinished work for choir, 3 synthesizer and two percussionists
(actor speaks part of the texts)
Claude Vivier | Cinq Chansons pour percussion (1980)
for Balinese percussion-ensemble
AlbertOstermaier.jpg)
Toshio Hosokawa | Hanjo (2004)
Opera in One Act
concerto form
Libretto by Toshio Hosokawa | based on HANJO, a No play by Yukio Mishima, translated by Donald Keene
Luca Vegetti | director
Hanako (soprano) | Miwako Handa
Jitsuko (mezzo-soprano) | Fredrika Brillembourg
Yoshio (bariton) | Teruhiko Komori
musikFabrik
conductor | Johannes Debus

Toshio Hosokawa | Hanjo (2004)
Opera in One Act
concerto form
Libretto by Toshio Hosokawa | based on HANJO, a No play by Yukio Mishima, translated by Donald Keene
Luca Vegetti | director
Hanako (soprano) | Miwako Handa
Jitsuko (mezzo-soprano) | Fredrika Brillembourg
Yoshio (bariton) | Teruhiko Komori
musikFabrik
conductor | Johannes Debus

Wolfgang Rihm | Nachschrift – eine Chiffre (2003 / 2004)
for ensemble
Mauricio Sotelo | Chalan
for tabla & percussion-soloist and ensemble
Mauro Lanza | Vesperbild (2006/07)
for ensemble | commissioned by IRCAM, Radio France, musikFabrik and Kunststiftung NRW
Luca Francesconi | Unexpected End of Formula (2008)
for violoncello, live-electronic and ensemble
commissioned by ZKM, Kunststiftung NRW and musikFabrik
Dirk Rothbrust | percussion
Dirk Wietheger | violoncello
musikFabrik
Anu Tali | conductor
